Jean-Philippe Béja On Liu Xiaobo,
2010
University of Nebraska - Lincoln
Jean-Philippe Béja On Liu Xiaobo
China Beat Blog: Archive 2008-2012
In only a few hours, word will come from Oslo and the world will know whether or not this year’s Nobel Peace Prize winner is Chinese activist and author Liu Xiaobo, currently serving an eleven-year prison sentence for “subverting state authority.”Speculation about Liu’s odds has been running at a fever pitch this week, so much so that Irish bookmaker Paddy Power made an early payout to those who had put money on Liu by Tuesday. Authorities in Beijing, however, have made it clear that this is one international prize that China doesn’t want to win.
Book Review: Shanghai World Expo Guide 2010,
2010
University of Central Arkansas
Book Review: Shanghai World Expo Guide 2010, Adam D. Frank
China Beat Blog: Archive 2008-2012
On first blush, one would think that reviewing Nick Land’s Shanghai World Expo Guidebook 2010 would be an exercise akin to reviewing a movie poster for Avatar—a kind of 2-D portrait of a 3-D experience.
Grounding "Language" In The Senses: What The Eyes And Ears Reveal About Ming 名 (Names) In Early Chinese Texts,
2010
University of Richmond
Grounding "Language" In The Senses: What The Eyes And Ears Reveal About Ming 名 (Names) In Early Chinese Texts, Jane Geaney
Religious Studies Faculty Publications
Scholarship on early Chinese theories of “language” regularly treats the term ming 名 (name) as the equivalent of “word.” But there is a significant difference between a “word” and a “name.”1 Moreover, while a “word” is often understood to mean a unit of language that is identifiable in its sameness across speech and writing, there is reason to believe that a ming was mainly used to mean a unit of meaningful sound.2 Analyzing the function of ming is a prerequisite for understanding early Chinese theories of “language”—if such a term is even appropriate. Such an analysis will also …
Literary Societies Of Republican China,
2010
Sacred Heart University
Literary Societies Of Republican China, Thomas D. Curran Ph.D.
History Faculty Publications
Book review by Thomas D. Curran.
Denton, Kirk A. and Michel Hockx, eds. Literary Societies of Republican China. Lanham: Lexington Books, Rowman & Littlefield, 2008.
Percampuran Kod Dalam Bahasa Mandarin Di Kelantan.,
2010
Universiti Malaya
Percampuran Kod Dalam Bahasa Mandarin Di Kelantan., Lee Wei Ying
Student Works (2010-2019)
This study examined the phenomenon of mixed code in Mandarin language in Kelantan. The purpose of this study was to explore the extent of the phenomenon of mixed code that occurred in Mandarin language spoken by the Chinese in Kelantan as well as the factors influencing it. To complete this study, the two main methods used by the researcher were observation and questionnaire. Respondents selected by the researcher were Chinese youths in Kelantan who were in the range of 15-30 years of age. The results of this study showed that Chinese in Kelantan often mixed code when interacting in Mandarin …
Contention Of Lust, Caution: Sexuality, Visuality And Female Subjectivity,
2010
Loyola Marymount University
Contention Of Lust, Caution: Sexuality, Visuality And Female Subjectivity, Yanjie Wang
Asian and Asian American Studies Faculty Works
This paper investigates the ways in which Ang Lee provides new insights into subject formation in his film Lust, Caution (Se Jie, 2007). In the paradigm of structuralism, the subject is defined, as well as confined, by the symbolic order or the dominant ideology. The puzzle therefore rests on how to explain the subject’s negotiation with its normative identity, its denial thereof, or even its subversion of said identity. In a close reading of the female protagonist’s subject formation in Lust, Caution, this paper acknowledges the power of ideology, specifically the power of its interpellative operation, in constructing a subject. …
中國當代故事新編小說研究 (神話傳說類),
2010
Lingnan University
中國當代故事新編小說研究 (神話傳說類), Wenjun Jiang
Lingnan Theses
魯迅《故事新編》開創了現當代故事新編小說的先河,亦為後世有關此文類的創作奠下了穩固的基礎,在文學史上形成了重要的流派,其重要性與獨立創作一樣應得到重視。 本論文以神話與文學的研究方式為基礎,研究神話傳說類故事新編小說在 當代作家的創作下如何表現出創新意義。本論文共分為六章,第一章主要探討神話傳說類故事新編小說的特質,以釐定本文的研究範圍;第二章是對神話傳 說類故事新編小說在現當代的發展作概觀式介紹,以及顯示個別作家在故事新編創作上的貢獻;第三章是神話類故事新編小說研究,本文選取五個有關神話人物的改編文本(馬彬〈神農〉、劉以鬯〈盤古與黑〉、董啟章《少年神農》、李 碧華〈嫦娥〉和葉兆言《后羿》),探討作家如何改變神話人物的形象,以達到新編的效果;第四章是白蛇傳故事的故事新編研究,本文以人妖戀的角度,研究不同文本(劉以鬯〈蛇〉、孔慧怡〈雷峰塔〉、李碧華《青蛇》、和李銳及蔣韻 《人間》)對傳說的新編方式,如何表現出故事新編獨特的一面;第五章是梁山伯與祝英台的故事新編研究,本文疏理出傳說忠貞愛情形象,並以此為基礎, 比較不同文本(張恨水《梁山伯與祝英台》、李碧華〈梁山伯自白書〉及〈祝英 台自白書〉、孔慧怡〈梁祝無恨〉和李馮〈梁〉及〈祝〉)對愛情主題的重新演繹;第六章則以文體討論的形式為基礎肯定故事新編小說的價值作結。
