Television Commons^™

Modern Japanese Literature And Visual Culture: Constructions Of Religious And Historical Identity, Ronald S. Green

Philosophy and Religious Studies

This course is a survey of modern Japanese literature and visual culture since the Meiji Restoration (1868). It focuses on constructions of identities within historical contexts. Our objective is to analyze ways in which writers and artists have positioned their subjects and re-imagined culture to create particular portrayals. The class examines a selection of shōsetsu (the Japanese novel) of Natsume Soseki, Kawabata Yasunari, Mishima Yukio, Murakami Haruki, and Ogawa Yōko, films of Miyazaki Hayao, and important anime. The course promotes critical methodologies and interdisciplinary or comparative studies, combining, for example, literature with film, visual culture, gender studies, cultural history, Buddhist …

What Killed Interactive Tv? An Exploration Of Why Interactive Television Has Not Been Successful, Reuben Rogak

Electronic Theses and Dissertations

The objective of this thesis is to investigate the history of interactive videos and examine some possible reasons as to why they have never been successful. Because the method of interactivity is often disrupting to the narrative, I wanted to make something that was much more fluid. To this end, I produced Man Alone Interactive, a branching story that allows users to choose their path without stopping the narrative. The purpose for creating it was to see if a different interactive mechanic would aid in the user immersion. In order to fully test this, two versions of the movie were …

The Rainbow Effect: Exploring The Implications Of Queer Representation In Film And Television On Social Change, Maya S. Reddy

CMC Senior Theses

In this thesis, I explore how specific films and television shows use the preexisting structure and mechanics of narrative film in order to create queer characters and stories that defy their otherness and stereotypes, thus creating a profound cinematic experience. Not only does the manipulation of these structures and mechanics heighten the realism and depth of the narrative at hand, it also enhances audience identification by allowing queer viewers to find themselves and straight viewers to understand the “other.” In this manner, the New New Queer Cinema and television have had lasting effects on the modern gay rights movement, changing …

The Circuit: An Original Television Series, Grace T. Ding

CMC Senior Theses

Between good and evil there's a whole lot of gray: Welcome to The Circuit.

A shady private security firm recruits criminals straight out of prison and sells its services to the highest bidder, saint and sinner alike (mostly sinners). Through the trials and tribulations of a diverse ensemble cast, the show explores some of my absolute favorite themes in storytelling: gray morality, found families, and unlikely heroes. Follow our gritty and guarded lead Shaye as she struggles to tame a group of talented and contentious ex-cons under the shadow of her ambitious and manipulative father, all the while struggling to …

Louisiana-Style Naturalism? Science, Fiction, And Commerce In Duck Dynasty And Swamp People, Elizabeth Emery

Department of World Languages and Cultures Faculty Scholarship and Creative Works

No abstract provided.

Subscribing To Governmental Rationality: Hbo And The Aids Epidemic, Shayne Pepper

Communication, Media and Theatre Faculty Publications

Between 1987 and 2013, HBO produced or distributed over twenty HIV/AIDS programs. These films trace a cultural shift from an early focus on AIDS as a public health issue to be dealt with through individual “safe-sex” practices and ethical citizenship to a later focus on AIDS as a global pandemic where the explicit strategy becomes a reliance on non-state actors to combat AIDS. This article argues that HBO's HIV/AIDS films are embedded within a cultural approach to AIDS that relies on governmental logics and neoliberal solutions – not direct action, but directing action.

Cultural Discourse In Taiwan. Ed. Chin-Chuan Cheng, I-Chun Wang, And Steven Tötösy De Zepetnek., Chin-Chuan Cheng, I-Chun Wang, Steven Tötösy De Zepetnek

CLCWeb Library

The collected volume Cultural Discourse in Taiwan — edited by Chin-Chuan Cheng, I-Chun Wang, and Steven Tötösy de Zepetnek and published by National Sun Yat-sen Uiniversity Press in 2009 — is intended as an addition to scholarship in the field of Taiwan Studies. The articles in the volume are in many aspects comparative and the topics discussed are in the context of literary and culture scholarship. At the same time, the volume is interdisciplinary as the articles cover historical perspectives, analyses of texts by Taiwan authors, and cultural discourse as related to Taiwan consciousness, language, and linguistic issues. Copyright release …

Clcweb Best Practices, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Mapping The World, Culture, And Border-Crossing, Steven Tötösy De Zepetnek, I-Chun Wang

CLCWeb Library

Authors in the collected volume Mapping the World, Culture, and Border-crossing — edited by Steven Tötösy de Zepetnek and I-Chun Wang and published by National Sun Yat-sen University Press in 2010— begin with exploring theoretical premises about the processes and ramifications of cultural crossings to establish a clearly defined theoretical context for the case studies which follow. The case studies range from the creation of identity through patriotic songs in Taiwan under martial law, to nationality and Japanese identity, cultural autonomy in contemporary North America, Asian migration to Latin America, ethnic identity in the writings of Tan, Naipaul, Eliot, and …

Revenge: Baltimore's Justice, Rachel M. Bellwoar

Faculty Curated Undergraduate Works

This essay explores the concept of revenge and whether or not seeking it out is ever legitimately justified. Using an example from HBO’s critically acclaimed television drama, The Wire, specific focus is placed on fan favorite character, Omar Little’s, violent search for vengeance following the season one murder of his boyfriend, Brandon. Some points considered are what consequences Brandon’s killers would have faced for their crimes if Omar hadn’t sought punishment on his own initiative, what the collateral damage is of such focused anger, and the impact of environment on what kind of retribution is desired.

