Art Practice Commons^™

Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof

Artl@s Bulletin

How does Congolese art and artistic representations of Lumumba “mediate past, present and future”? How do they relate to historical narratives and to the dialogues within the Global South? This contribution proposes Lumumba’s iconography as a case in point of the interstice between art and history. It positions the image of Lumumba as mediating between past, present and future for both the Congo and the Global South more broadly.

Retour À L’Authenticité In The City: A Photo Essay, Ruth Sacks Dr

Artl@s Bulletin

These photographs were taken as part of a larger research project tracing Mobutu Sese Seko’s construction projects in Kinshasa in the late 1960s and 1970s. The sites were part of a drive initially taking place under Mobutu’s cultural policy of retour à l’authenticité, instigated in 1967 as a means of taking recourse in pre-colonial Congolese traditions. This gave rise to a wide variety of architectural styles, adorned by artworks largely commissioned from a group called the avant-gardists. The selection of photos seen here presents glimpses of some of the sites and their artworks.

The Us’S Economic Promises Are Over: An Interview With Miguel Luciano, Marisa Lerer, Conor Mcgarrigle

Articles

Hurricane Maria struck Puerto Rico in September 2017. The island was left without electricity and clean water for months. However, the natural disaster was not the only cause of this lasting devastation. The financial fall-out from predatory loans, which led to Puerto Rico’s inability to invest funds in its own infrastructure, caused an enduring humanitarian disaster. Artist Miguel Luciano (b. 1972) in this interview discusses his work in relation to the 2017 Puerto Rican debt crisis and the legacy of the over 100-year span of Puerto Rico’s colonial status as a US territory, which gives the US disproportionate control over …

Insurgent Finances: An Interview With Gabriela Ceja And Fran Ilich, Marisa Lerer, Conor Mcgarrigle

Articles

When the financial crisis of 2008 exposed the opaque workings of global financial markets, it led to calls for alternate economic models to replace the excesses of contemporary capitalism. A decade on, it can seem that those calls went unheeded. However, in the collaborative social practice of Fran Ilich and Gabriela Ceja, sustainable alternatives modeled on ancient modes of exchange are being developed with projects that are deeply embedded in economic practice; whether that is running a functioning microbank complete with complex financial instruments in Spacebank or serving Zapatista coffee from Chiapas, Mexico in the Diego de la Vega Coffee …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Tarot Of The Future: Raising Spiritual Consciousness. Arthur Rosengarten, Emily E. Auger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

A Sumitography: A Listing Of Postage Stamps Celebrating Contributions To Civil And Human Rights By Martin Luther King Jr. And Associates, Lillie R. Jenkins

Perkins Faculty Research and Special Events

This "sumitography" (from Latin "sumit" means postage stamp) is a listing of postage stamps celebrating contributions to civil right and human rights by Martin Luther King Jr. and associates. In addition to USA postage stamps, this listing includes stamps from other nations, including Cuba, Ghana, Sweden, Turks & Caicos Islands, and others. Also included are postage stamps honoring King associates--in the struggle for civil and human rights, Mohandas K. Gandi, Rosa Partks, A. Philp Randolph, and Malcolm X.

Kleptomaniac, Leslie Frank

CGU MFA Theses

I am a Kleptomaniac of public and private moments. Using my iPhone, I steal images of people and objects in public environments and frame these moments with the addition of my own poetic essence. I feel that Los Angeles is a unique city built on imagination, expectations and disappointments. Another aspect that is satisfying to me is the validation that I feel when I am at the right place at the right time. We don't always get to feel this in everyday life. Whether the experience is similar or foreign, the empathy is significant.

Scattered Feathers, Dason Sebastian Pettit

LSU Master's Theses

Scattered Feathers is the story of a ghost that lives in the imagination now: the ivory-billed woodpecker. Those that know this bird call it the God Bird or Grail Bird because of its mythic stature. This thesis is also a story about the loss and obsession that can fuel human pursuits. It is a study in observation and subsequent mythmaking, an examination of extinction and preservation. Perhaps most of all it is a chronicle of entropy and the cyclical nature of our existence. The visual work herein examines the mythos of the ivory-billed woodpecker, its once pristine environment and the …

Raw, Jian Liang

CGU MFA Theses

My work is an exploration of the body in obscurity. The understanding of my own cultural identity, gender, and sexuality lead up to the work in this show. The work is a metaphor for the complex identity that I experience, and a discovery of the queer, marginal space that I am in as a person, as a painter, as an artist.

The term “raw” refers not only to the sensuous bodies depicted in my work, but also the body of the physical material. The paintings question the intimate relationship between bodies, and the bodies’ internal as well as external spaces. …

A Woman's Power & Place Vs. A Man's Power & Place, Christine Stoddard

The Crambo

Digital writing and photography.

