A Righteousness Housed In The Body: The Conception And Division Of Kings' Bodies In Early Medieval Northwestern Literature,
2018
University of Mississippi
A Righteousness Housed In The Body: The Conception And Division Of Kings' Bodies In Early Medieval Northwestern Literature, Sharon Miller Wofford
Electronic Theses and Dissertations
This thesis examines how the bodies of kings in medieval Irish, Anglo-Saxon, and Norse literature demonstrate sacral kingship, a theory which links the prosperity of a people to the strength of the king’s relationship with the divine. I argue that the practice of collecting the heads of English kings as relics, particularly the Northumbrian warrior-kings Edwin and Oswald, is due to an understanding of the king's bodies as a source of power and "luck." I put the dispersal of the heads of Kings Edwin and Oswald in conversation with the work of Andrew Reynolds on deviant burial customs in Anglo-Saxon …
A Funeral Procession From Venice To Milan: Death Rituals For A Late-Medieval Wealthy Merchant,
2018
University of Nebraska at Omaha
A Funeral Procession From Venice To Milan: Death Rituals For A Late-Medieval Wealthy Merchant, Martina Saltamacchia
Medieval/Renaissance Studies Faculty Publications
Toward the end of September 1394, news arrived in Milan of the death of merchant Marco Carelli in Venice. Three years before, the brilliant businessman had named the Fabbrica - the administrative body of the Cathedral of Milan - as heir of his entire fortune, which was estimated at the astonishing sum of 35,000 ducats. When, in 1392, total Cathedral income failed to cover its building expenses, threatening the continuation of the work, the Fabbrica turned to Carelli and asked him to consider, given the urgent necessities, advancing at least a part of the promised inheritance. The wealthy merchant did …
Tall Hisban 2016 Expedition Season: Household Archaeology In The Medieval Village,
2018
Univrsity of Bonn
Tall Hisban 2016 Expedition Season: Household Archaeology In The Medieval Village, Bethany Walker, Tarina Greer, Reem Al-Shqour, Aren Labianca, Robert D. Bates, Jeffrey P. Hudon, Warren Schultz, Julian Henderson, Chiara Corbino, Sofia Laparidou, Annette Hansen, Oystein Labianca
Faculty Publications
No abstract provided.
Listening To An/Other Voice: Gender, Creativity, And The Divine In The Works Of Female Christian Mystics And Women Surrealists,
2018
Bucknell University
Listening To An/Other Voice: Gender, Creativity, And The Divine In The Works Of Female Christian Mystics And Women Surrealists, Stephanie Garboski
Honors Theses
This thesis will compare two groups, Christian women mystics and women surrealists, by analyzing select works by Hildegard of Bingen, Mechthild of Magdeburg, Leonora Carrington, and Dorothea Tanning. This analysis will involve a comparative, theoretical approach that draws connections between the way in which both groups utilize varying literary and artistic forms, symbols, and polyglottery. I will utilize Bourdieu’s terms of cultural production as a framework in which to better understand how women of both fields are used for their creativity and supposed connection to an/other, which is the source of inspiration native to each field, God and the unconscious. …
10, Danse Macabre,
2018
Portland State University
10, Danse Macabre, Stefano Paparo
Kerver Book of Hours: 2018 Senior Capstone
The Danse Macabre (the Dance of Death) is a 15th-century conceit, both pictorial and textual, of the humbling power of death. In the years following the plagues of late 14th-century Europe, it seems almost inevitable that the Danse Macabre would become a popular theme in medieval art. The Danse Macabre in Thielman Kerver’s printed Book of Hours (1507) is depicted in a series of marginal illustrations in which Death, pictured as a decomposing corpse or transi, accompanies 66 “dancers” to the afterlife. Medieval artists and their patrons could subvert attitudes toward certain figures of power by including their images in …
09, Typological Images And Thought,
2018
Portland State University
09, Typological Images And Thought, Courtney Rhoades
Kerver Book of Hours: 2018 Senior Capstone
Portland State University’s Kerver Book of Hours contains typological images in sets of three. Typological images are more commonly displayed in sets of two consisting of a type and an antitype. Typological thought uses images from the Hebrew Bible placed alongside the images of the New Testament in order to act as a prophecy.By viewing the Hebrew Bible as a prophecy for the New Testament, the church is able to justify the existence of the Hebrew Bible. The Hebrew Bible must be preserved in order for it to be interpreted, and the Book of Hours was used as a tool …
12, Signs Of The Apocalypse,
2018
Portland State University
12, Signs Of The Apocalypse, Cora Beth Finney
Kerver Book of Hours: 2018 Senior Capstone
Books of Hours are one of the richest sources of medieval apocalyptic imagery. In Thielman Kerver’s 1507 printing, over seventy images relating to the Signs of the Apocalypse appear within the margins of its Hours of the Trinity and the Office of the Dead. Apocalyptic iconography is commonly found accompanying the prayer cycles of the Office of the Dead in late medieval Books of Hours, although it is less common in the Hours of the Trinity, making this placement in this Book of Hours unusual. In this text, the images depicting the Signs of the Apocalypse can be separated into …
An Introduction To Psychological Aphistemalgia,
2018
Wilfrid Laurier University
An Introduction To Psychological Aphistemalgia, Justin Manning
Laurier Undergraduate Journal of the Arts
No abstract provided.
Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces,
2018
Georgia Southern University
Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces, Kevin Corr
College of Graduate Studies: Theses & Dissertations
C.S. Lewis’ last novel, Till We Have Faces: A Myth Retold, has often been regarded as his greatest work, but just as often as his most enigmatic work. The purpose of this thesis is to unveil much of the novel’s mystery by considering the impact Renaissance literature had in shaping the novel, most notably Edmund Spenser’s Faerie Queene. Although it is well-known that Lewis was Professor of Medieval and Renaissance Literature at Cambridge, current scholarship on Lewis has overlooked the Renaissance influence in the author’s work, which particularly plays a vital role in Till We Have Faces. …
Virtual Queerness: Resisting Heteronormativity In Online Spaces,
2018
Wilfrid Laurier University
Virtual Queerness: Resisting Heteronormativity In Online Spaces, Denise Springett
Laurier Undergraduate Journal of the Arts
No abstract provided.
Introduction,
2018
Wilfrid Laurier University
Introduction, Brittney Payer, Kristen Shorer
Laurier Undergraduate Journal of the Arts
No abstract provided.
Iehca Summer University On Food And Drink 2018 Report,
2018
Technological University Dublin
Iehca Summer University On Food And Drink 2018 Report, Diarmuid Cawley, Sylvia M. Grove, Kaian Lam
Reports
The Institut Européen d’Histoire et des Cultures de l’Alimentation (IEHCA, European Institute for the History and Cultures of Food) was established in 2001 by the French Ministry of National Education, Higher Education and Research in partnership with the Centre-Val de Loire region and the University of Tours. As a scientific and cultural development agency, it seeks to encourage university research and teaching in connection with “food cultures and heritages” in the humanities and social sciences. The university serves as a key platform for the discussion of new research in Food & Drink Studies. In 2018, 20 researchers from a wide …
"Contra Haereticos Accingantur": The Union Of Crusading And Anti-Heresy Propaganda,
2018
University of North Florida
"Contra Haereticos Accingantur": The Union Of Crusading And Anti-Heresy Propaganda, Bryan E. Peterson
UNF Graduate Theses and Dissertations
This study assesses the intersection of crusading and heresy repression in the late twelfth and early thirteenth centuries. The event that encapsulates this intersection was the Albigensian Crusade, a two-decades long conflict that befell the south of France, or Occitania. The papacy, aligned with northern lords and other willing Christians, took up arms to defend the Church from the Cathar heresy’s corrupting influence. This conflict marked a new development in Christian acts of violence. While the Church had crusaded against many different enemies—even branding some as heretics—before 1209, the Church had never called a crusade for the explicit purpose of …
"Wommanly Noblesse:" Female Gender Dynamics In Medieval Romance,
2018
University of Texas at El Paso
"Wommanly Noblesse:" Female Gender Dynamics In Medieval Romance, Mary Elizabeth Shaner
Open Access Theses & Dissertations
Exploring systemic, gendered power dynamics and inequalities for women within medieval Matters of Rome, France, and Britain Romances is essential to understanding real-world sociopolitical power structures and female gender roles. Diverging from most previous scholarship in my use of critics as well as in my interpretation of Criseyde and Guinevere as protagonists, my argument examines how scholars would laud the heroic bravery of Geoffrey Chaucer's Criseyde and Sir Thomas Malory's Guinevere if they were male heroes, yet because of the narrative conventions of medieval Romance, Courtly Love, Chivalry, and the Antifeminist Traditions, these fictive women are seen as the destroyers …
"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114,
2018
Wilfrid Laurier University
"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114, Murrielle Michaud
Theses and Dissertations (Comprehensive)
