Fine Arts Commons^™

When Fine Art And Commercial Art Merge: A Playbook For Emerging Artists Without Gallery Representation To Create Successful And Sustainable Careers, Regina Escobedo Guerra

MA Theses

Pursuing a career as an artist comes with no clear path nor directions. The first years after graduating are filled with confusion and uncertainty. Emerging artists are oftentimes unequipped with the necessary resources to create sustainable and profitable careers. In a saturated market where only a select few are able to make a living solely from art, artists need to gain autonomy and control over their practices. This thesis provides emerging artists with no gallery representation with the tools to create an independent career that prioritizes artistic authenticity and sustains profit. Through a dismissal of the negative perceptions placed on …

Marc Chagall And The Jewish Experience: A Personal Modernism In The Parisian Avant-Garde, Samantha Desanctis

MA Theses

Marc Chagall and the Jewish Experience: A Personal Modernism in the Parisian Avant-Garde examines the interplay between Marc Chagall’s Jewish heritage and his engagement with the Parisian avant-garde of the early twentieth century. Chagall’s upbringing in the Russian Empire deeply informed his visual language, which persisted even as he explored the techniques and innovations of modernist movements. This thesis analyzes Chagall’s early works alongside close readings of key paintings such as I and the Village, 1911, Homage to Apollinaire, 1911–12, Self-Portrait with Seven Fingers, 1912–13, and Green Violinist, 1923–24, considering symbols, colors, compositions, and recurring motifs drawn from religion, tradition, …

Can A Curator Influence Their Nation’S Art Market Value? Adriano Pedrosa, The 60th Venice Biennale, And The Global Repositioning Of Brazilian Art, Maria Joana Ventosa

MA Theses

The 60th Venice Biennale (2024), curated by Brazilian curator Adriano Pedrosa, the first Latin American curator, and the first curator based in the Global South to lead the Venice Biennale, revived long-standing debates concerning visibility and marginalization, who controls canon formation and, in a market where visibility directly affects value, the power of dictating the market. The curator furthered this discussion by curating a show literally titled “Strangers Everywhere”, focused on representations by artists who identify as “othered”, through, for example colonisation and erasure of native cultures, immigration or queerness.  This thesis examines the evolving role of biennials as platforms …

The Language Of Value: Lot Note Complexity And Auction Performance In Abstract Expressionism, Artur Sharifullin

MA Theses

This thesis asks a simple question: does the language in lot notes relate to price and to whether a lot beats or misses its estimate? I study eight Abstract Expressionist artists: Ad Reinhardt, Adolph Gottlieb, Barnett Newman, Franz Kline, Joan Mitchell, Lee Krasner, Robert Motherwell, and Sam Francis because their works are less representational and often need supporting text to explain the context. The main sample includes only lots sold for more than $1 million at Christie’s or Sotheby’s in New York or London over the past ten years. I measure a small set of writing features that are easy …

Reconstructing The Surreal: Female Artists And The Transformation Of Surrealist Aesthetics, Erin Regan

MA Theses

This thesis examines the role and legacy of female artists who took part in the Surrealist visual art movement of the early 20th century. Canonical accounts have historically privileged the contributions of male artists, marginalizing women to the fringes of the movement by framing female artists as being primarily relevant as muses for their male peers. This study contests this historiographical misconception, relying upon visual analysis and archival research, as well as drawing from psychological, feminist, and postmodern theory, ultimately arguing that their artistic and theoretical innovations fundamentally restructured Surrealism’s visual vocabulary, theoretical objectives, and cultural legacy. This thesis is …

The Collapse Of The New Tendencies: How Did A Movement That Never Existed Cease To Exist, Tonka Protega

MA Theses

This thesis examines the short lifespan of the New  Tendencies. Although the  New Tendencies have gained renewed recognition over the last couple of years, there is still limited research on their final phase. To address this topic, I analyzed the narrative history of the  New Tendencies  , alongside the essays published in the exhibition catalogues. Additionally, I considered the historical and political situation in Croatia during this period, which influenced the manifestations. Ultimately, this thesis argues for the non-existence of the  New Tendencies  as a movement in the history of art and identifies the key reasons that led to its …

The Flavor Of Marketing: How Food Is Revolutionizing Luxury Brand Communication, Aloisa Ruf

