Summer School,
2024
University of North Dakota
Summer School, Nicholas Baldwin
Floodwall Magazine
I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …
Marbled Frog Wood Cut,
2024
University of North Dakota
Marbled Frog Wood Cut, Nicholas Baldwin
Floodwall Magazine
I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …
Imitating,
2024
University of North Dakota
Imitating, Nicholas Baldwin
Floodwall Magazine
I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …
Dominoes,
2024
University of North Dakota
Dominoes, Nicholas Baldwin
Floodwall Magazine
I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …
Sometimes I Worry,
2024
University of North Dakota
Shards Of Memories,
2024
University of North Dakota
Scrabble,
2024
University of North Dakota
An Upward Trend,
2024
University of North Dakota
Land Of Improbable Dreams,
2024
University of North Dakota
Grandma Betty,
2024
University of North Dakota
Abba,
2024
University of North Dakota
Library Magic,
2024
University of North Dakota
Residual,
2024
University of North Dakota
Touch, Or, Beautiful People,
2024
University of North Dakota
Touch, Or, Beautiful People, Clara Anderson-Cameron
Floodwall Magazine
No abstract provided.
Son Of Abraham,
2024
University of North Dakota
Aglaura & Cidippe Warn Their Captive Sister,
2024
University of North Dakota
Aglaura & Cidippe Warn Their Captive Sister, Jasmine Patera
Floodwall Magazine
No abstract provided.
Ego,
2024
University of North Dakota
You Must Whisper This Poem,
2024
University of North Dakota
7am Breakfast,
2024
University of North Dakota
Solus,
2024
University of North Dakota
