Museum Studies Commons^™

Dedication Despite Difficult Times, Catherine A. Liebau-Nelsen

School of Information Student Research Journal

No abstract provided.

Mismatches: Museums, Anthropology And Amazonia, Anne-Christine Taylor

Tipití: Journal of the Society for the Anthropology of Lowland South America

Over the past decades, museums, particularly the large Euro-American ethnographic ones, have had trouble developing adequate presentations of Amazonian cultural productions. To some extent, this failure can be seen as a side effect of a more general trend—namely, the widening rift between museums and the discipline of anthropology. However, I will argue that the mismatch between the museum context and Amazonian indigenous peoples and cultures also draws on the former’s difficulty in understanding and adhering to the idea of museums, as opposed to other Western technologies of visualization and transmission. The aim of this conference, drawing both on my experience …

You Belong Here: A Critical Look At Community Engagement In Museum Education Through K-16 Place Based Pedagogy, Janelle O'Malley

Student Projects

Historically museums exist as object centered spaces with little consideration of the community and artists that support them. Therefore museums as pedagogical sites must reorient themselves to become people centered spaces incorporating participatory pedagogical experiences for both community members and artists.

There is a lack of research in place-based pedagogies in museum education. It is important now more than ever to recognize the need to center community in museum education. This study will seek to investigate how museums can exact meaningful change through their educational practices and create a sense of belonging in museums for their immediate community. The outcomes …

Two-Headed Calves, Unicorn Horns, And Trephined Skulls: An Essay About Beautiful Museum Monsters, Kiersten F. Latham

Proceedings from the Document Academy

This essay is part personal exploration, part scholarly study, as I use my own material and experience to seek out the answers to questions that began from personal encounters with monsters in museums.

Contextualizing A Maya Collection From Alta Verapaz, Guatemala, At The University Of Ghent, Belgium, Julia Montoya

Zea E-Books Collection

The aim of the present study is to contextualize a collection of Maya artifacts that have been kept for 125 years at the University of Ghent, in Belgium. The objects came from one of the first archaeological excavations carried out in Guatemala, between 1880 and 1900. The collection includes 130 pottery pieces, 64 jadeite pieces, 24 stone objects (serpentine, silex, and other stones), and 52 obsidian pieces. The study started in 2016, with the identification and location of the provenance site, which was visited in 2017. The phases of documentation and photographic registration of the objects were completed in 2019. …

What To Keep And How To Keep It: A Case Study Of Archival Material Related To The Richardson Olmsted Campus, Isabelle C. Bateson-Brown

Museum Studies Projects

Museums come in all shapes and sizes but do museum standards? The purpose of this thesis is explore the importance of adapting museum industry standards to the distinctive mission, collection, and feasibility of a specific institution. This research was exemplified by a case study of the historical and archival materials related to the Richardson Center Corporation and Richardson Olmsted Campus. The unique situation of the Richardson Olmsted Campus as a site-specific arts and cultural organization related to the adaptive reuse of a historic landmark was also contextualized within the trend of historic reuse and the larger scope of museum industry …

Dinosaur Representation In Museums: How The Struggle Between Scientific Accuracy And Pop Culture Affects The Public Perception Of Mesozoic Non-Avian Dinosaurs In Museums, Carla A. Feller

Museum Studies Theses

This thesis examines the struggle of museums to keep up with swiftly advancing scientific discoveries relating to the study and display of Mesozoic (approximately 250 million years to 65 million years ago) non-avian dinosaurs. The paper will explore the history of dinosaur discoveries, their display methodologies in museums, and how pop culture, including movies and video games, have influenced museum displays and public perception over time. The lack of updated dinosaur exhibits in smaller local museums leads to disbelief, or an outright denial, of new information such as feathered dinosaurs. Entertainment, such as movies and video games that have non-avian …

History And Memory In The Intersectionality Of Heritage Sites And Cultural Centers In The Pacific Northwest And Hawai'i, Leah Marie Rosenkranz

Dissertations and Theses

While working to maintain contemporary and future relationships with stakeholders, heritage sites and cultural centers across the United States attempt to tell the history and experiences of the land and people who were once there, are there in the present, and will be there in the future. Fort Vancouver National Historic Site is one of these heritage places. This study is a response to current management needs identified for the Fort Vancouver National Historic Site. Through an internship with the ongoing Fort Vancouver National Historic Site Traditional Use Study, my research examines how heritage sites and cultural centers fulfill the …

