Medieval Studies Commons^™

The Lost & Found Game Series: Teaching Medieval Religious Law In Context, Owen Gottlieb, Ian Schreiber

Presentations and other scholarship

Lost & Found is a strategy card-to-mobile game series that teaches medieval religious legal systems with attention to period accuracy and cultural and historical context. The Lost & Found project seeks to expand the discourse around religious legal systems, to enrich public conversations in a variety of communities, and to promote greater understanding of the religious traditions that build the fabric of the United States. Comparative religious literacy can build bridges between and within communities and prepare learners to be responsible citizens in our pluralist democracy. The first game in the series is a strategy game called Lost & Found …

Defining Communal Identity In The Ottoman Empire: Hagop Gagosian And The Mormon Armenians, 1890–1910, Courtney Cook

The Thetean: A Student Journal for Scholarly Historical Writing

No abstract provided.

“A Kindred Sigh For Thee”: British Responses To The Greek War For Independence, Susannah Morrison

The Thetean: A Student Journal for Scholarly Historical Writing

No abstract provided.

"Some Dreamers Of The Golden Dream": The Construction Of The Golden Age Myth(S) In The Age Of Ottoman Decline, Ian Mclaughlin

The Thetean: A Student Journal for Scholarly Historical Writing

This paper considers the role and construction of golden age myths in seventeenth-century debates about how to renew the flagging Ottoman Empire. Policymakers and preachers prescribed radically different solutions based on which golden age they idealized—whether the time of the Prophet Muhammad in the seventh century or the reign of Sultan Suleiman in the sixteenth. Throughout most of the 1600s, the pendulum swung back and forth violently depending on which faction had the sultan’s ear. Charismatic mosque preachers like Kadizade Efendi whipped up Istanbul crowds against coffee, while advice writers such as Koçi Bey urged expelling “outsiders” from the military …

“It Is A Privilege To Pee”: The Rise And Demise Of The Pay Toilet In America, Katie Richards

The Thetean: A Student Journal for Scholarly Historical Writing

No abstract provided.

From The Editor, Ian Mclaughlin

The Thetean: A Student Journal for Scholarly Historical Writing

No abstract provided.

Department Awards

The Thetean: A Student Journal for Scholarly Historical Writing

No abstract provided.

Seasoned Antisemitism: Cannibalism In The Destruction Of Jerusalem, Bailey Ludwig

English and Creative Writing Summer Fellows

My project examines an episode of maternal cannibalism within the medieval poem The Destruction of Jerusalem. Several variations of the story of the 70 AD Roman siege of Jerusalem that include this particular episode exist; the story even has roots in the bible. I am looking at the poem within this context and noting its differences in order to best determine its intentions. This version, more so than any other I have encountered, eliminates complicating factors, such as the murder of the child or presence of male figures, in order to make its antisemitic message as direct as possible. The …

Material Culture In The Religious Narratives Of The Old English Exeter Book, Justin J. Larsen

English Language and Literature ETDs

The term “material culture” represents many different approaches and schools of thought across multiple academic disciplines, but its place in the study of medieval literature is particularly difficult to ascertain. The long tradition of simply using the archaeological record to “fill in” gaps left in the textual historical record does little to expand our understanding of the place that these objects actually occupied in the users’ daily lives, nor does it allow us to make greater connections between the texts, their audiences, and their broader environment. Likewise, the role of the text and its reception has a great deal to …

La Femme Bisclavret: The Female Of The Species?, Alison Langdon

Medieval Feminist Forum: A Journal of Gender and Sexuality

Conventional humanist readings of Bisclavret approach the lai from an anthropocentric perspective, in which animal nature is merely an allegory for human nature. In such a reading, the werewolf protagonist is a foil for his much more beastly if wholly human wife, with the underlying assumption being that animal nature is something to be rejected. That the marker of Lady Bisclavret's bestial nature—her noselessness—is transmitted through the generations of only female descendants seems to echo medieval antifeminist truisms about female perfidy. However, approaching the lai from a critical animal studies perspective can help dismantle conventional assumptions about the privileged status …

Women And Other Beasts: A Feminist Perspective On Medieval Bestiaries, Carolynn Van Dyke

Medieval Feminist Forum: A Journal of Gender and Sexuality

Gender and species intersect in the subject-matter, readership, and authorship of medieval beast-books. First, androcentric norms result in inconsistent gender references to species: the grammatically feminine eagle (Aquila) is represented as a stern father, the masculine turtledove (Turtura) as a clinging wife. More broadly, male exemplars represent nearly all species regardless of grammatical gender.

Second, both discursive norms and bibliographic practice presumed an exclusively male readership for the bestiary, but external and internal evidence suggest that bourgeois mothers used bestiaries in educating their children.