MA Theses

This thesis explores how food operates as a cultural, psychological, and strategic instrument within the global luxury industry. Drawing from art history, marketing theory, and sensory studies, it traces how societies across Europe, the Middle East, China, Japan, Russia, and the United States have long used food to express hierarchy, belonging, and emotion—from the banquets of seventeenth-century Versailles to the branded cafes and collaboration of the 2010s and 2020s. Through a comparative and interpretive methodology, the research connects historical visual traditions with contemporary brand strategies, examining case studies such as Gucci Osteria, Louis Vuitton’s Desert Iftar, Dior Café, Loewe’s “Tomato” …

Can Art Function As A Financial Asset Class? Conditions, Risks, And Emerging Solutions, Aurelia Labbé

MA Theses

The art market has grown significantly over recent decades, supported by rising global demand, record auction results and increasing interest from collectors pursuing financial returns. This evolution has encouraged the development of investment-oriented practices and strengthened the notion that artworks can function as financial assets. This shift takes place in a market shaped by subjectivity, opacity and limited regulatory oversight, where valuation methods, provenance documentation and professional standards remain highly uneven. These conditions make art investment particularly complex and raise essential questions about the factors that support or weaken the legitimacy of art as an asset class. This thesis examines …

Global Art: An Economic Exploration Of The Factors Driving Sensible Gallery Expansion, James Mclennan

MA Theses

The goal of this thesis is to develop a practical and defensible decision tool to guide art gallery expansion. Focusing on four cities – New York, Hong Kong, London, and Doha – the thesis translates heterogeneous considerations into a matrix that scores each of the cities according to eight factors: Market & Demand; Regulation & Tax; Logistics & Shipping; Labor & Immigration; Legal Entity & Finance; Brand, PR & Audience; Competition & Benchmarking; and Risk. Sub-factors are scored and averaged to provide results on how each city scores against each other. The output is a ranked set of city recommendations …

Aura For Sale?: Art Merchandise And The Totalizing Culture Of Reproduction, Lily Paternoster

MA Theses

The art historical discipline largely excludes art merchandise from critical analysis, relegating it to being a marketing gimmick or gift shop opportunity. This failure to reconcile with the rapidly expanding enterprise for brand collaborations with fine artists has led to an overwhelming and unregulated commercial licensing industry, similar in mystique and ascend to that of the fine art market. Through the case studies of two post-humous artists and two living- Keith Haring, JeanMichel Basquiat, KAWS (Brian Donnelly), and Maurizio Cattelan- I argue that art merchandise exists on a constantly fluctuating scale between democratizing force and commodity. Despite its status on …

Evolving Motives: How Art Collecting Has Changed Across Generations, Giovanni Mazzoleni

MA Theses

This thesis elucidates the changing reasons for collection in recent years and focuses on three generations of collectors: those born before 1950; those born between 1951-1980; and those born after 1981. It commences with a literature review of the initial collecting motivations and challenges, motives based on socio-cultural, economic and technological advancements which foster the importance and reasons for collections. To make this investigation tangible, a quantitative survey was adopted. Forty-five participants, each ranking their levels of agreement from one to five based on an assessment of eight statements based on five motives: economic, normative, uniqueness, hedonic and intellectual. Descriptive …

Does Blue-Chip Art Genuinely Provide Diversification And Risk Mitigation Once Illiquidity, Transaction Frictions, And Survivorship Bias Are Explicitly Incorporated Into Performance Analysis, Or Is The “Safe Haven” Label Fundamentally Misleading?, Radhika Vissanji

MA Theses

Blue-chip art is widely presented as a safe haven and portfolio diversifier, particularly during periods of financial market uncertainty. This perception is reinforced by art price indices and industry reports that emphasise long-term appreciation, relatively low volatility, and weak correlation with traditional financial assets. Despite the growing prominence of these claims in advisory and institutional discourse, there remains limited agreement on whether such properties persist once the structural characteristics of the art market are fully taken into account. This thesis evaluates whether blue-chip art genuinely delivers diversification and risk-mitigation benefits under realistic market conditions. Focusing on three structural factors, illiquidity, …

From Fear To Familiarity: Folkloric Creatures And Cultural Identity In Contemporary Japanese And Filipino Art, Mariel Yulo Asuncion

