Chinese Studies Commons^™

Truth / Method: The Gadamer-Ricoeur Debate, Jin Qiu, Fenggang Du

Theoretical Studies in Literature and Art

There exist remarkable differences between Gadamer's and Ricoeur's understandings of the concepts "truth" and "method." Ricoeur believes that Gadamer's hermeneutics brings about the disjuncture of hermeneutic truth, while Gadamer holds that Ricoeur's structuralist method cannot integrate the conflicts of interpretations into a unified ontology. This paper points out that both philosophers develop their theories of truth on the basis of Heidegger's hermeneutical ontology, but in different ways. Gadamer focuses on the truth of understanding disclosed in the event of hermeneutic dialogue, while Ricoeur emphasizes the truth of self-understanding mediated by hermeneutic reflection. Both philosophers keep similar distance from the absolute …

What Is Narrative Ethic Criticism?, Hongsheng Wang

Theoretical Studies in Literature and Art

This paper probes into the origin, significance and problematic of narrative ethic criticism, and demonstrates narrative ethics can be approached from three aspects. Firstly, narration and ethics are indivisible in that there has been for a long time an intertwining and mutually generative relationship between them. Secondly, narration may be characterized to be moral or immoral as well as ordered or unordered, which means there exists non-ethical or even anti-ethical narration. Finally, narration itself may have ethical nature, and this nature is very likely to be under tension due to the possibility of constructing multiple value orders by way of …

The Duality Of Expressive Rhetoric: The Intention Of Literary Mind And The Carving Of Dragon As Investigated From "Casting And Paring", Baojing Li

Theoretical Studies in Literature and Art

On the basis of a global reading of Liu Xie's Literary Mind and the Carving of Dragon, this paper proposes a link between the section "Casting and Paring" and the other sections in the book, and maintains that only through such a link can the structural features, cultural efficiency and Confucian responsibilities in Liu Xie's expressive rhetoric. The parallelism in argumentative mode between the section "Affections and Coloration" and the section "casting and paring" informs a two-sided rhetoric with affection as the subjective quality and casting as the textual quality. "Casting and paring" (argumentation and writing) is realized as a …

A Comparative Study Of Deleuze's And Badiou's Theory Of Cinema: Exemplified By Wim Wenders' False Movement, Xinyu Hu

Theoretical Studies in Literature and Art

Gilles Deleuze and Alain Badiou have different philosophical foundations constructed their own theories of cinema and applied them into the analyses of cinematic works. One of their intersections of analysis falls on Wim Wenders' False Movement. Through a comparative study of their analyses of the film, the paper tries to arrive at a deeper understanding of both philosophers' theory of cinema and a general survey of their similarities and differences. Through the analysis, the paper also hopes to expose the problem of the relationship of philosophy and cinema.

A Philosophical Discussion On Liu Xie's Concept Of Literary Talent Mindset, Shugong Zhao

Theoretical Studies in Literature and Art

The idea of literary talent mindset was epitomized in The Literary Mind and the Carving of Dragons in the period of Wei-Jin and Six Dynasties. The book contained the most comprehensive and profound knowledge of literary mind as an aptitude, which was seminal to almost all the later discourses on the issue of literary talent, and its theoretical insight remains unsurpassable in many aspects. Liu Xie's philosophical view of the nature and human is reflected in this concept of literary talent mind, which gave both weight to gift and diligence, and the equal emphases on human efforts and born gift …

A Re-Examination Of "Imagistic Thinking": With A Focus On Zhu Guangqian And Li Zehou, Qian Cao

Theoretical Studies in Literature and Art

Zhu Guangqian's and Li Zehou's concepts of "imagistic thinking" were formed in the 1950s and the Post-Mao Period, with each having distinctive characteristics and both having common ground. While both equal "imagination" with "imagistic thinking," Zhu had always been taking them as the same and Li’s concept has evolved into using imagination to replace imagistic thinking. Although imagistic thinking is a transitional concept in the history of contemporary Chinese aesthetics, its theoretical value and significance are highlighted in the present context of linguistic turn and visual culture.

Between Medusa And Nymph: On Agamben's Theory Of Image, Jiang Lan

Theoretical Studies in Literature and Art

Image is born as a technology of memory, that is, the image realizes the possibility to access a disappeared past from the perspective of our finite present. However, the original image, as an object petrified by Medusa, has frozen a past which we cannot penetrate from our finitude. Indeed, Agamben doesn't think that the existence of image will thoroughly petrify our past; on the contrary, there are crevices between the petrified stones. It is in these crevices that lies the possibility to dialectically articulate the images, that is, Walter Benjamin’s dialectical image. Nevertheless, what fascinates Agamben most is not the …

Foucault And Damnatio Memoriae: An Introduction To The Mnemo-Government Of Cinema, Yang Li

Theoretical Studies in Literature and Art

Foucault published several interviews and articles about cinema in 1970s, and he took the cinema as one of the dispositifs codifying the popular memory. The working class in 19th century invented many ways to write their own memory, but the cinema, by way of popular historical narration, ended the history of the people from the lower depths to write their memory. Foucault analyzed how the controversial (retro and erotic) films in 1970s represented desire and power in historical narration. This paper tries to combine Foucault's "dispositif of popular memory" with the biopolitics, and claims that the memory is also the …

