試論文獻辨僞的語言學方法,
2015
揚州大學
試論文獻辨僞的語言學方法, Zongwu Qian
嶺南學報 Lingnan Journal of Chinese Studies
辨識上古文獻真僞，是正確利用上古文獻的前提，也是學術研究的基礎工作和研究者必備素質。上古文獻多有真僞之辨，傳統辨僞方法亦有局限。本文首次系統論證文獻辨僞語言學方法的學理依據和技術手段，具有重要的理論意義和認識論價值。
李杜齊名之形成,
2015
復旦大學
李杜齊名之形成, Shangjun Chen
嶺南學報 Lingnan Journal of Chinese Studies
中國詩歌史發展到盛唐，無疑達到巔峰之成就，而站在峰頂的人物，當然是被譽爲雙子星座的李白與杜甫。李白生前就已經取得舉世公認的地位，而比他年幼十二歲的杜甫則成名過程要複雜得多。今人根據通行的幾種唐人選唐詩没有收録杜甫詩歌，因此而認爲杜甫在唐代詩人中地位不高，影響不大，實在是皮相之見。本文則力圖根據第一手文獻，證明李杜齊名在杜甫生前已經爲部分人所認可，其最終獲得舉世公認，則在杜甫生後三五十年間完成。李杜地位的確定，是中古詩學史上的重大事件，也是引導唐宋詩歌轉型的關鍵所在。
再論《劉子》是否爲劉勰所作 : 兼談學術爭論中的學風問題,
2015
北京大學、樹仁大學
再論《劉子》是否爲劉勰所作 : 兼談學術爭論中的學風問題, Shaokang Zhang
嶺南學報 Lingnan Journal of Chinese Studies
近來有人認爲《劉子》作者是劉勰，這種結論的得出，體現了作者曲解材料的不良學風，本文爲之做正本清源的駁斥。認爲《劉子》是劉勰所作者的文獻根據就是兩《唐志》的著録，本文考辨了兩《唐志》致誤的緣起，從目録學上，否定了某些人據以爲劉勰著《劉子》的可信性。從《劉子》基本思想傾向、人格思想素質以及語言風格諸方面與《文心雕龍》相對照，所呈現之差異，可徹底否定所謂《劉子》爲劉勰所作之謬論。一切基於違背實事求是原則而作的所謂學術研究，根本是站不住脚的。
"以意逆志"説與中國古代解釋論,
2015
嶺南大學
"以意逆志"説與中國古代解釋論, Zongqi Cai
嶺南學報 Lingnan Journal of Chinese Studies
“以意逆志”四字爲孟子解《詩》時提出，近千年以來爲各派批評家所推重。爲何孟子“以意逆志”一語會被這麽多批評家認同？本文提出，“以意逆志”之所以能“放之四海而皆準”，與古代漢語作爲不帶情態標記語言而具有豐富的模糊空間有著很大關係。歷代以來，中國傳統批評家不斷地挖掘利用“以意逆志”中“意”、“逆”、“志”三字之語義以及四字之間句法的模糊性，以求重新闡發孟子的論斷，進而爲各自的解釋説找到理論根據。因此，通過討論各家對孟子“以意逆志”一語的重新闡發，本文展示出從先秦到清代各種解釋方法的獨特特徵，同時，本文亦發現這些理論潛在的互相聯繫，進而揭示中國整個解釋傳統作爲整體的動態統一。
越民族底滅亡,
2015
Lingnan University
越民族底滅亡, Dongrui Zhu
嶺南學報 Lingnan Journal of Chinese Studies
本文爲朱東潤師所著《漢書考索》中至今未刊的一篇文稿。師研治秦漢古史，1940年於四川樂山武漢大學任職期間完成《史記考索》，尋付開明書店出版。1942年教席轉至重慶柏溪國立中央大學期間撰《後漢書考索》，1951年3月任教濟南齊魯大學歷史系期間撰《漢書考索》，二稿分别裝訂存藏，師生前未曾刊佈。《漢書考索》稿本自題：“未定稿，《班彪及〈漢書〉》篇另見。”至1996年，經朱師孫女朱邦薇女史整理，將上述三稿合爲一書，題曰《史記考索》（外二種），收入華東師範大學出版社《二十世紀國學叢書》出版。當時因未完成遺稿清理，不免有所疏漏。近期承托整理朱師遺稿，檢得《班彪及〈漢書〉》、《越民族底滅亡》二稿置於一處，因知二文皆爲《漢書考索》之未刊稿。乃請張恒怡同學代爲輸入，我再作校訂，標點符號則按照今日之文稿規範酌予增改。謹以《越民族底滅亡》稿交付《嶺南學報》復刊號發表。整理中之訛誤，責任當然在我。2013年12月26日，及門陳尚君謹識。
梁啓超與晚清短篇小説的發生,
2015
北京大學
梁啓超與晚清短篇小説的發生, Xiaohong Xia
嶺南學報 Lingnan Journal of Chinese Studies
本文主要考辨梁啓超所謂“短篇小説”概念之形成。梁啓超於1898年戊戌變法失敗後流亡日本，居留長達十三年，這種經歷影響甚鉅，微末至其“短篇小説”文體概念的形成，也有迹可循。而梁氏具有報人經歷，這也促進了其關於“短篇小説”文體的思索。而直到1902年2月《新民叢報》創刊，短篇小説已爲梁啓超所關注，他特創“片假體”這一“新名詞”，顯然意指短篇小説，以此形容小説族群中的短篇，倒也神似。而在梁氏表述中，直接以“短篇”命名的小説文體分類，最早見諸他爲1904年6月12日在上海創刊的《時報》所作《發刊例》。若以今日之眼光打量，《説部腋》第一輯乃是目前已知晚清最早行世的一部短篇小説集，同時須看到《説部腋》輯者的思路卻是中外並進，其間中西、中日之文學淵源是顯而易見的。
Shandong University Students' Views On Homosexuality,
2015
Bowling Green State University
Shandong University Students' Views On Homosexuality, Joseph Miller
Honors Projects
Relatively little research currently exists on the subject of homosexuality and LGBT rights within the present People’s Republic of China. Homosexual behavior itself has only been legal in the country since 1997, and it was only removed from the Chinese Psychiatric Association’s list of disorders in 2001. While a few studies are beginning to examine current Chinese attitudes towards the subject of homosexuality, it is not yet enough to get a rounded view of the subject, and more research must be done in order to provide more accurate data. It is to this purpose that this survey of Shandong University …
