Winter Solstice Phenomenon At Newgrange: Research Report 2024,
2024
Technological University Dublin
Winter Solstice Phenomenon At Newgrange: Research Report 2024, Frank Prendergast
Articles
This report, commissioned by the National Monuments Service presents a comprehensive analysis of the high-resolution photographic and video recordings of the solar illumination inside the burial chamber at Newgrange passage tomb, located within the UNESCO World Heritage Site of Brú na Bóinne – Archaeological Ensemble of the Bend of the Boyne.
Cardinal,
2024
DePauw University
Cardinal, Rachel Schmitt
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Rachel Schmitt is a Senior Music Education major with an instrumental emphasis. Having always been intrigued by the world that surrounds us, Rachel took up photography as a hobby around age 10. At DePauw, she has honed in on her photography skills and continues to create projects to showcase her detailed-oriented lens.
Permanence Collection,
2024
DePauw University
Permanence Collection, Justine Vandenberg
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Justine Vandenberg is an Environmental Fellow student at DePauw University majoring in Sustainability Science and Environmental Studies. She is also a writer, poet, and photographer who is passionate about using artistic forms to advocate for the health of ecosystems and human communities. She finds beauty in hiking, gardening, and mountain life.
Lost Track Of Time,
2024
DePauw University
Lost Track Of Time, Kisa Tamai
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Kisa Tamai is a junior from Honolulu, Hawai'i, majoring in Communication and Global Health. She occasionally shoots 35mm film in memory of her grandfather. She enjoys hiking and rock climbing.
Kindling,
2024
DePauw University
Kindling, Kandafula Sikana
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Kay Sikana is an interdisciplinary artist and Senior Studio Art Major at DePauw. They enjoy storytelling and integrating oral histories in their work.
Red Bike In Snow,
2024
DePauw University
Red Bike In Snow, Emily Loera
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Emily Loera is a Junior double majoring in Design Studies and Asian Studies. She is on the Women’s Track and Field team and involved in many other organizations on DePauw's campus. She loves to share her art with others, read, and hang out with her friends.
Sidewalk Ensnared,
2024
DePauw University
Sidewalk Ensnared, Annika Christiansen
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Annika Christiansen is a Sophomore photojournalist and Media Fellow at DePauw University. She has been pursuing photography personally and professionally for the past six years, and her art is inspired by the hidden beauty in mundane scenes. She loves fiction writing, jazz music, and cinematography.
Mom's Third Eye,
2024
DePauw University
Mom's Third Eye, Dylan Copeland
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Dylan Copeland is a Junior Studio Art major at DePauw University. He loves exploring with photography to create unique compositions. He loves to pole vault, skateboard, and listen to music in his free time.
Worn,
2024
DePauw University
Worn, Lindsay Hontz
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Lindsay Hontz is a Junior English Writing Major and Women, Gender, and Sexuality Studies Minor at DePauw University. She enjoys photography and typically shoots film. She loves to cook and bake in her free time.
Remembering,
2024
SUNY Oswego
A Lost Child [1],
2024
SUNY Geneseo
Caffeine And Me,
2024
University of North Dakota
Teddy Roosevelt National Park,
2024
University of North Dakota
Teddy Roosevelt National Park, Jonathan Sladko
Floodwall Magazine
I love traveling, and I hope to make it an integral part of my life by getting a job as a commercial pilot in the future. I also love capturing the beauty of the world as I see it while traveling full of vibrant colors, awe-inspiring scenery, and diverse cultures. I hope my photography is able to capture the world as I see it, so that I may share it with you.
Bernese Oberland,
2024
University of North Dakota
Bernese Oberland, Jonathan Sladko
Floodwall Magazine
I love traveling, and I hope to make it an integral part of my life by getting a job as a commercial pilot in the future. I also love capturing the beauty of the world as I see it while traveling full of vibrant colors, awe-inspiring scenery, and diverse cultures. I hope my photography is able to capture the world as I see it, so that I may share it with you.
Love Medicine,
2024
University of North Dakota
Love Medicine, Casey Fuller
Floodwall Magazine
I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …
Minima Moralia,
2024
University of North Dakota
Minima Moralia, Casey Fuller
Floodwall Magazine
I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …
Naked Lunch,
2024
University of North Dakota
Naked Lunch, Casey Fuller
Floodwall Magazine
I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …
Tree-Lined,
2024
University of North Dakota
Tree-Lined, Chad Erickstad
Floodwall Magazine
The world we experience is constantly evolving; yet many of our experiences are universal through time. I use photography to capture these universal moments as well as the ones unique to our moment in history. I find nature to be a fertile subject, often at its most brutal or its most serene. I am also interested in ways we have shaped nature and architecture to function for our modern needs and meet our current definition of “aesthetically pleasing.”
Summer School,
2024
University of North Dakota
Summer School, Nicholas Baldwin
Floodwall Magazine
I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …
Marbled Frog Wood Cut,
2024
University of North Dakota
Marbled Frog Wood Cut, Nicholas Baldwin
Floodwall Magazine
I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …
