Renaissance Studies Commons^™

"In Loving Virtue": Staging The Virgin Body In Early Modern Drama, Miranda Viederman

Honors Projects

The aim of this Honors project is to investigate representations of female virginity in Renaissance English dramatic works. I view the period as one in which the womb became the site of a unique renewal of cultural anxieties surrounding the stability of the patriarchy and the inaccessibility of female sexual desire. I am most interested in virginity as a “bodily narrative” dependent on the construction and maintenance of performance. I analyze representations of virginity in female characters from four works of drama originating in the Jacobean period of the English Renaissance, during and after the end of the reign of …

Remixing The Canon: Shakespeare, Popular Culture, And The Undergraduate Editor, Andie Silva

Publications and Research

This essay explores the benefits and challenges of using digital editing as a platform for social knowledge production. First, I discuss the underlying impetus for the project, my choice of Scalar as a digital platform, and a number of specific assignments designed to develop skills toward the final edition. Next, I analyze examples from student work, considering the larger implications of students’ annotation choices and the thematic focus each of them chose for their acts. Finally, I outline some of the potential pitfalls of this course. My aim is to privilege students’ discovery, negotiation, and ownership of ideas. As a …

England's Fairest Creatures, Madison Hart

MSU Graduate Theses

Set in 1616 Jacobean England, surrounding a tragic chamber pot incident, the place setting of the small fishing town of Lechlade, England, begins our story. From generations of fisherman, Elias Eaton, is the first Eaton not to bear a son. Instead, his fierce daughter in her mid-twenties, Julia, our protagonist, helps her father at the docks daily. Although Julia is a champion for women of her time, she dreams of there being something more out there for her than the town that has shackled Eatons for centuries. Julia’s mother, Sybil, is the daughter to the town baker. Her literate father …

"This Blessed Plot": An Ecocritical Approach To Shakespeare's Second Tetralogy, Silvina Barna

Master of Arts in Humanities | Master's Theses 1936 - 2022

This research project aims at bringing to light the non-human dimension in Shakespeare’s second tetralogy, i.e., Richard II, 1 Henry IV, 2 Henry IV and Henry V. In the context of the military confrontations that preceded the Wars of the Roses, the disruption of human relationships bears an impact on the land and the non-human cosmos in general. Through his literary craft and thorough understanding of human and non-human nature, Shakespeare reveals an intricate network of relationships, which, even when broken, can be mended.

My project is guided by a presentist understanding of literature. Studying the relationship between the human …

A Seventeenth-Century Air History In Conversation With Antony And Cleopatra, Laura S. Deluca

Binghamton University Undergraduate Journal

This article works to unpack the recurrences of air-related language utilized in Shakespeare’s Antony and Cleopatra. Throughout this play, the notions of breath, wind, air, and vapor are consistently referenced, demonstrating the way in which atmospheric intangibility was a key point of exploration for contemporary scientists and philosophers. Through this analysis, it is clear that Shakespeare employs breath in three ways: the breath of (public) life, a lack of breath, and, most importantly, breath as a symbol of power and autonomy, which at times overlaps with the breath of life in ways that demonstrate contemporary conceptualizations of living beings. The …

Mentalités And The Search For Total History In The Works Of Annalistes, Foucault, And Microhistory, Jason U. Rose

The Hilltop Review

In this brief essay, the links between the Annales, the works of Michael Foucault, and microhistory are analyzed through the theoretical lens of histoire des mentalités (mentalités). Common threads that link these approaches include the willingness of using outside fields of analysis as well as the willingness to work with vagueness in search of those who Foucault calls, “lost people.” Relatedly, each of these groups and individuals are willing to analyze all aspects of the historical record to fully understand the minds, cultures, and histories of past people. The key to recognizing the relationship of these approaches involve knowing and …

Quod Inane Vocamus: Lucretius’ Void In Seventeenth-Century Italy, Carlo Bottone

Dissertations, Theses, and Capstone Projects

During the seventeenth century, the revival of atomic theories and the beginning of barometric experiments sparked a philosophical debate on the existence and the nature of void, which in turn generated new attention to the ancient disputes on void and prompted new interpretations of Lucretius’ examination of inane (De Rerum Natura, I.329-397). Commentators began to discuss the passage beyond the ancient philosophical tradition and in relation to modern ideas and recent discoveries, while Vacuists appealed to Lucretian arguments to prove or deny the existence of an absolute void interspersed among corpuscles.

My research contributes to the scholarship on …

Negotiating Space: Spatial Violation On The Early Modern Stage, 1587-1638, Gregory W. Sargent

Doctoral Dissertations

Recent criticism proves the malleability of theatrical space as a lens through which the discussion of Renaissance drama proliferates. Negotiating Space works towards the articulation of the importance of space in the representational mimesis of performance by examining moments of violence, violation, misuse, and misappropriation. I draw a connection between the lived, material sites of the plays’ action and the ideological import of representing those spaces dramatically using a focus on violation. Though much good scholarship exists detailing London-centric approaches to dramatic space, this study discursively reifies identifiable staged spaces to connect with the lives of theatrical patrons no matter …

Excremental Ecofeminism: Unearthing Waste’S Feminine And Narrative Agency In Early Modern Literature, Courtney Druzak

Electronic Theses and Dissertations

This project seeks to understand the role of forms of waste in early modern literary texts. It both offers up a theory—known as early modern excremental ecofeminism—for reading period specific texts in relation to waste and articulates how we may do so through close analysis of Edmund Spenser’s Faerie Queene, John Milton’s Paradise Lost, the elegies of Mary Sidney Herbert, the sonnet sequence Pamphilia to Amphilanthus by Mary Wroth, John Evelyn’s Fumifugium, and finally, William Shakespeare’s play Antony and Cleopatra. It chooses a variety of genres across texts from the 1580s to the 1660s both to interrogate …

The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring

The Forum: Journal of History

This literary review will focus on Michelangelo’s most significant work of color: the Sistine ceiling. Michelangelo’s work has spawned a plethora of literature, but this paper will focus on three main controversial topics: assistants (or lack thereof), the ignudi’s purpose, and restoration. I will also apply a psycho-historical approach to these controversies and identify potential avenues for future research.