Han's (韓邦慶) Novel 海上花列傳 (The Sing-Song Girls Of Shanghai) And Urbanity In Late Qing Shanghai,
2015
University of Pennsylvania
Han's (韓邦慶) Novel 海上花列傳 (The Sing-Song Girls Of Shanghai) And Urbanity In Late Qing Shanghai, Xiaojue Wang
CLCWeb: Comparative Literature and Culture
In her article "Han's (韓邦慶) Novel海上花列傳 (The Sing-Song Girls of Shanghai) and Urbanity in Late Qing Shanghai" Xiaojue Wang discusses the relationship between the urban milieu in the foreign concessions of Shanghai and the late Qing courtesan culture through a critical reading of Bangqing Han's (韓邦慶1856-1894) novel The Sing-Song Girls of Shanghai. Wang argues that Han's novel is a significant departure from traditional vernacular fiction in three aspects: 1) its illustration of the connection between courtesan culture and the rising modern city, 2) its portrayal of emergent female subjectivity and female space in the late Qing, …
Positions Of Sinophone Representation In Jin's (金庸) Chivalric Topography,
2015
Rutgers University
Positions Of Sinophone Representation In Jin's (金庸) Chivalric Topography, Weijie Song
CLCWeb: Comparative Literature and Culture
In his article "Positions of Sinophone Representation in Jin's (金庸) Chivalric Topography" Weijie Song examines Yong Jin's post-1949 Hong Kong chivalric imagination of imperial Beijing and beyond during the Ming-Qing Dynastic transition and the dialects of inclusive exclusion and exclusive inclusion. In Cold War Hong Kong, Jin charted a wide range of chivalric activities: intruding into the political center embodied by the Forbidden City (the "Great Within") and fleeing to peripheral regions such as Xinjiang's Islamic community, the overseas kingdom in Brunei in Southeast Asia, and an unknown place somewhere inside Yangzhou. Song argues that Jin's literary topography suggests a …
Chinese Literature's Route To World Literature,
2015
Beijing Normal University
Chinese Literature's Route To World Literature, Hongtao Liu
CLCWeb: Comparative Literature and Culture
In his article "Chinese Literature's Route to World Literature" Hongtao Liu argues that Goethe's theory of world literature based on the conflicting and unifying values of cosmopolitanism and localism has fueled Chinese literature's desire to join world literatures. Proposed by Zhenduo Zheng with the notion of the "unification of literature" at the beginning of the twentieth century and developed in the 1980s, the "global elements of twentieth-century Chinese literature" in the twenty-first century, this notion remains a feature of Chinese literature's global trajectory. Liu argues that although the experience of a number of transitions, China's pursuit remains relevant and translation …
Review Of Riding The Wind With Liezi By Ronnie Littlejohn And Jeffrey Dippmann,
2015
Coastal Carolina University
Review Of Riding The Wind With Liezi By Ronnie Littlejohn And Jeffrey Dippmann, Ronald S. Green
Philosophy and Religious Studies
No abstract provided.
