Prosocial Religion And Games: Lost & Found,
2018
Rochester Institute of Technology
Prosocial Religion And Games: Lost & Found, Owen Gottlieb, Ian Schreiber
Articles
In a time when religious legal systems are discussed without an understanding of history or context, it is more important than ever to help widen the understanding and discourse about the prosocial aspects of religious legal systems throughout history. The Lost & Found (www.lostandfoundthegame.com) game series, targeted for an audience of teens through twentysomethings in formal, learning environments, is designed to teach the prosocial aspects of medieval religious systems—specifically collaboration, cooperation, and the balancing of communal and individual/family needs. Set in Fustat (Old Cairo) in the 12th century, the first two games in the series address laws in Moses Maimonides’ …
Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces,
2018
Georgia Southern University
Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces, Kevin Corr
College of Graduate Studies: Theses & Dissertations
C.S. Lewis’ last novel, Till We Have Faces: A Myth Retold, has often been regarded as his greatest work, but just as often as his most enigmatic work. The purpose of this thesis is to unveil much of the novel’s mystery by considering the impact Renaissance literature had in shaping the novel, most notably Edmund Spenser’s Faerie Queene. Although it is well-known that Lewis was Professor of Medieval and Renaissance Literature at Cambridge, current scholarship on Lewis has overlooked the Renaissance influence in the author’s work, which particularly plays a vital role in Till We Have Faces. …
"Contra Haereticos Accingantur": The Union Of Crusading And Anti-Heresy Propaganda,
2018
University of North Florida
"Contra Haereticos Accingantur": The Union Of Crusading And Anti-Heresy Propaganda, Bryan E. Peterson
UNF Graduate Theses and Dissertations
This study assesses the intersection of crusading and heresy repression in the late twelfth and early thirteenth centuries. The event that encapsulates this intersection was the Albigensian Crusade, a two-decades long conflict that befell the south of France, or Occitania. The papacy, aligned with northern lords and other willing Christians, took up arms to defend the Church from the Cathar heresy’s corrupting influence. This conflict marked a new development in Christian acts of violence. While the Church had crusaded against many different enemies—even branding some as heretics—before 1209, the Church had never called a crusade for the explicit purpose of …
Tall Hisban 2016 Expedition Season: Household Archaeology In The Medieval Village,
2018
Univrsity of Bonn
Tall Hisban 2016 Expedition Season: Household Archaeology In The Medieval Village, Bethany Walker, Tarina Greer, Reem Al-Shqour, Aren Labianca, Robert D. Bates, Jeffrey P. Hudon, Warren Schultz, Julian Henderson, Chiara Corbino, Sofia Laparidou, Annette Hansen, Oystein Labianca
Faculty Publications
No abstract provided.
"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114,
2018
Wilfrid Laurier University
"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114, Murrielle Michaud
Theses and Dissertations (Comprehensive)
Contributing to the spirited discussion regarding feminist and pro-feminine readings of Middle English hagiography, this dissertation challenges the tradition of grouping accounts of medieval holy women into a single genre that relies on stereotypes of meekness and obedience. I argue that fifteenth-century England saw a pro-feminine literary movement extolling the virtues of women who engaged in what I term “performative self-abjection,” a form of vicious self-renunciation and grotesque asceticism based on Julia Kristeva's model of the abject. The corollary of women's performative self-abjection is ex-gratia spiritual authority, public recognition, and independence, emphasized in the English corpus of fifteenth-century women’s hagiography. …
Finding Lost & Found: Designer’S Notes From The Process Of Creating A Jewish Game For Learning,
2017
Rochester Institute of Technology
Finding Lost & Found: Designer’S Notes From The Process Of Creating A Jewish Game For Learning, Owen Gottlieb
Articles
This article provides context for and examines aspects of the design process of a game for learning. Lost & Found (2017a, 2017b) is a tabletop-to-mobile game series designed to teach medieval religious legal systems, beginning with Moses Maimonides’ Mishneh Torah (1180), a cornerstone work of Jewish legal rabbinic literature. Through design narratives, the article demonstrates the complex design decisions faced by the team as they balance the needs of player engagement with learning goals. In the process the designers confront challenges in developing winstates and in working with complex resource management. The article provides insight into the pathways the team …
Introduction: Jewish Gamevironments – Exploring Understanding With Playful Systems,
2017
Rochester Institute of Technology
Introduction: Jewish Gamevironments – Exploring Understanding With Playful Systems, Owen Gottlieb
Articles
The study of Judaism, Jewish civilizationi, and games is currently comprised of projects of a rather small set of game scholars. A sample of our work is included in this issue.