Full Issue

The Forum: Journal of History

No abstract provided.

“The Badge Of All Our Tribe”: Contradictions Of Jewish Representation On The English Renaissance Stage, Becky S. Friedman

Doctoral Dissertations

Literary and historical records fueled fantasies of intense difference between the Jews and Christians of early modern England. Representations of Jewishness in the Renaissance theater drew on many of these enduring pejorative fictions, which associated Jews with financial manipulation, corporeal abnormalities, and an innate predilection for iniquity. At the same time, depictions of stunningly beautiful Jewish women and sympathetic, relatable Jewish commoners also emerged on the stage, complicating centuries-old attitudes of antipathy with suggestions of fascination, compassion, and similitude. “The Badge of All Our Tribe”: Contradictions of Jewish Representation on the English Renaissance Stage sheds light on this broader spectrum …

Theater Of Exchange: The Cosmopolitan Stage Of Jacobean London, Liz Fox

Doctoral Dissertations

This dissertation, Theater of Exchange: The Cosmopolitan Stage of Jacobean London, examines how early modern theater reflected and participated in the developing global economy and corresponding emergence of London as a capital of world mercantilism. I argue that moments of economic and cultural exchange appearing in work from Jacobean playwrights, including William Shakespeare, Francis Beaumont, Ben Jonson, Thomas Heywood, and John Marston, mediated native and foreign influences and promoted cosmopolitan attitudes among playgoers. Reading plays through a lens of hybridity, this dissertation positions the early modern playhouse as a site of international integration and exchange that, like the emerging marketplace, …

"On Neptunes Watry Realmes": Maritime Law And English Renaissance Literature, Hayley Cotter

Doctoral Dissertations

This dissertation stages an unprecedented dialogue between the maritime, the literary, and the legal within the context of the English Renaissance. It positions the ocean as an essentially legal space and argues that law mediates all human-ocean interactions. Additionally, it contends that an understanding of legal conceptions of the sea is essential to developing a cultural awareness of maritime space. Therefore, my project resituates early modern literary engagements with the ocean within a complex body of legal and political discourses and argues that in an island nation such as England, knowledge of the sea was widespread. Consequently, the ubiquitous maritime …

Poems Of Debate And Praise: Women As Published Authors In Sixteenth-Century France, Anna Soo-Hoo

Dissertations, Theses, and Capstone Projects

Non-fictional, published poetic exchanges between men and women in sixteenth-century France provide new perspectives into how women writers operated in a literary culture whose main producers and dominant voice were male. Contrary to the notion repeated by many critics that women of that period were supposed to stay out of the public sphere, my study finds that publishing a woman’s poems did not destroy her reputation, and there appears to have been no major backlash when a man decided to include poems by a female contemporary in his book. My study takes as its point of departure the notion that …

The Source And Application Of Thomas Müntzer's Theology Of Divination In His Marginal Notes On Tertullian, Roger Drinnon

Master of Sacred Theology Thesis

Drinnon, Roger A. “The Source and Application of Thomas Müntzer’s Theology of Divinization in His Marginal Notes on Tertullian.” Thesis, Concordia Seminary, 2021. 101 pp.

Traditional Lutheran and Marxist interpretations of Thomas Müntzer inadequately account for Müntzer’s theology and practice. The doctrine of the order of creation tied Müntzer’s theology and practice together. According to the order of creation, the goal of the material world was to return to God at the end of time. Müntzer’s writings on the order of creation stated the doctrine was the central tenet of Christianity. By returning to God, Müntzer believed the creation would …

Signal To Noise: Harmonic Temperaments And Patterns Of Interference, Dylan A. Marcheschi

Theses and Dissertations

An audio/visual exploration of historical tuning systems. Most contemporary Western audiences will seldom if ever encounter harmony outside of post-Renaissance tuning conventions. This presentation highlights some of those pre-orthodox harmonic relationships which existed throughout most of history. The corresponding paper documents correlates in recent advances of acoustic ecology.

Power Dressing: Feather Fans And The Visual Language Of Female Portraiture, Charlotte Svetkey

Theses and Dissertations

Feather fans in sixteenth-century portraiture not only allowed the female sitter to express her own claims to wealth, status, and power but also acted as a visual indicator of changes that were occurring on the global stage. Both fans and sitters will be evaluated through ideas of gender and class.

Thomas Middleton And The Plural Politics Of Jacobean Drama, Mark Kaethler

Late Tudor and Stuart Drama

Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of …

The Medici Example: How Power Creates Art And Art Creates Power, Margaret Hayden

Electronic Theses and Dissertations

This project looks at two members of Florence’s Medici family, Cosimo il Vecchio (1389-1464) and Duke Cosimo I (1519-1574), in an attempt to assess how they used the patronage of art to facilitate their rule. By looking at their individual political representations through art, the specifics of their propagandist works and what form these pieces of art came, it is possible to analyze their respective rules. This analysis allows for a clearer understanding of how these two men, each in very different positions, found art as an ally for their political endeavors. While they were in power only one hundred …