2018 Senior Exhibition Catalog, Colby College

Senior Exhibition

This catalog was published on the occasion of the Art Department’s 2018 Senior Exhibition, May 10-27, at the Colby College Museum of Art, Waterville, Maine.

The Art Department is proud of the unique partnership this catalog represents. Seniors participating in the 2017-18 studio capstone seminar, coordinated by Professor Bradley Borthwick, crafted artist statements illustrated by their artworks. Art history students taught by Professor Daniel Harkett interviewed the artists about their studio practices and responded to their work in creative texts. Although only in its second year, it is hard to imagine our curriculum without this collaboration, as it enriches the …

What Is The Role Of Drag Art In Modern Day Spain?, Kevin Ludemann

Honors Projects in Modern Languages

Esta obra sirve para educar mejor al público y desacreditar estereotipos negativos y comunes que las Transformistas enfrentan al examinar el proceso de cómo ha llegado a ser al Transformista moderno. Específicamente, la pieza examina las preguntas “¿Cómo ha influido el arte de transformistas en producciones artísticas a lo largo de la historia Española en el arte de Transformistas en España hoy en día?” y “Cual es la meta, expresión del individualismo, la sátira social, el entretenimiento, o una combinación de los tres?”. La comedia comienza al examinar el papel de travestis en las Comedias que imitan a la sociedad …

Blanket Statements, Issue 133, Spring 2018

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 133, Spring 2018

The Adjacent, Phoebe Jan-Mcmahon

School of Art, Art History, and Design: Theses and Student Creative Work

There are few times when my mind quiets; painting is one of them. A universe exists adjacent to this one where I process thoughts in a quiet space, free from the streaming cacophony of various devices. This adjacent space is where my mind is able to process the state of the world. I think it is essential that everyone knows what is going on around them, especially if the issues they hear about do not affect their daily life. I want to be an active participant in the world but find myself bogged down by the unrelenting events cycling through …

Chimera Rising, Rosana Ybarra

School of Art, Art History, and Design: Theses and Student Creative Work

Chimera has three definitions, each so equally fitting of my work that this word has come to embody what I consider my own holy trinity. One: a firebreathing female monster in Greek mythology, often read as an omen for disaster. She was a hybrid animal made up of three – lion, goat, and serpent. Two: an unrealizable dream, a fanciful illusion composed of discordant parts – improbable but dazzling, wild. Three: an organism formed by multiple sets of distinct DNA, human, plant or animal. Chimera – a hybrid monster, an impossible dream, a harmonious organism composed from disparate origins. There …

A Certain Kind Of Woman, Emily Wiethorn

School of Art, Art History, and Design: Theses and Student Creative Work

Our patriarchal Western culture has long dictated how women should behave. We are repeatedly put in our place, told how to present ourselves, and instructed to keep our voices down. There is also immense pressure on women to perform for the public. Whether this is the feeling that we must be “presentable” when we leave the house each day, or when we tailor our personalities in public in an attempt to be more socially amenable, we conform.

As a young girl, my mother provided guidance on how a woman should conduct herself. I then spent my early years hidden beneath …

Time And Lines, Richard Pecos Pryor

School of Art, Art History, and Design: Theses and Student Creative Work

“How we spend our days is, of course, how we spend our lives.” -Annie Dillard

I want to make art that is worthwhile, that shares something important. This desire often overwhelms and hinders me from starting projects. I find myself questioning the purpose of art altogether. Yet, once I relinquish control into action—just simply start and keep going—the unforeseen meaning eventually presents itself.

Drawings begin with lines. Partnered with curiosity, I began this series by exploring the potential of drawing materials. How far and for how long can a single sharpened pencil last? What does a mile of lines look …

Someday I'Ll Find The Sun, John-David Richardson

School of Art, Art History, and Design: Theses and Student Creative Work

I am a product of poverty. The atmosphere of my childhood prepared me for a world where economic and social worth is defined by class. I was raised by my mother and her countless male partners amidst a backdrop of violence and neglect. These men would come and go, each one exhibiting more violent and destructive behavior than the one before. My family fought to make ends meet, but their efforts constantly fell short due to addiction, domestic violence, and a lack of education. This unrelenting cycle shaped my worldview at an early age, and I came to understand family …

You Can't Teach What You Don't Know And You Can't Lead Where You Won't Go: Professional Development As Artists For Elementary Educators, Katharina Joyce Watson

Theses and Dissertations

Elementary educators often lack the confidence and skill to teach visual arts to their students because they received very little, if any, formal training in what is a diverse and complex field of study. Teachers who lack confidence in a subject matter will potentially avoid teaching it. As a result, the early visual arts education of entire classrooms of elementary students can become neglected. Giving elementary educators the time to develop their own artistic process and acknowledging the value of educators' artistic voice can benefit teachers by building personal confidence, generating creative flow, providing knowledge about art, promoting a growth …