Pepita Pardell: Paradigma De La Invisibilización De La Mujer En El Cine Animado Español,
2025
Xarxa Audiovisual Local, Barcelona
Pepita Pardell: Paradigma De La Invisibilización De La Mujer En El Cine Animado Español, Marta Pardell Carretero
GDI. Revista de investigación de Género, Diseño e Innovación
Pepita Pardell i Terrade (Barcelona 1928 – 2019) es pionera del cine de animación. Participó en la primera película que se rodó en España, Garbancito de la Mancha (1945), que también es el primer film hecho en Europa con la técnica del acetato (Pagès, 2018), así como en las principales producciones que se rodaron hasta 1993. Es también la primera mujer en codirigir cine de animación en España y en ser animadora jefe de un estudio. Su trayectoria es singular, inusual y vertebra la historia de la animación hecha a mano en nuestro país. Sin embargo, su trabajo no …
So You Think You Can Teach Dance?: Evaluating Effective Indicators And Assessments For Teaching Ballroom Dance In A High School Setting,
2025
University of Northern Colorado
So You Think You Can Teach Dance?: Evaluating Effective Indicators And Assessments For Teaching Ballroom Dance In A High School Setting, Alyssa Arnold
Master's Theses
The purpose of this study was to determine the most effective learning indicators of ballroom dancing for high school dance educators in Utah’s DSD so that a later date, updated rubrics and assessments could be created and presented as artifacts to DSD’s Fine Arts Supervisor for future teachers. The researcher sought to answer the following questions:
Q1 How are teachers currently assessing students’ ballroom dancing?
Q2 What are the most important learning indicators to teachers?
Q3 Are the learning indicators in alignment with the required standards?
This research took place over two sessions held during students’ regularly held ballroom dance …
Harnessing Irrationality,
2025
Clemson University
Harnessing Irrationality, Jennifer E. Smith
All Theses
My thesis work considers the presence of objectifying gazes in representations of women in Western visual media and pop culture. I reference film, television, short form content shared on social media, and pornography to identify and repurpose tools of objectification in my large scale drawings and animated GIFs. I compare the objectifying tropes present in contemporary entertainment media and pop culture to those present in the Western art historical tradition of the reclining female nude, mythology and folklore, and pornography. Using these comparisons, I discuss objectification in terms of passive and active, consumption and appetite, and idealization and devaluation. I …
Processing Self,
2025
Clemson University
Processing Self, Ethan B. Mckellar
All Theses
Processing Self is a body of sculptural and utilitarian ceramic work that explores the intersection of the materiality of clay with the expression of grief and vulnerability. In this work I utilize the process of building unstable ceramic vessels and the communal action of wood firing to translate the experiences of grief and care into physical forms. As I build, I manipulate the clay to its limits, allowing it to falter under its own weight, and display the breakage and damage. By committing to support each vessel through its creation, I make a promise to persevere, echoing the commitment I …
Self-Portrait,
2025
SUNY Plattsburgh
Self-Portrait, Natalie Vazquez-Martinez
Gandy Dancer Archives
Medium: acrylic paint and wood
Moi,
2025
SUNY Plattsburgh
The Grand Scheme Of Things: A Review,
2025
University at Buffalo
The Grand Scheme Of Things: A Review, Paige Louks
Gandy Dancer Archives
No abstract provided.
Leslie,
2025
SUNY Plattsburgh
Leslie, Natalie Vazquez-Martinez
Gandy Dancer Archives
Medium: soft pastels and colored pencils
Heartland,
2025
SUNY Purchase
I Miss You,
2025
University at Buffalo
A Subdural Hemorrhage,
2025
Nova Southeastern University
A Subdural Hemorrhage, Marianne Koleng
be Still
This piece attempts to weave together an understanding of medicine, healing, trauma, and neuroscience through an exploration of past injury and how pivotal moments as such can influence a future career pursuing medicine. This piece also demonstrates how seeking attention can lead to deleterious health impacts and investigates the importance of tempering pride with humility.
Attention - Volume 10,
2025
Nova Southeastern University
Abstract Attention, Colorized,
2025
Nova Southeastern University
Abstract Attention, Colorized, Marianne Koleng
be Still
This vibrant abstract painting that explores the fluidity of human feelings through bold, sweeping brushstrokes and a contrasting color palette. Bursts of red and orange suggest intensity and passion, while cooler blues and grays add a sense of introspection and calm. The lack of defined forms invites viewers to project their own interpretations, making the piece a dynamic reflection of chaos and beauty in the search for attention.
I Want You To Want Me,
2025
Nova Southeastern University
I Want You To Want Me, Marianne Koleng
be Still
This piece calls to the theme of "attention" through a mixed media piece incorporating collage, ink, and colored pencil. It embraces the nuances of both anatomy and popular music, rock-and-roll, to be specific. The title is taken from the popular song by Cheap Trick, of the same name in an effort to elude to the desire for human attention in a human form.
Even Flow,
2025
Nova Southeastern University
Even Flow, Marianne Koleng
be Still
This piece attempts to connect the "ebb and flow" of music and art with the sometimes strict interpretation of anatomy. It calls to attention what often seem as opposites - the cold nature of medicine and science with the seemingly warm and free nature of music and art. While many see them as opposites, this piece attempts to convey they are really two sides of the same coin.
Pick & Choose,
2025
Nova Southeastern University
Pick & Choose, Sana Lulu
be Still
To me, attention goes hand in hand with patience and is a core part of my creative process. When it comes to my art, I generally ride inconsistent waves of inspiration, meaning I often churn out pieces all in one session, finessing a piece until I am satisfied. In that span of time, all that matters to me is getting my piece as close to how I picture it in my mind as possible, giving it my full undivided attention. I tend to fixate on projects and have a hard time revisiting them once I decide to end the session. …
Anne-Katrine,
2025
Nova Southeastern University
Anne-Katrine, Tiffany Tran
be Still
I wrote “Anne-Katrine” in memory of my late cousin. The poem explores how our attention lingers on those who have shaped us, reflecting the quiet, persistent act of remembering someone across time and space. It examines how mindful attention allows us to honor the past and keep cherished moments alive, even when we cannot hold them.
"Sees" The Day,
2025
NSU-KPCOM
More Than Medicine: The Quiet Power Of Attention,
2025
Nova Southeastern University
More Than Medicine: The Quiet Power Of Attention, Eleni Geletu
be Still
This short reflection is based on my experience as a Patient Advocacy Representative. It tells the story of a phone call with a patient in distress and shows how simply paying attention and showing care can make a real difference. The piece reminds us that healing often begins with compassion, not just medicine. It highlights the importance of listening, empathy, and human connection in healthcare.
Keywords: compassion, patient care, attention, empathy, narrative medicine, advocacy, healing
The Crystal House Of The Valley,
2025
Nova Southeastern University