How Wendy Red Star Decolonizes The Museum With Humor And Play, Salma Monani, Nicole Seymour

Environmental Studies Faculty Publications

Museums play a prominent role in crafting racial narratives in the United States, and as evidenced by recent social uprisings, these institutions have come under scrutiny. Take, for example, the statue outside the American Museum of Natural History in New York, which depicts U.S. President Theodore Roosevelt on horseback flanked by a Black man and an American Indian, both unnamed. As National Public Radio reported in June 2020, “The statue was intended to pay homage to Roosevelt as a ‘devoted naturalist and author of works on natural history,’” but, in calling for its removal, Mayor Bill de Blasio’s office affirmed …

Freedom Quilt: Collective Patchwork In Post-Communist Hungary, Christalena Hughmanick

Textile Society of America: Symposium Proceedings

The paper investigates the democratic and social values of patchwork quilting through its culture of open-source pattern sharing and communal group work – using The Freedom Quilt Hungary project as a primary example. I facilitated a social engagement artwork, developed in 2019 on the occasion of the 30th anniversary of the end of Socialist rule in Hungary in 1989. This change resulted in new laws, allowing for the formation of the Hungarian Patchwork Guild (HPG), with whom I worked closely to create the work. It provided members of this group and the public with a platform to define individual notions …

Prejudiced Commodities: Understanding Knowledge Transfer From India To Britain Through Printed And Painted Calicoes, 1720-1780, Aditi Khare

Textile Society of America: Symposium Proceedings

The eighteenth-century trade in calico between Europe and India was a function of global textile manufacture, exchange, and consumption on multiple levels. This trade had several political, cultural, and economic consequences— the most important of which, I suggest, was the transfer of useful knowledge from artisanal oral textile traditions in India to the receptive, commercial, and nascent cotton printing industry in Europe.

This paper explores the contribution of Indian cotton printing knowledge towards the development of Europe’s cotton industry and, consequently, its dissemination through European knowledge networks. In particular, the largely overlooked chemical knowledge pertaining to dyes and mordants responsible …

Schoolgirl Embroideries & Black Girlhood In Antebellum Philadelphia, Kelli Racine Coles

Textile Society of America: Symposium Proceedings

Embroideries stitched by girls at schools for Black children in the eighteenth and nineteenth centuries are rare finds in the antiques world. The few embroideries likely stitched by Black schoolgirls that do survive often offer historical evidence in the form of the names of their makers’ schools stitched onto their embroideries. Yet there is little scholarship on these embroideries or the education these schoolgirls were pursuing while creating their samplers. In scholarship using material culture as primary evidence, these embroideries provide valuable clues about the lives of Black girls in northern cities during the antebellum period. My work examines the …

Arpilleras The Vessels Of Chile’S Resistance, Soledad Fátima Muñoz

Textile Society of America: Symposium Proceedings

Most historians locate the beginning of the Chilean military government after the coup d’etat, which overthrew democratically elected President Salvador Allende, on September 11, 1973. However, I would like to focus on the ideological background that preceded this era through the investigation of arpilleras and their relationship to Western academic institutions in the making and writing of history—more specifically, to the University of Chicago as the “Ideological State Apparatus” responsible for the implementation of neoliberalism in Chile.

Arpilleras are patchwork-based textiles of narrative imagery, made with a technique of applique and embroidery on a burlap background. They are produced in …

Plants In The Tapestry (Literally), Ann H. Peters, Adriana Soldi S.

Textile Society of America: Symposium Proceedings

Among our studies of ancient Peruvian textiles created in tapestry technique, we have come across some surprising elements, both in the warp and the weft. Andean textiles created over the past 10,000 years have been preserved in certain locations along the Pacific desert coast. They are usually preserved in the cloth bundles that protect and adorn the dead, and composed of fibers from native cotton varieties of Amazonian ancestry, the hair of highland ancestors of today’s llama and alpaca, maguey leaves from the mid-valley canyons, and reeds from coastal marshes. Garment forms, techniques and imagery can indicate textiles produced in …

Kenyan Basketry (Ciondo) By Women From Central And Eastern Kenya, Mercy Wanduara

Textile Society of America: Symposium Proceedings

The Kenyan baskets commonly known as kiondo/kyondo (s)/ciondo (p) are made by women in different parts of Kenya mainly as utilitarian items for carrying goods around. The baskets are made using traditional/indigenous fibers that are readily available near where people live. The fibers may be from plant stems of shrubs, barks of trees, or banana fibers. The fibers are manually harvested, processed (spun), dyed, and woven into baskets. Dye stuffs are produced locally from natural sources such as mud (brown), leaves from specific plants (green), tree barks (red and brown), and charcoal (black), among other sources. Even though basketry is …

A Compared Study Of Miao Embroidery And Ancient Chinese Embroidery: The Cultural And Historical Significances, Tomoko Torimaru

Textile Society of America: Symposium Proceedings

The Miao people of Guizhou province, China, use two different types of chain stitch. One is a standard chain stitch similar to the Western style. The other one, which I termed “ancient” chain stitch, is distinctly different in execution and appearance, and it is a technique that only Miao practice currently.

Numerous examples of fine chain stitch embroidery have been excavated from archeological sites in China, including the Jiangling Mashan No.1 Chu Tomb, Jingzhou, Hubei, Warring States period (770–221 BC) and the Mawangdui No.1 Tomb, Changsha, Hunan, Western Han period (206 BC–AD 8). These extant embroideries clearly illustrate a unique …

Alnôbakskwak: Native American Women Making Ceremonial Regalia, Vera Longtoe Sheehan

Textile Society of America: Symposium Proceedings

In the borderland between the United States and Canada stand communities of Native American people whose resilience enabled them to survive the ravages of hundreds of years of wars, eugenics, and racism that persists into the present day. These factors contributed to the decline of traditions and a subsequent period of cultural renewal and pride that has led up to several Abenaki tribes petitioning the State of Vermont for tribal Recognition. When the Recognition applications were compared, it became apparent that they had retained many of their agricultural traditions and that their cultural revitalization efforts could be extended not only …

Of Prophets, Caterpillars, And Silver: Job And The Origin-Story Of Sericulture In The Early Modern Islamic World, Nader Sayadi

Textile Society of America: Symposium Proceedings

Similar to most pre-modern guilds and crafts around the world, the silk craft had origin-stories and patron saints to provide its practitioners with “historical” background and institutional heredity. In the early modern Safavid era— as discussed in a rare silk-weaving treatise in Persian titled The Treatise of Silk-Weaving and Grasping the Grip of the Shuttle (Resāleh-e yeh Shaʿrbāfi va Gereftan-e Qabzeh-e yeh Māku) dated October 18, 1606—the origin-story of sericulture and silk-weaving has been woven into the Biblical/Qur’anic narrative of Job (Ayyoub). The contemporary Ottoman futuwwatnama literature gives similar narratives; however, the story of Job in the Bible and Qur’an, …

Tameji Ueno: A Living National Treasure Of Kyoto Textiles, Keiko Okamoto

Textile Society of America: Symposium Proceedings

When the Japanese word yūzen is translated into English, it is hard to find an exact expression, as yūzen is used to describe both “hand-painted dyeing on textiles” and a “look-alike style of prints.” Yūzen is the unique aspect of Japanese “motif dyeing” in which the pre-modern hand-painted method survives when printing methods are used for mass production.

The Ueno family from Kyoto devoted themselves to design and manufacture of high-end hand-painted yūzen dyeing since the early twentieth century.

This paper will follow the Ueno family’s one hundred years of contributions to kimono textile development along with its applications and …

An Uncommon Ammunition Case: Interpreting “Transitional” Textiles And Social Worlds In Nineteenth-Century Tlingit Alaska, Laura J. Allen

Textile Society of America: Symposium Proceedings

Overlooked objects in museum collections can reveal complex social relationships behind well-known textile forms. A tattered woven case for ammunition cartridges, collected in southern Alaska in the late nineteenth century, presents such an opportunity. Part of the vast Tlingit collection at the American Museum of Natural History, the ammunition bag has been little documented and displayed compared to other highly esteemed indigenous naaxein or Chilkat weavings of the region. The piece is unusual in that the maker combined two weaving styles—not only figural motifs characteristic of Chilkat weaving, but also geometric patterns reminiscent of its stylistic and technical precursor called …