Third, a more radical intervention in androcentric bestiary norms is an instance …

Flying, Hunting, Reading: Rethinking Falcon-Woman Comparisons, Sara Petrosillo

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper assesses structures of power through the medieval practice of falconry, offering two considerations about how feminist studies and animal studies fruitfully converge: first, assessing a human-animal relationship helps dismantle patriarchal control when human handler stands for patriarch and subjugated animal stands for domesticated woman. Second, this particular human-animal relationship represents a feminist poetics. In addition to overturning misogynous comparisons between falcons and women, something more pointedly self-representational occurred when women were themselves depicted as falconers. Rather than a human-animal relationship standing in for a man-woman relationship, men seem to be out of the foreground, or even out of …

“Compassion And Benignytee”: A Reassessment Of The Relationship Between Canacee And The Falcon In Chaucer’S “Squire’S Tale”, Melissa Ridley Elmes

Medieval Feminist Forum: A Journal of Gender and Sexuality

Among its many elements, Chaucer’s “Squire’s Tale” includes an emotionally-charged dialogue between two aristocratic female figures: the human daughter of a king, Canacee, and the wounded falcon she meets in the wood. Scholars have debated the nature of this relationship in interspecial, gendered, and specifically feminist and ecofeminist terms. This essay provides a brief retrospective on some of the most recent scholarship examining their relationship—van Dyke (2005); Kordecki (2011); Crane (2012); and Schotland (2012 and 2015)—leading into a reassessment in two parts: first, that the affinity- and experience-driven bond these female figures develop supports a reading of this scene that …

Who Is Tom Bombadil?: Interpreting The Light In Frodo Baggins And Tom Bombadil's Role In The Healing Of Traumatic Memory In J.R.R. Tolkien's _Lord Of The Rings_, Jane Beal Phd

Journal of Tolkien Research

In Rivendell, after Frodo has been attacked by Ringwraiths and is healing from the removal of the splinter from a Morgul-blade that had been making its way toward his heart, Gandalf regards Frodo and contemplates a “clear light” that is visible through Frodo to “eyes to see that can.” Samwise Gamgee later sees this light in Frodo when Frodo is resting in Ithilien. The first half of this essay considers questions about this light: how does Frodo become transparent, and why, and what is the nature of the light that fills him? As recourse to Tolkien’s letters shows, the light …

The Gods Have Taken Thought For Them: Syncretic Animal Symbolism In Medieval European Magic, Solange Nicole Kiehlbauch

Master's Theses

This thesis investigates syncretic animal symbolism within medieval European occult systems. The major question that this work seeks to answer is: what does the ubiquity and importance of magical animals and animal magic reveal about overarching medieval perceptions of the world? In response, I utilize the emerging subfield of Animal History as a theoretical framework to draw attention to an understudied yet highly relevant aspect of occult theory and practice. This work argues that medieval Europeans lived in a fundamentally “enchanted” world compared to our modern age, where the permeable boundaries between physical and spiritual planes imbued nature and its …

Misassembled Monsters, Jenn Brown

Graduate School of Art Theses

This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story of emotional armoring in an attempt to connect to an audience. In my work, I look to my personal memories of growing up in a small, midwestern town and armoring myself with emotional barriers against its social construct of “normalcy.” Inspired by Medieval suits of armor and the characteristics of Goth culture throughout history, I employ my work to present the stage of a theatrical battleground. Creating each of my pieces is a fight for the …

Literary Beasts: Use Of Animal Imagery In The Canterbury Tales, Morgan Kentsbeer

English and Creative Writing Independent Study Projects

Through this paper I am going to argue that animals from the Middle Ages held more worth and were often considered to be more important than their modern counterparts. This gets shown through the three types of ways that animals are used within The Canterbury Tales. First, they are used as allegorical shorthands that imply more meaning with a fewer amount of words; this concept is primarily shown in “The Miller’s Tale” and “The Wife of Bath’s Tale.” Secondly, animals are crafted into characters but still end up being used as tools by other characters or Chaucer himself. For this, …

Of The Silmarils And The Ring: J. R. R. Tolkien's Fiction And The Importance Of Creation And Art, Michael Hartinger

Senior Honors Projects, 2010-2019

J. R. R. Tolkien embodies the opposing ideals of Enchantment and the Machine in the Silmarils and the One Ring respectively. These created objects oppose each other just as Tolkien’s ideals of art do. Enchantment is art’s ideal, it's purpose is to glorify and enrich the beauty of reality through subcreation. The Silmarils exhibit the delight of making and perceiving beauty. Whereas the Machine is art’s shadowy reflection that utilizes apparatuses or devices rather than personal talent in order to coerce others and reality itself. Overall Tolkien's aesthetic theories reflect many fears surrounding modern attitudes toward weaponizing art. Tolkien supplies …

53rd International Congress On Medieval Studies, Medieval Institute, Western Michigan University

International Congress on Medieval Studies Archive

The printed program of the 53rd International Congress on Medieval Studies (May 10-13, 2018), including the Corrigenda.

Medieval Japanese Zen: Catalyst For Symbol System Formation, Kendall Ann Roper

Dissertations, Masters Theses, Capstones, and Culminating Projects

Post-modernism asserts that the world as we know it does not exist independently from the symbolic interpretations we formulate about it. This symbolic and ever unfolding interpretation of reality applies to our understanding of science as well as philosophy, to religion as well as art. In striving to describe religious experiences, various cultures have developed complex symbolic languages whose purpose is to reference a culturally understood version of sacred reality as presented through religion. Religions contribute to shaping these cultural perceptions of reality by utilizing symbolic acts, objects, events, qualities, or concepts to express otherwise inexpressible elements of a culture’s …