Gavin Douglas's Aeneados: Caxton's English And 'Our Scottis Langage',
2017
Santa Clara University
Gavin Douglas's Aeneados: Caxton's English And 'Our Scottis Langage', Jacquelyn Hendricks
Studies in Scottish Literature
Discusses the Scots poet Gavin Douglas's translation of Virgil's Aeneid into Scots, and Douglas's treatment of his predecessor William Caxton's translation of Virgil into English, arguing that Douglas associates Caxton's English with a barbaric world of monsters and beasts, in contrast to Scots which is seen as expressing civilized classical values, and that Douglas's translation, by enhancing and showcasing the literary power of Scots for a wider audience, successfully resisted for at least forty years the linguistic standardization initiated by the burgeoning print industry.
Anatomía Comparada De La Representación De La Muerte En La Literatura Española Transatlántica Durante El Ocaso De La Edad Media Y El Renacimiento,
2017
University of Nebraska-Lincoln
Anatomía Comparada De La Representación De La Muerte En La Literatura Española Transatlántica Durante El Ocaso De La Edad Media Y El Renacimiento, Miguel Ángel Albújar Escuredo
Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research
The main goal of this project is to dissect how death is represented during the Late Middle Ages, the Renaissance and the beginning of the phenomenon of colonization of America carried out by the Spanish Empire, all of it by means of reviewing the representations in Spanish literary works of those times. This is accomplished by comparing works diachronically in order to reveal the main thematic variations between them. To that effect, representative models are taken from the literary canon in Spanish that involves texts since the Late Middle Ages until the first modernity, also known as the Renaissance. This …
The Jeu D'Adam: Ms Tours 927 And The Provenance Of The Play,
2017
Western Michigan University
The Jeu D'Adam: Ms Tours 927 And The Provenance Of The Play, Christophe Chaguinian
Early Drama, Art, and Music
The Jeu d'Adam is an Anglo-Norman mid-twelfth-century representation of several biblical stories, including the temptation of Adam and Eve and the subsequent fall, Cain and Abel, and the prophets Isaiah and Daniel. Its framework builds on the Latin responses of the mass during the liturgical season of Septuagesima, from before Lent to Easter. This collection of essays explores whether this early play was monastic or secular, its Anglo-Norman character, and the text's musical provenance.
Drama And Sermon In Late Medieval England: Performance, Authority, Devotion,
2017
Western Michigan University
Drama And Sermon In Late Medieval England: Performance, Authority, Devotion, Charlotte Steenbrugge
Early Drama, Art, and Music
This is the first full-length study of the interrelation between sermons and vernacular religious drama in late medieval England. It investigates how these genres worked as media for public learning, how they combined this didactic aim with literary exigencies, and how the plays in particular acquired and reflected a position of authority. The interrelation between sermons and vernacular drama, formerly assumed relatively uncritically to be a close one, is addressed from a variety of angles, including historical connections, performative aspects, and the portrayal of the sacrament of penance. The analysis challenges the common assumption that Middle English religious drama is …
Medieval London: Collected Papers Of Caroline M. Barron,
2017
Western Michigan University
Medieval London: Collected Papers Of Caroline M. Barron, Caroline Barron, Martha Carlin, Joel T. Rosenthal
Research in Medieval and Early Modern Culture
Caroline M. Barron is the world's leading authority on the history of medieval London. For half a century she has investigated London's role as medieval England's political, cultural, and commercial capital, together with the urban landscape and the social, occupational, and religious cultures that shaped the lives of its inhabitants. This collection of eighteen papers focuses on four themes: crown and city; parish, church, and religious culture; the people of medieval London; and the city's intellectual and cultural world. They represent essential reading on the history of one of the world's greatest cities by its foremost scholar.
