"A Past Unremembered: The Transformative Legacy Of The Black Speculative Imagination" Exhibition Catalog,
2021
Michigan State University
"A Past Unremembered: The Transformative Legacy Of The Black Speculative Imagination" Exhibition Catalog, Julian Chambliss, Phillip Cunningham
2020-2021 Afrofuturism Syllabus - Week 20 - "A Past Unremembered: The Transformative Legacy of the Black Speculative Imagination" Exhibit
Exhibition catalog for "A Past Unremembered: The Transformative Legacy of the Black Speculative Imagination," co-curated by Dr. Julian Chambliss and Dr. Phillip Cunningham as part of the annual Zora Neale Hurston Festival of the Arts and Humanities. The exhibit locates Afrofuturist thought in earlier eras of American history and focuses on how African American writers of the 19th and early 20th centuries used speculative/science fiction to imagine a better, freer, more equitable future for Black people.
The Museum As A Mirror: Reinterpreting And Delinking American Landscape Art From Colonial Narratives,
2021
Colby College
The Museum As A Mirror: Reinterpreting And Delinking American Landscape Art From Colonial Narratives, Blythe C. Romano
Honors Theses
Art museums have recently been looking at their existing collections with heightened scrutiny, revisiting their decision to display colonial works uncritically in their gallery spaces, and reconsidering the idea that there is such a thing as a unified art historical canon. These conversations regarding reinterpretation are necessary for all museums that choose to display art with problematic histories, as this information is owed to visitors -- especially within the settler colonial context. The Colby College Museum of Art in Waterville, Maine is one site where such collection and gallery “reinterpretation” has begun to be implemented and discussed. For example, in …
The Motivation To Volunteer: Understanding Volunteer Motivation At United States Industrial Heritage Museums And Organizations,
2021
Michigan Technological University
The Motivation To Volunteer: Understanding Volunteer Motivation At United States Industrial Heritage Museums And Organizations, Cooper Sheldon
Dissertations, Master's Theses and Master's Reports
Industrial Heritage Museums and Organizations (IHMOs) in the United States (US) and their volunteers are underrepresented in the literature on volunteerism. The motivation and demographics of volunteers in IHMOs within the US are examined in this paper. Research into this topic is exploratory and little is known, therefore any hypothesis was based on personal observations as an AmeriCorps VISTA member in a variety of US museums. An online survey was sent out to three hundred and eighty-five museums across the US, along with conducting twelve in-person or over-the-phone interviews with museum practitioners and volunteers. This research found that a majority …
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society,
2021
Bronx Community College, CUNY
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Art Inquiries
No abstract provided.
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence,
2021
University of Tennessee, Knoxville
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Art Inquiries
No abstract provided.
Commonwealth,
2021
Virginia Commonwealth University
Jordan Nassar: The Field Is Infinite,
2021
University of Louisville
Jordan Nassar: The Field Is Infinite, Megan Bickel
Art Inquiries
No abstract provided.
The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp,
2021
Susquehanna University
The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera
Art Inquiries
No abstract provided.
Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage,
2021
University of South Carolina Aiken
Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler
Art Inquiries
No abstract provided.
Julie Mehretu,
2021
Kennesaw State University
Frank Duveneck: American Master,
2021
Kendall College of Art and Design of Ferris State University
Frank Duveneck: American Master, D. Bryan Schaeffer
Art Inquiries
No abstract provided.
Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material,
2021
Georgia Institute of Technology
Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig
Art Inquiries
No abstract provided.
An Interview With Tony M. Bingham,
2021
Virginia Commonwealth University
Iconoclasm And The Museum,
2021
University of North Georgia
Iconoclasm And The Museum, Catherine Chastain-Elliott
Art Inquiries
Book review of Iconoclasm and the Museum, by Stacy Boldrick.
Taking Space: Contemporary Women Artists And The Politics Of Scale,
2021
University of South Alabama
Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley
Art Inquiries
No abstract provided.
Dyani White Hawk: Speaking To Relatives,
2021
University of Kansas
Dyani White Hawk: Speaking To Relatives, Sara Stepp
Art Inquiries
No abstract provided.
Art Inquiries, Xviii:2-3, Full Issue,
2021
Virginia Commonwealth University
Consuming Stories: Kara Walker And The Imagining Of American Race,
2021
Paine College
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Art Inquiries
Book review of Consuming Stories: Kara Walker and the Imagining of American Race, by Rebecca Peabody.
Back Matter,
2021
Virginia Commonwealth University
Photographic Returns: Racial Justice And The Time Of Photography,
2021
Saint Anselm College
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Art Inquiries
Book review of Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith.
