Museum Studies Commons^™

Successful Event Fundraising Strategies For Nonprofit Museums, Stacie Barrett

Walden Dissertations and Doctoral Studies

Some museum nonprofit organizational leaders are experiencing financial losses. Less than 25% of nonprofit agencies in the United States have enough funds to operate for six months. Museum nonprofit leaders are concerned with financial losses because the decrease in financial support can cause decreased operational funding and prohibit museum nonprofit leaders from carrying out the organizational mission. Grounded in Ajzen’s theory of planned behavior, the purpose of this qualitative single case study was to explore successful event fundraising strategies nonprofit managers use to increase financial support. The participants were three successful nonprofit museum leaders who had fundraising responsibilities. The study …

Beyond The Social: Artist Project Spaces, 2003 To 2016., Clare L. Van Loenen

Theses and Dissertations

This research examines storefront project spaces in the early 2000s that offered alternative approaches to the programming, organizing, and archiving found in conventional museums. I propose that such sites impacted participatory visual culture by offering a reformulatory role for arts’ practices, one that organized itself across disciplinary boundaries, chose a collaborative rather than competitive approach, and processed the ideological implications of their group work. Focused on three specific sites—Machine Project in Los Angeles, Elsewhere in Greensboro, and Mess Hall in Chicago—this study details the museological, pedagogical, and archival challenges of these artist-convened organizations. My interdisciplinary investigation offers a reference point …

We're All A Little Bit Gay: Female Homoeroticism In Greek Art, Devon A. Matson

Senior Independent Study Theses

This study provides a close analysis of women in artwork from Archaic, Classical, and Hellenistic Greece (700-30 BC). Such images have traditionally been considered from exclusively heteronormative and androcentric perspectives. I employ queer and feminist theory in an attempt to provide a new understanding of the images present on these examples of ancient art which showcase women’s relationships. I examine a terracotta figure, a stamnos, a psykter, and a cup that display women interacting with one another. Their interactions demonstrate both homosocial and homoerotic relations. In an effort to reach a broader audience, I have curated a digital exhibit that …

Bertha Palmer And Anna Wintour: How Does Private Patronage Impact Identity-Building Within Cultural Institutions?, Marie Redetzki

MA Theses

Founded to provide a young nation with cultural foundations and dedicated to educating its public, the large historic cultural institutions of the United States find their origin in private initiatives and of private-public-partnerships for the benefit of the communities they serve. This thesis outlines that, at its core, museums and their funding structures in the United States exist in the format we find today because of the active and informed contributions of their patrons. It is these contributions that have shaped the American museum landscape over the course of its history. Two case studies – Bertha Palmer and her bequest …

Art By Intention And Art By Appropriation: "Authenticity," Western Encounters, And Ethics Of Collection And Display Of African Art, Katelyn Nicole Brockmeyer

Honors Program Theses

This research project surveys the overlap of Western notions of authenticity, encounters with Africa, and the ethics of collecting and displaying of African art objects. First, I define the issues surrounding definitions of authenticity; second, I lay out the historical background of Western interaction with West Africa and modern demand for African art objects; third I discuss the issues authenticity and corresponding ethics of display; finally, I explain how this information applies to two objects from the UNI Museum collection. In this thesis, I address the ways the categories of “authentic,” “fake,” and replica are intertwined in the history of …

Book Review: A Matter Of Facts: The Value Of Evidence In An Information Age, Terry Schiavone

School of Information Student Research Journal

No abstract provided.

Book Review: Public Library Collections In The Balance: Censorship, Inclusivity, And Truth, Jennifer Downey, Carrie E. Kitzmiller

School of Information Student Research Journal

No abstract provided.

Dedication Despite Difficult Times, Catherine A. Liebau-Nelsen

School of Information Student Research Journal

No abstract provided.

Mismatches: Museums, Anthropology And Amazonia, Anne-Christine Taylor

Tipití: Journal of the Society for the Anthropology of Lowland South America

Over the past decades, museums, particularly the large Euro-American ethnographic ones, have had trouble developing adequate presentations of Amazonian cultural productions. To some extent, this failure can be seen as a side effect of a more general trend—namely, the widening rift between museums and the discipline of anthropology. However, I will argue that the mismatch between the museum context and Amazonian indigenous peoples and cultures also draws on the former’s difficulty in understanding and adhering to the idea of museums, as opposed to other Western technologies of visualization and transmission. The aim of this conference, drawing both on my experience …

You Belong Here: A Critical Look At Community Engagement In Museum Education Through K-16 Place Based Pedagogy, Janelle O'Malley

Student Projects

Historically museums exist as object centered spaces with little consideration of the community and artists that support them. Therefore museums as pedagogical sites must reorient themselves to become people centered spaces incorporating participatory pedagogical experiences for both community members and artists.

There is a lack of research in place-based pedagogies in museum education. It is important now more than ever to recognize the need to center community in museum education. This study will seek to investigate how museums can exact meaningful change through their educational practices and create a sense of belonging in museums for their immediate community. The outcomes …

Two-Headed Calves, Unicorn Horns, And Trephined Skulls: An Essay About Beautiful Museum Monsters, Kiersten F. Latham

Proceedings from the Document Academy

This essay is part personal exploration, part scholarly study, as I use my own material and experience to seek out the answers to questions that began from personal encounters with monsters in museums.

