Art Practice Commons^™

Caddo Inspired Coil Pots, Jordan Weaver

Undergraduate Research Conference

When my bosses, John Handley and Alisa Steed, asked me to plan an educational program to go along with the upcoming Contemporary Caddo art show at the Cole Art Center I knew I wanted to find an art lesson to teach children. Creating is a great way to teach children about history because it invites them to take an active role in their education, rather than passively listening. After learning that traditional Caddo potters created coil pots out of clay, I knew I wanted to teach this art form to children in the community. Making coil pots requires children to …

The Artist Residency And Lumen Printing, Austin Cullen

Undergraduate Research Conference

The artist residency is a critical and informative experience that is privileged to few, and revered by many. Creating work in a completely foreign environment can yield beautiful and new work that the artists could have never conceived of making. Artwork could be made about anything, but choosing a specific subject matter, or theme, can be very challenging. This difficulty arises from lack of knowledge, experience, or most importantly, being bored with one's surroundings. Artist residencies, often being in other countries and always providing a new atmosphere, can be a great way to jumpstart new artwork. Residencies are incredibly difficult …

5 X 5: Conceptual And Technical Challenge, Madeline Castillo

Undergraduate Research Conference

Goals for the Week to Week Project

As an undergraduate student pursuing a BFA, the apotheosis of my education is to find and develop the content for my art and convey it in the form of my capstone BFA exhibition. My creative research for this project consisted of building a finished work of art each week during a five-week time period. The intent of the project was to expedite concept development and increase my personal technical speed while focusing on craftsmanship and design. Having seven days to respond to a content prompt, I was challenged to focus on creating without …

The Threshold, Jonathan Yacoub

CGU MFA Theses

The Threshold is a place that forms a nuanced duality on what is authentic and artificial.

Development Of An Art Therapy Method For The Prevention And Treatment Of Vicarious Trauma, Leanna Pai

Expressive Therapies Capstone Theses

Modern developments in the field of mental health care have greatly increased understanding of vicarious trauma and its impacts on the helping professions. However, the prevalence of vicarious trauma symptoms highlights the need for additional research into prevention and treatment. First responders, critical healthcare workers, and mental health professionals are at particularly high risk for compassion fatigue, burn out, and other symptoms of vicarious trauma as they work closely with traumatized populations. The high incidence of vicarious trauma in individual helping professionals can have immense consequences that ultimately limit quality systems of care available to the general public. This thesis …

Subverting The Nature Of Thing: Gender Agency In Spiritual Systems And Contemporary Performances Of Zimbabwe's Shona People, Rujeko S. Dumbutshena

Theatre & Dance ETDs

Gender, ritual and performance in the Shona cultures of Zimbabwe, are inexorably linked. They demonstrate how the flexibility of the Shona spiritual systems offers agency to ritual leaders and practitioners. The story of Murumbi Karivara, a Shona rainmaker from the 19th Century, provides the inspirational imagery for the researcher’s Masters of Fine Arts thesis concert DE RERUM NATURA - the way things are (performed on September 2 and 3, 2018). The researcher positions herself among contemporary Shona artists living in Zimbabwe and abroad who negotiate the spaces they occupy during ceremonies, on concert stages, and in institutions; to find autonomy …

The Impact Of Patronage On Contemporary Visual Arts, Emily Coats

Honors College Theses

Patronage is vital to the art world and the success and notoriety of its artists. From straightforward patronage during the Renaissance of the Medici Family, the independent artists of modernism, to contemporary crowdfunding, it is important to note the changes in the art world throughout history to truly understand how artists and patrons have grown and continue to evolve in our contemporary society. Considering how patronage has changed and adapted throughout history and understanding the influence it has, not only allows a deeper understanding of the art world but also the world’s culture.

Carbon 碳, Mengyuan Li

CGU MFA Theses

Death is the one certainty in life. This fascinates me and I cannot stop thinking about it. When it comes to life and death, the cemetery is a more realistic place than heaven and hell, and it is also a place to feel life and death more directly. A simple gravestone separates life from death. Cemeteries let people come face to face with life, death, and even love.

In a cemetery, there is a tranquility that is different from the city or nature. In a cemetery, people take off their masks and face their emotions. I believe that when we …

Autopathography, Aurora Berger

CGU MFA Theses

For centuries the stories of disabled people were not our own to tell. We were silenced by politics and power dynamics beyond our control, and when we succeeded it was “in spite of” our disabilities. I am interested in the reframing of this narrative and discovering my place in this historic trajectory.

I am a disabled artist. I have claimed this identity. It is critical that this identity remains tied to my work as I navigate the worlds of fine art, academia, and critical theory. My art is intrinsically tied to my academic work. They are inseparably bonded through my …

2019 Senior Exhibition Catalog, Colby College

Senior Exhibition

This catalog was published on the occasion of the Art Department's 2019 Senior Exhibition, May 9 - May 2 at the Colby College Museum of Art, Waterville, Maine.