From "Nature" To "Nature-As-Such": A Reflection On The Object Of Ecocriticism,
2015
Theoretical Studies in Literature and Art
From "Nature" To "Nature-As-Such": A Reflection On The Object Of Ecocriticism, Qian Wang
Theoretical Studies in Literature and Art
What ecocriticism studies is not "nature" as material and substantial environment but "nature-as-such" that appearances in literary works. "Nature-as-such" is a conception between abstract idea and physical reality which could be understood by the way how natural things are described in literary works, and it could be used to explain how natural things are experienced in the real world. The conception of "nature-as-such" leads eco-criticism to step out of the first and the second wave in criticism which takes nature either as substantial environment or cultural construction, and enables ecocriticism to explain the relation between man and nature on ontological …
Lu Xun's Quartet Of Chinese Practice During The Late Qing Dynasty And The Early Republican Period,
2015
Theoretical Studies in Literature and Art
Lu Xun's Quartet Of Chinese Practice During The Late Qing Dynasty And The Early Republican Period, Guiliang Wen
Theoretical Studies in Literature and Art
During the late Qing dynasty and the early Republican period, Lu Xun's Chinese practice could be depicted as a quartet. Lu Xun's pro-vernacular interpretative translation of Travel on the Moon and Travel Underground not only demonstrates his ability to use vernacular (baihua) but also exposes his entanglement among vernacular, classical Chinese (wenyan) and Europeanized Chinese. Lu Xun's idea of the unreliability of language was formed after he listened to Zhang Taiyan's exegesis of Explaining and Analyzing Characters (Shuowen Jiezi) and his explanation of translating foreign fictions into classical Chinese. Lu Xun's mastery of classical Chinese can be seen in the …
A Diachronic Approach And Synchronic Interpretation Of Xu Zhongyu's Academic Lineage,
2015
Theoretical Studies in Literature and Art
A Diachronic Approach And Synchronic Interpretation Of Xu Zhongyu's Academic Lineage, Zhixiang Qi
Theoretical Studies in Literature and Art
The subject of this research is Prof. Xu Zhongyu's (1915-) six-volume Collected Writings, and the paper approach his academic achievements through diachronic and synchronic methods by putting them into the social context in the past century. The three academic peaks in Prof. Xu's life can be linked by the fundamental literary thought which may be summarized as his advocacy of literature's positive role in the social progress, his promotion of art and academic freedom, and his emphasis on truth pursuit and independent thinking. His achievements are shown in four areas of Anti-Japanese War period literary theory, ancient Chinese literary theory, …
The Inter-Fusion Of Artistic Perception And Technological Perception: On The Relationship Between Mcluhan's Electric Media Perception And Modernistic Artistic Perception,
2015
Theoretical Studies in Literature and Art
The Inter-Fusion Of Artistic Perception And Technological Perception: On The Relationship Between Mcluhan's Electric Media Perception And Modernistic Artistic Perception, Xiaoming Yi
Theoretical Studies in Literature and Art
This article deals with the interactive relationship between the modernist artistic perception and the electric media perception in McLuhan's new media theory. The rise of modernism at the end of 19th century echoes the development of the electric age, and the electric media's molding of perception has a direct influence upon the environmental perception of modernism. Modernism serves as the literary source as well as an indispensible part of McLuhan's new media theory, as can be seen in his large amount of quotations from modern writers and artists. The modernist artistic perception can be argued to be the same issue …
"Form" As A Term In Chinese Aesthetics,
2015
Theoretical Studies in Literature and Art
"Form" As A Term In Chinese Aesthetics, Qinfang Lai
Theoretical Studies in Literature and Art