St. Albans And The Markyate Psalter: Seeing And Reading In Twelfth-Century England,
2017
J. Paul Getty Museum
St. Albans And The Markyate Psalter: Seeing And Reading In Twelfth-Century England, Kristen Collins, Matthew Fisher
Studies in Iconography: Themes and Variations
One of the most compelling and provocative books of twelfth-century England, the Markyate Psalter was probably produced at St. Albans Abbey between 1120 and 1140. The manuscript has been known by many names: the St. Albans Psalter, the Albani Psalter, the Hildesheim Psalter, and the Psalter of Christina of Markyate. Heralded as a high point of English Romanesque illumination, the manuscript contains the earliest known copy of the saint's life known as Chanson de St. Alexis. This volume explores the manuscript's many contexts, reading its texts and images amidst the rising internationalism of the period, marked by the circulation …
Study And Edition Of La Dama Presidente By Francisco De Leiva Ramírez De Arellano,
2017
University of South Florida
Study And Edition Of La Dama Presidente By Francisco De Leiva Ramírez De Arellano, Diana Valdés
USF Tampa Graduate Theses and Dissertations
Entre los grandes autores de teatro del siglo XVII se puede encontrar a Francisco de Leiva Ramírez de Arellano. El siglo en el que vivió es uno de suma importancia en el mundo del teatro, ya que los escritores del momento crearon cánones estilísticos que cambiaron la forma de escribir estas obras para siempre. De Leiva, que fue seguidor de la escuela de Calderón, se conocen unas catorce obras de teatro y un entremés, y se sabe que sus obras no tuvieron mayor éxito hasta el siglo XVIII. En la modernidad su nombre es poco conocido y sus trabajos han …
Clemence Of Barking And Valdes Of Lyon: Two Contemporaneous Examples Of Innovation In The Twelfth Century,
2017
CUNY Graduate Center
Clemence Of Barking And Valdes Of Lyon: Two Contemporaneous Examples Of Innovation In The Twelfth Century, Lisa Murray
Dissertations, Theses, and Capstone Projects
The Twelfth Century in Western Europe was a remarkable time in history. Scholars have noted that Roman law was being revived, Aristotelian theory was being studied, Romanesque and Gothic art was being produced, scholasticism was being cultivated, and economic growth was being fostered by the rise of towns. These are just some of the developments that help give this era the well-known term “twelfth-century renaissance.” Despite the flourishing of creativity that this label suggests, there are few surviving, specific examples of innovation from this time that have been passed down to us. In AD 1175 the Benedictine nun Clemence of …
The Lay Of Aotrou And Itroun (2016), By J.R.R. Tolkien, Edited By Verlyn Flieger,
2017
Department of English, Friedrich-Schiller-University Jena, Germany
The Lay Of Aotrou And Itroun (2016), By J.R.R. Tolkien, Edited By Verlyn Flieger, Thomas Honegger
Journal of Tolkien Research
Book review of The Lay of Aotrou and Itroun (2016) by J.R.R. Tolkien, edited by Verlyn Flieger, reviewed by Thomas Honegger
“To Write Of Him And Pardon Crave”: Negotiating Biblical Authority In Lanyer’S Salve Deus Rex Judaeorum,
2017
The University of Texas Rio Grande Valley
“To Write Of Him And Pardon Crave”: Negotiating Biblical Authority In Lanyer’S Salve Deus Rex Judaeorum, Andrew Fleck
Literatures and Cultural Studies Faculty Publications
Aemilia Lanyer refers extensively to the Gospels in writing her poem on the Passion, Salve Deus Rex Judaeorum. Alluding to the events of Christ's final day, she incorporates details from each of the Gospel accounts of the Crucifixion. Focusing on specific echoes of the translations available to her, it is possible to trace which bible Lanyer preferred. Surprisingly, despite Lanyer's preference for the Geneva translation, she also made use of the Bishops' Bible, suggesting that the poet carefully sifted through different English translations as she sought to generate biblical authority for her account of the Passion.
Bodies Of Resistance: On (Not) Naming Gender In The Medieval West,
2017
CUNY Graduate Center
Bodies Of Resistance: On (Not) Naming Gender In The Medieval West, Alexander V. Baldassano
Dissertations, Theses, and Capstone Projects
This dissertation considers the genres of historiography, romance, hagiography, Chaucerian poetry, and court transcripts. While there are no extant manuscripts depicting transgender-like people’s accounts of themselves, literature of the Middle Ages is replete with fictionalized depictions of ambiguously or transgressively gendered individuals who are meant to symbolize or represent something other than themselves. By investigating how a variety of genres depicts sensationalized and transgressively gendered embodiments, I examine the presentation of transgender-like subjectivity as a manipulation of rhetoric. Viviane Namaste critiques theory such as Marjorie Garber’s Vested Interests, claiming that it reduces the transvestite figure to a rhetorical trope …
The Disperata, From Medieval Italy To Renaissance France,
2017
University of Michigan-Dearborn
The Disperata, From Medieval Italy To Renaissance France, Gabriella Scarlatta
Research in Medieval and Early Modern Culture
Rich with morose invectives, the Italian lyric genre of the disperata builds toward a crescendo of despair, with the speakers damning and condemning their beloved, their enemy, their destiny, Fortune, Love, and often themselves. Although Petrarch and Petrarchism have been amply analyzed as fertile sources for late Renaissance poets in France, the influence of the Italian disperata in this context has yet to receive proper scholarly attention. This study explores how the language and themes of the disperata - including hopelessness, death, suicide, doomed love, collective trauma, and damnations - are creatively adopted by several generations of poets from its …
Liturgical Drama And The Reimagining Of Medieval Theater,
2017
Western Michigan University
Liturgical Drama And The Reimagining Of Medieval Theater, Michael Norton
Early Drama, Art, and Music
The expression "liturgical drama" was formulated in 1834 as a metaphor and hardened into formal category only later in the nineteenth century. Prior to this invention, the medieval rites and representations that would forge the category were understood as distinct and unrelated classes: as liturgical rites no longer celebrated or as theatrical works of dubious quality. If this distinction between liturgical rites and non-liturgical representations holds, should we not examine the works called "liturgical drama" according to the contexts of their presentations within the manuscripts and books that preserve them? Given the ways that the words "liturgy" and "drama" have …