Ideology In Narrative And The Surpass Of It: A Discussion Based On Ricoeur's Lectures On Ideology And Utopia, Xin Liu

Theoretical Studies in Literature and Art

This paper bases its discussion on Paul Ricoeur's Lectures on Ideology and Utopia and investigates how Ricoeur proposes his own dialectical conceptualization upon his own reading of Marx's classical texts and constructs his dimension of reflection in his poetics of narrative. Narrative, when bringing logic structure into events, becomes a process of rationalization or legitimization, and in this process the reality is distorted. Before it becomes absolute distortion, Ricoeur claims, the representation itself is one part of the materialistic and linguistic activities of a human person, a language of real life existed before distortion. When narrative links to such function, …

Gao Ershi's Concept Of The Refined And The Mundane In Calligraphic Art, Bin Zhou, Shuqiang Cui

Theoretical Studies in Literature and Art

The concepts of the refined and the mundane are a pair of important category in calligraphic aesthetics and Gao Ershi's ideas on this are reflected in three aspects. The first is to regard the classical as the refined and the contemporary as the mundane. This is realized by reviving and studying the cursive style for official writing. The second is to regard the cultured to be refined and the crafted as the mundane. This emphasizes the cultural and aesthetic implications and attributes of calligraphy. The third is to take the clear to be refined and the turbid to be mundane. …

Ironical Appropriation Of Revolutionary Signs: For Memories Buried In Forgetting, Jiwu Zhou

Theoretical Studies in Literature and Art

The ironical appropriation of revolutionary signs is a visual representation strategy widely used in contemporary art practice of China, with the purpose to transform invisible cultural trauma into visual text of remembrance. Amid the textual and visual narratives, hierarchical order of symbols and signs meets its deconstruction. Appropriation of revolutionary signs in contemporary art practice is evident in three aspects: 1) appropriation and contra-appropriation of visual signs; 2) displacement and transformation of visual images; 3) parody of visual texts. However, not all appropriation of revolutionary signs is ironical, and the criteria for irony should include semantic polysemy, contextual sharing, and …

Is Queer Theory Equal To Gay And Lesbian Studies？, Lanlan Du

Theoretical Studies in Literature and Art

Queer theory is a field of post-structuralist critical theory that emerged in the early 1990s out of women's studies. Although it is related to gay and lesbian studies, it differs from and reacts to them. Since Chinese scholars tend to conflate queer theory with gay and lesbian studies, this essay hopes for a more accurate introduction of queer theory with an analysis of its main ideas.

Maximizing Communicative Competency In A Classroom, Yinshun Wang

Faculty Publications & Research

Developing students’ communicative competence is a primary goal of many language classrooms. This session will present various strategies to encourage learner agency. The presenter will introduce strategies to execute fast-paced communicative learning activities that bypass mechanical activities and task-based student assessments to measure students’ proficiency in interpretive, interpersonal and presentational modes of communication. Examples of lesson plans and student work from a high school Chinese classroom will be provided.

Live Confucian: The Newsletter Of The Confucius Institute Of Pace University October 2015, Confucius Institute Pace University

Live Confucian

A newsletter of the Confucius Institute, Pace University.

The Confucius Institute at Pace Universi­ty is dedicated to providing Chinese lan­guage and cultural education, resources,and services to meet the needs of people from all backgrounds.

My Early Years At The University Of Chicago, Tai-Loi Ma

Journal of East Asian Libraries

No abstract provided.

Memories Of T. H. Tsien

Journal of East Asian Libraries

No abstract provided.

Chinese Internet Literature: Preserving Born-Digital Literary Content And Fighting Web Piracy, C. David Hickey

Journal of East Asian Libraries

This paper undertakes to define Chinese internet literature (CIL) and discuss the unique circumstances that make the subject of CIL content preservation so problematic. Copyright infringement and text corruption, in which the text is changed or adapted without author’s permission, are major problems in China. Text corruption mostly results from censorship or web piracy. A recently-developed type of anti-piracy scheme called “literary works fingerprinting” can protect the content of the works themselves, guarding them against plagiarism. If as many of the original CIL documents as possible are consistently archived and digitally fingerprinted, then the born-digital works that remain online will …

文苑 (重刊號第15期), 第十九屆嶺南大學學生會中文系系會 (凝暄)

文苑

空

A Tribute To T. H. Tsien, Eugene W. Wu

Journal of East Asian Libraries

No abstract provided.

Theravada Buddhism, Identity, And Cultural Continuity In Jinghong, Xishuangbanna, James H. Granderson

Student Publications

This ethnographic field study focuses upon the relationship between the urban Jinghong and surrounding rural Dai population of lay people, as well as a few individuals from other ethnic groups, and Theravada Buddhism. Specifically, I observed how Theravada Buddhism and Dai ethnic culture are continued through the monastic system and the lay community that supports that system. I also observed how individuals balance living modern and urban lifestyles while also incorporating Theravada Buddhism into their daily lives. Both of these involved observing the relationship between Theravada monastics in city and rural temples and common people in daily life, as well …