Seniors participating in the 2018-19 Studio Art Capstone, coordinated by Professor Garry Mitchell, spent the year reflecting on their art in conversation with their peers and guest critics. During the spring of 2019 each of them created a final body of work and an artist statement that places words in dialogue with their material practices. Members of Professor Daniel Harkett's Writing Art Criticism course engaged the studio students in a further series …

Contemporary Muslim Fashions: De Young Museum, San Francisco, Ca, Carol Bier

Textile Research Works

Calico, chintz, damask, muslin, cashmere, seersucker, taffeta, shawl, caftan, and cummerbund-all English terms derived from Islamic textiles and dress-are the products of textile technologies that resulted from colonization and trade. Their cultural origins are long forgotten, shrouded in the fast-moving commercialized fashion industry and haute couture ofthe West that developed during the 20th century. The exhibition, Contemporary Muslim Fashions, is a game-changer.

The exhibition organizers, Jill D'Alessandro and laura Camerlengo, curators of costumes and textiles at the De Young Museum in San Francisco, worked with Reina Lewis in London as a curatorial consultant. Together, they drew upon the local advice …

Blanket Statements, Issue 138, Spring 2019

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 138, Spring 2019

Socio-Political Criticism In Contemporary Indonesian Art, Isabel Betsill

Independent Study Project (ISP) Collection

The objective of this paper is to understand the connections between contemporary art and politics in Indonesia both in terms of how politics has shaped art practices, and in terms of how art influences politics. Questions I was interested in exploring include how contemporary art practices have changed considering the political changes over the past 30 years; if and how contemporary art is being used to facilitate political dialogues in the country; if and how contemporary art is being used to criticize and invoke change regarding social issues; and what the role of art spaces, collectives and foundations is in …

Z4, A Slow Puncture: An Autoethnographic Exploration Of Language, Embodiment, And Meaning-Making, Charlotte Rose Samuels

Independent Study Project (ISP) Collection

In my ISP, I explored language as it relates to the ways in which people living in Cato Manor make sense of HIV/AIDS in their community. With 7.1-7.2 million people living with HIV (PLWHIV) in South Africa, individuals across the country are either infected or affected by illness. KwaZulu-Natal (KZN), the province with the highest rate of HIV, is also the province that was surveyed with the disproportionately highest internal stigma rates for PLWHIV. High prevalence of HIV, particularly in KZN, calls for a constant contextualization of life in the presence of illness.

Throughout the world, metaphor and symbolism is …

“Global” On The Rose Kennedy Greenway, Margaret Bellafiore

Bridgewater Review

No abstract provided.

Into The Glitch, Natalie Birinyi

Theses and Dissertations

My work uses Google Earth to generate imagery which is then faithfully observed and reproduced in oil paint. I sneak inside skyscrapers, paragons of capitalistic power, and trick Google Earth into showing me the unrendered innards. Buildings break down into glorious shards of abstract shapes and lines that gesture toward structure, turning a tower into a portal. In this paper I discuss surveillance, the cultural meaning of skyscrapers, cyborgs, drone perspective, painting from observation, science fiction, and the future.

Entangled, Katherine Cox

School of Art, Art History, and Design: Theses and Student Creative Work

I create objects to incite wonder through their exuberance, inviting one to explore the beauty found in the strange and offering the viewer a way to interact with the discomfort of the unknown. Mysculptures are an assembly of engaging surfaces and forms revealing varying texturesandvibrant colors referencing natural and fabricated worlds. Each sculpture is entangled within its own environment or narrative and each is adorned for its own role, finding a balance between discord and harmony, captivation and repulsion.

Each is an individual exploration of the distinct qualities inherent within each object. They are precious in scale and stimulate …

Reworking The White-Masculine Ideal, Steven H. Gonzalez

Art Theses and Dissertations

This text functions as an exploration of self through artistic practice, a designated space for reflection on contemporary Queer experience. In looking specifically at the permeation of the idealized-white-masculine figure as found within Western visual culture, social media and gay pornography become isolated as sites where these figures are commonly found. This line of inquiry defines how the ideal is reified through these differing digital platforms and the social implications the homogenized male form has on raced individuals. In addition to determining the image of the perfect masculine physique through research, this text expands on how its' imaged representation becomes …

Thesis/Thesis Document 2, Jessamyn Plotts

Art Theses and Dissertations

Thesis/thesis document 2 explores the subversive power of the painted image, made by a physical performative act. Such acts are not confined to the production of the art object, but expand across the landscape, involving the minds, bodies, and things of culture adjacent to the making process. Following the thinking of Maurice-Merleau Ponty, Thesis/thesis document 2 understands painting not as the container of a finite, legible message, but as a physical platform for the conveyance of perceptual, personal, and experiential ambiguity. Made in this way, painted images offer a powerful alternative to the proliferation of propaganda and advertisement …

Bookbindings By Peter D. Verheyen, An Exhibition At Maxwell Library, Bridgewater State University, 2019, Peter D. Verheyen

Librarian Publications

Checklist for the invitational solo exhibition of book bindings created by Peter D. Verheyen 2009 - 2018. The exhibition was held at the Maxwell Library Rare Book Room, Bridgewater State University (MA), February 1 - April 5, 2019. More bindings can be viewed at https://www.philobiblon.com/pdvgal/pdvgal.htm