Contextualizing A Maya Collection From Alta Verapaz, Guatemala, At The University Of Ghent, Belgium, Julia Montoya

Zea E-Books Collection

The aim of the present study is to contextualize a collection of Maya artifacts that have been kept for 125 years at the University of Ghent, in Belgium. The objects came from one of the first archaeological excavations carried out in Guatemala, between 1880 and 1900. The collection includes 130 pottery pieces, 64 jadeite pieces, 24 stone objects (serpentine, silex, and other stones), and 52 obsidian pieces. The study started in 2016, with the identification and location of the provenance site, which was visited in 2017. The phases of documentation and photographic registration of the objects were completed in 2019. …

What To Keep And How To Keep It: A Case Study Of Archival Material Related To The Richardson Olmsted Campus, Isabelle C. Bateson-Brown

Museum Studies Projects

Museums come in all shapes and sizes but do museum standards? The purpose of this thesis is explore the importance of adapting museum industry standards to the distinctive mission, collection, and feasibility of a specific institution. This research was exemplified by a case study of the historical and archival materials related to the Richardson Center Corporation and Richardson Olmsted Campus. The unique situation of the Richardson Olmsted Campus as a site-specific arts and cultural organization related to the adaptive reuse of a historic landmark was also contextualized within the trend of historic reuse and the larger scope of museum industry …

Dinosaur Representation In Museums: How The Struggle Between Scientific Accuracy And Pop Culture Affects The Public Perception Of Mesozoic Non-Avian Dinosaurs In Museums, Carla A. Feller

Museum Studies Theses

This thesis examines the struggle of museums to keep up with swiftly advancing scientific discoveries relating to the study and display of Mesozoic (approximately 250 million years to 65 million years ago) non-avian dinosaurs. The paper will explore the history of dinosaur discoveries, their display methodologies in museums, and how pop culture, including movies and video games, have influenced museum displays and public perception over time. The lack of updated dinosaur exhibits in smaller local museums leads to disbelief, or an outright denial, of new information such as feathered dinosaurs. Entertainment, such as movies and video games that have non-avian …

History And Memory In The Intersectionality Of Heritage Sites And Cultural Centers In The Pacific Northwest And Hawai'i, Leah Marie Rosenkranz

Dissertations and Theses

While working to maintain contemporary and future relationships with stakeholders, heritage sites and cultural centers across the United States attempt to tell the history and experiences of the land and people who were once there, are there in the present, and will be there in the future. Fort Vancouver National Historic Site is one of these heritage places. This study is a response to current management needs identified for the Fort Vancouver National Historic Site. Through an internship with the ongoing Fort Vancouver National Historic Site Traditional Use Study, my research examines how heritage sites and cultural centers fulfill the …

How Wendy Red Star Decolonizes The Museum With Humor And Play, Salma Monani, Nicole Seymour

Environmental Studies Faculty Publications

Museums play a prominent role in crafting racial narratives in the United States, and as evidenced by recent social uprisings, these institutions have come under scrutiny. Take, for example, the statue outside the American Museum of Natural History in New York, which depicts U.S. President Theodore Roosevelt on horseback flanked by a Black man and an American Indian, both unnamed. As National Public Radio reported in June 2020, “The statue was intended to pay homage to Roosevelt as a ‘devoted naturalist and author of works on natural history,’” but, in calling for its removal, Mayor Bill de Blasio’s office affirmed …

Freedom Quilt: Collective Patchwork In Post-Communist Hungary, Christalena Hughmanick

Textile Society of America: Symposium Proceedings

The paper investigates the democratic and social values of patchwork quilting through its culture of open-source pattern sharing and communal group work – using The Freedom Quilt Hungary project as a primary example. I facilitated a social engagement artwork, developed in 2019 on the occasion of the 30th anniversary of the end of Socialist rule in Hungary in 1989. This change resulted in new laws, allowing for the formation of the Hungarian Patchwork Guild (HPG), with whom I worked closely to create the work. It provided members of this group and the public with a platform to define individual notions …

Prejudiced Commodities: Understanding Knowledge Transfer From India To Britain Through Printed And Painted Calicoes, 1720-1780, Aditi Khare

Textile Society of America: Symposium Proceedings

The eighteenth-century trade in calico between Europe and India was a function of global textile manufacture, exchange, and consumption on multiple levels. This trade had several political, cultural, and economic consequences— the most important of which, I suggest, was the transfer of useful knowledge from artisanal oral textile traditions in India to the receptive, commercial, and nascent cotton printing industry in Europe.

This paper explores the contribution of Indian cotton printing knowledge towards the development of Europe’s cotton industry and, consequently, its dissemination through European knowledge networks. In particular, the largely overlooked chemical knowledge pertaining to dyes and mordants responsible …

Schoolgirl Embroideries & Black Girlhood In Antebellum Philadelphia, Kelli Racine Coles

Textile Society of America: Symposium Proceedings

Embroideries stitched by girls at schools for Black children in the eighteenth and nineteenth centuries are rare finds in the antiques world. The few embroideries likely stitched by Black schoolgirls that do survive often offer historical evidence in the form of the names of their makers’ schools stitched onto their embroideries. Yet there is little scholarship on these embroideries or the education these schoolgirls were pursuing while creating their samplers. In scholarship using material culture as primary evidence, these embroideries provide valuable clues about the lives of Black girls in northern cities during the antebellum period. My work examines the …

Arpilleras The Vessels Of Chile’S Resistance, Soledad Fátima Muñoz

Textile Society of America: Symposium Proceedings

Most historians locate the beginning of the Chilean military government after the coup d’etat, which overthrew democratically elected President Salvador Allende, on September 11, 1973. However, I would like to focus on the ideological background that preceded this era through the investigation of arpilleras and their relationship to Western academic institutions in the making and writing of history—more specifically, to the University of Chicago as the “Ideological State Apparatus” responsible for the implementation of neoliberalism in Chile.

Arpilleras are patchwork-based textiles of narrative imagery, made with a technique of applique and embroidery on a burlap background. They are produced in …