Contributing to the spirited discussion regarding feminist and pro-feminine readings of Middle English hagiography, this dissertation challenges the tradition of grouping accounts of medieval holy women into a single genre that relies on stereotypes of meekness and obedience. I argue that fifteenth-century England saw a pro-feminine literary movement extolling the virtues of women who engaged in what I term “performative self-abjection,” a form of vicious self-renunciation and grotesque asceticism based on Julia Kristeva's model of the abject. The corollary of women's performative self-abjection is ex-gratia spiritual authority, public recognition, and independence, emphasized in the English corpus of fifteenth-century women’s hagiography. …
Finding Lost & Found: Designer’S Notes From The Process Of Creating A Jewish Game For Learning,
2017
Rochester Institute of Technology
Finding Lost & Found: Designer’S Notes From The Process Of Creating A Jewish Game For Learning, Owen Gottlieb
Articles
This article provides context for and examines aspects of the design process of a game for learning. Lost & Found (2017a, 2017b) is a tabletop-to-mobile game series designed to teach medieval religious legal systems, beginning with Moses Maimonides’ Mishneh Torah (1180), a cornerstone work of Jewish legal rabbinic literature. Through design narratives, the article demonstrates the complex design decisions faced by the team as they balance the needs of player engagement with learning goals. In the process the designers confront challenges in developing winstates and in working with complex resource management. The article provides insight into the pathways the team …
Introduction: Jewish Gamevironments – Exploring Understanding With Playful Systems,
2017
Rochester Institute of Technology
Introduction: Jewish Gamevironments – Exploring Understanding With Playful Systems, Owen Gottlieb
Articles
The study of Judaism, Jewish civilizationi, and games is currently comprised of projects of a rather small set of game scholars. A sample of our work is included in this issue.
Gavin Douglas's Aeneados: Caxton's English And 'Our Scottis Langage',
2017
Santa Clara University
Gavin Douglas's Aeneados: Caxton's English And 'Our Scottis Langage', Jacquelyn Hendricks
Studies in Scottish Literature
Discusses the Scots poet Gavin Douglas's translation of Virgil's Aeneid into Scots, and Douglas's treatment of his predecessor William Caxton's translation of Virgil into English, arguing that Douglas associates Caxton's English with a barbaric world of monsters and beasts, in contrast to Scots which is seen as expressing civilized classical values, and that Douglas's translation, by enhancing and showcasing the literary power of Scots for a wider audience, successfully resisted for at least forty years the linguistic standardization initiated by the burgeoning print industry.
Anatomía Comparada De La Representación De La Muerte En La Literatura Española Transatlántica Durante El Ocaso De La Edad Media Y El Renacimiento,
2017
University of Nebraska-Lincoln
Anatomía Comparada De La Representación De La Muerte En La Literatura Española Transatlántica Durante El Ocaso De La Edad Media Y El Renacimiento, Miguel Ángel Albújar Escuredo
Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research
The main goal of this project is to dissect how death is represented during the Late Middle Ages, the Renaissance and the beginning of the phenomenon of colonization of America carried out by the Spanish Empire, all of it by means of reviewing the representations in Spanish literary works of those times. This is accomplished by comparing works diachronically in order to reveal the main thematic variations between them. To that effect, representative models are taken from the literary canon in Spanish that involves texts since the Late Middle Ages until the first modernity, also known as the Renaissance. This …
The Jeu D'Adam: Ms Tours 927 And The Provenance Of The Play,
2017
Western Michigan University
The Jeu D'Adam: Ms Tours 927 And The Provenance Of The Play, Christophe Chaguinian
Early Drama, Art, and Music
The Jeu d'Adam is an Anglo-Norman mid-twelfth-century representation of several biblical stories, including the temptation of Adam and Eve and the subsequent fall, Cain and Abel, and the prophets Isaiah and Daniel. Its framework builds on the Latin responses of the mass during the liturgical season of Septuagesima, from before Lent to Easter. This collection of essays explores whether this early play was monastic or secular, its Anglo-Norman character, and the text's musical provenance.