MA Theses

Mythological and folkloric creatures have evolved beyond their traditional contexts to serve as tools through which contemporary artists reinterpret and express colonial memory, cultural experiences, and social anxieties. Both Japan and the Philippines mobilize their folkloric monsters as forms of commentary on modern conditions; however, they do so in distinct ways shaped by their differing cultural histories and belief systems. This study aims to analyze and compare how Japanese and Filipino contemporary artists reinterpret folkloric creatures within modern contexts. Employing a qualitative, comparative cultural analysis alongside a sociohistorical framework, this research investigates the contemporary reinterpretation of mythological creatures in both …

From Crisis To Construction: Museum And Institutional Maturation In The Uae, Csilla Brigitta Lazar

MA Theses

This thesis examines the growth of museums and art institutions in the UAE against the backdrop of international debates about museum crisis. While many museums in Europe and North America are struggling with funding pressures, audience disconnection, collection issues and institutional reinvention, the UAE presents a different trajectory: one of rapid cultural investment, state ambition, private support and institutional construction. This thesis argues that the UAE does not represent a single alternative museum model, but a layered ecosystem made up of civic-educational, heritage, cultural diplomacy, philanthropic, creative economy and independent experimental models. Although UAE institutions benefit from financial stability, their …

M+, Beyond A Museum?: The Making Of A New Cultural Paradigm In Hong Kong, Grace Law

MA Theses

This thesis, titled M+, Beyond a Museum? The Making of a New Cultural Paradigm in Hong Kong, is a critical inquiry into whether M+ is a traditional museum or an institution that redefines Hong Kong’s cultural landscape. The study examines the operational and financial challenges encountered by the Museum in the backdrop of its distinguished architecture, meticulous programming, and advanced digital technology. By tracing the Museum’s development through its core exhibitions and international collaborations, this thesis demonstrates how M+ has evolved into a key art institution within the West Kowloon Cultural District (WKCD), and elevated its positioning in the cultural …

Analytical Commentary And Performer's Guide To Carlos R. Martinez's Four Pieces For Trombone, Bailey Jean Hardy-Price

Theses and Dissertations--Music

Musicians with hearing loss are documented in prominent figures, such as Ludwig van Beethoven. In the age of developing medical technology, hearing aids can turn the course for many musicians. Music can serve as an audio medium for this journey.

Carlos R. Martinez (b. 1978) is an active composer and pianist commissioned to create a piece that explores the journey of hearing loss in a musician. Martinez’s Four Pieces for Trombone and Piano illustrate a musician’s discovery of their hearing loss, its consequences, and joy in implementing the use of a hearing aid. The detailed discussion of the composer and …

2026 Inscape, Morehead State University.

Inscape: Art & Literary Magazine Archive

The 2026 edition of the Inscape: Literary and Art Magazine.

Exploring The Ephemeral: California’S Light And Space Artists, Shasta Power

Undergraduate Research Awards

Advancements in technology during the 20th and 21st centuries have allowed for new forms of art to be created, and new mediums to be explored— evidenced by the Light and Space Movement which emerged out of Southern California in the 1960s. Artists of this movement occupied a unique position within the larger scene of art history at the time; they were at the center of political turmoil and technological revolution, working in the same spaces and at times even alongside the engineers and psychologists interested in space: both outer and inner. Mary Corse, a painter, Fred Eversley, a sculptor, and …

Making Faces, Elinor Attisani

Scripps Senior Theses

Making Faces is a series of gelatin silver prints and moving images that argues that identity is constructed through– rather than simply reflected in– repeated choices and behaviors. Through my project, I suggest that gender is not innate, but rather, performed. The images visualize the process through which a gendered self is established. A series of representations of Mari in costume come together to demonstrate the practicing of gender, and point to the illusory nature of the notion of a pre-existing, essential self. This representation of an exaggeratedly feminine subject is highly staged and theatrical, compelling the viewer to look …

Modern Psychological Distress: An Expressionist Lens, Abigail Adell

Scripps Senior Theses

“Static Overwhelm” showcases collective stress born from perpetual engagement with the internet and social media. The piece began as a personal reflection of my felt anxiety from online overuse. However, it quickly became a greater social commentary on the modern condition of internet dependence, stress, and unease.

With any basic search engine, any amount or type of information that I could ever need, is at my fingertips. We constantly experience the stress effects of the internet’s misinformation, political pressure, and addictive design.

Inspired by the expressionist movement, I have created a piece that focuses on the expression of raw emotion, …