¡No Contaban Con Mi Astucia! México: Parodia, Nación Y Sujeto En La Serie Televisiva De El Chapulín Colorado, Carlos Aguasaco

Publications and Research

¡No contaban con mi astucia! México: parodia, nación y sujeto en la serie televisiva de ‘El Chapulín Colorado’ (Universidad Autónoma de Nuevo León, 2014) es un estudio revolucionario del impacto y la efectividad residual de la literatura del Siglo de Oro y el periodo colonial en la producción audiovisual de Latinoamérica en el siglo veinte. El trabajo de Roberto Gómez Bolaños (creador de El Chapulín Colorado) se transmite hoy en día tanto en el formato original como en series animadas en varios canales de USA. El público norte americano y la academia están presenciando la consolidación de los estudios audiovisuales …

Cervantes And The World's Literatures: A Book Review Article On Hagedorn's Don Quixote Volumes, José Manuel Lucía Megías

CLCWeb: Comparative Literature and Culture

No abstract provided.

On World Literatures, Comparative Literature, And (Comparative) Cultural Studies, Ning Wang

CLCWeb: Comparative Literature and Culture

In his article "On World Literatures, Comparative Literature, and (Comparative) Cultural Studies" Ning Wang argues that cultural studies is characterized by being opposed to (elite) literary studies not only because it points to popular or non-elite literature, but also because it challenges the discipline of comparative literature. On the other hand, (comparative) cultural studies complements literary studies in that it contributes a great deal to the reconstruction of a sort of new comparative literature. Wang illustrates how some of the representative Anglo-American comparatists are now doing cultural criticism while still engaging in comparative literature and they paved the way for …

Interdisciplinary Studies And Comparative Literature In China And The West, Aaron Lee Moore

CLCWeb: Comparative Literature and Culture

In his article "Interdisciplinary Studies and Comparative Literature in China and the West" Aaron Lee Moore addresses the arguments on the part of Chinese and Western scholars against and for the full inclusion of interdisciplinary studies within the discipline of comparative literature. Interdisciplinary studies, in general, have been resisted in Chinese scholarship as it once was in the U.S. and other Western countries. Moore discusses the major Chinese arguments for and against interdisciplinary studies in general and interdisciplinary studies within comparative literature. Moore's main argument is that the study of literature by necessity must always cross disciplinary boundaries and the …

Western And Oriental Worlds Of Literature And Modern Greek Literature, Maro Kalantzopoulou

CLCWeb: Comparative Literature and Culture

In her article "Western and Oriental Worlds of Literature and Modern Greek Literature" Maro Kalantzopoulou explores the extent to which modern Greek literature can be seen as linked to Western and Oriental literary cultures. She discusses examples of literary phenomena featuring Western influences, as well as works which are linked in different ways to Southeastern Europe in general, the Ottoman world, and Oriental literary cultures. Kalantzopoulou's claim is that scholarship tends to associate modern Greek literature with Western literary cultures and dismisses non-Western contributions and influences. Kalantzopoulou suggests that by acknowledging the historical situatedness of such assumptions and by examining …

Comparative Literature, (Comparative) Cultural Studies, Aesthetic Education, And The Humanities, Sonja Stojmenska-Elzeser

CLCWeb: Comparative Literature and Culture

In her article "Comparative Literature, (Comparative) Cultural Studies, Aesthetic Education, and the Humanities" Sonja Stojmenska-Elzeser discusses comparative literature in the context of cultural studies and aesthetic education. Her starting point is the complexity of comparative literature as an academic discipline propelled by intellectual curiosity for what lies across the barriers which stand in the way of understanding and enjoying creative acts of all kinds everywhere and at all times. Literary and artistic investigations which focus on aesthetic values lead us towards general aesthetics, analyses which situate the arts and literature in context with little regard for aesthetic criteria take us …

Introduction To New Work About World Literatures, Graciela Boruszko, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

Interculturality And World Literary System(S), Jola Škulj

CLCWeb: Comparative Literature and Culture

In her article "Interculturality and World Literary System(s)" Jola Škulj proposes a new framework for studying planetary exchanges of literatures, one that subverts the systemic distinction between centers and peripheries. She advocates a model that can yield the analytical conceptualization and hermeneutic understanding of literary phenomena and their historical reality in the complexity of semiotic traces, in actual distinctiveness of formal and textual deposits, and in interconnections of poetological impacts. She argues that literary facts seen in such intricate networks of mutual intertextual phenomenology and reaccentuations attest to their character of permanent mobility, evident instability, and constant inventive reformulation of …

Comparative Literature In Chinese: A Survey Of Books Published 2000-2013, Miaomiao Wang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Positive Uncertainty And The Ethos Of Comparative Literature, Brigitte Le Juez

CLCWeb: Comparative Literature and Culture

In her article "Positive Uncertainty and the Ethos of Comparative Literature" Brigitte Le Juez examines the continuous difficulty comparatists have with the lack of definition of the discipline and explores possible new avenues for tackling the problem. Le Juez argues that "uncertainty" recognized as a tenet of comparative literature should not be unheeded, but embraced in order to shift the focus from the idea that comparative objects and methods are the defining elements of the discipline and envisage them as the aims and results of an ethos. Le Juez posits that when "indiscipline" and "serendipity" are added to the notion …