As an aesthetic term, Chinese phrase "xingshi" as a translated equivalent for form has taken time to get its meaning established. The term has once been considered to be a borrowed word from Japanese, but it is actually an existent word invested with new meaning whose appearance was similar to the phrase "meixue (study of beauty)" for aesthetics. Chinese term "xingshi (pattern of shape)" came into being when translation for German formal aesthetics posed this necessity, and then the term gradually takes root into Chinese aesthetics and takes on local significance. Like in the Western context, formalism has once had …
Intention And Language: On Hirsch's Linguistic Explication Of The Author's Intention,
2015
Theoretical Studies in Literature and Art
Intention And Language: On Hirsch's Linguistic Explication Of The Author's Intention, Hong Pang
Theoretical Studies in Literature and Art
American scholar Hirsch insists on taking the author's intention as the essential premise and the fundamental basis of interpretation, and the main force which maintains his opinions is the explication, exploration and construction in linguistic dimension. Firstly, he indicates that intention is prior to language through the diagnosis of "semantic autonomism" and "ontological linguistics," and shows his critical reflection on the important cultural event — the linguistic turn. In light of this, Hirsch proposes the notion of "speaking subject" and emphasizes that intention can not be completely divorced from language and should be specified and clarified by the role of …
On Academic Confidence,
2015
Theoretical Studies in Literature and Art
On Academic Confidence, Xian Zhou
Theoretical Studies in Literature and Art
China's academic confidence is an emergent issue at present, but this issue is deeply rooted in the historical and cultural context configured by two parallel trends in late 19th- and early 20th-century China: the influence of the Western civilization and the decline of Chinese traditional culture. From the period of "the sick man of East Asia" to the current "China's rise," the travel of theory in the globalization ignites the appeal for academic originality. This appeal to re-establish Chinese academic confidence is not merely a slogan but a strategy with complicated cultural imports. The key to rebuild this confidence lies …
Spivak's Strategies Of Theoretical Construction For Subaltern Studies,
2015
Theoretical Studies in Literature and Art
Spivak's Strategies Of Theoretical Construction For Subaltern Studies, Yihua Chen, Peiyuan Lin
Theoretical Studies in Literature and Art
Spivak is a one of the core members of Subaltern Studies. She redefined the key categories and concepts of Subaltern Studies from a subaltern perspective, redefining the critical approaches of early Subaltern Studies. The paper argues that Spivak's Subaltern Studies, in a stricter sense, should not be viewed as a branch of postcolonial studies or feminist criticism. Subaltern Studies delineates the trajectory by which Subalterns' experiences are eliminated and reveals the political significance of Subalterns' resistance, which opens new possibilities for the Subalterns to enter the field of knowledge production.
Technology And Perception: An Inter-Pretation Of Mcluhan, Heisenberg And Zhuangzi,
2015
Theoretical Studies in Literature and Art
Technology And Perception: An Inter-Pretation Of Mcluhan, Heisenberg And Zhuangzi, Huimin Jin
Theoretical Studies in Literature and Art
This paper's analysis is based on McLuhan's reference and comments to Heisenberg and Zhuangzi, and focuses on the theme of technology and perception, aiming at an inter-pretation (intertextual interpretation) of the three thinkers. The paper argues that McLuhan goes directly to the unified field of subjecthood by way of electronic media while Heisenberg hovers between the unified fields of subjecthood and of objecthood. Unlike McLuhan and Heisenberg, Zhuangzi is neither subjective nor objective, but enters Dao, the world itself, by sensibility. However, for all of the three, modern technology may lead to aesthetics, that is, there is an aesthetic dimension …
