Medieval Studies Commons^™

Noah’S Ark And Burning Sodom: Woodcuts In The Psu Codex Fasciculus Temporum, Amber L. Shrewsbury

Fasciculus Temporum

Early printed books were illustrated by means of woodcut block illustrations. These illustrations frequently depicted well-known biblical events or stories and cities, and the woodcuts were frequently reused, sometimes within the same edition.

The focus of this paper is two woodcut illustrations in PSU’s 1490 edition of Werner Rolewinck’s Fasciculus temporum: Noah’s Ark and the destruction of Sodom. Comparisons are made between these two illustrations and relevant woodcuts in other editions of the Fasciculus temporum, as well as those found in a 1493 edition of the Nuremberg Chronicle by Hartmann Schedel.

Woodcuts Of Human Oddities In The Fasciculus Temporum, Brady Brick

Fasciculus Temporum

This paper focuses on two woodcut images of human oddities in Portland State University’s edition of the Fasciculus temporum (Prüss, Strassburg, 1490).

One woodcut shows children with birth anomalies affecting their eyes, arms, and legs. The second is of a cynocephalus or dog-headed man. The history and context of these types of images and their significance within the text are both considered. This paper also examines possible medical explanations for the physical anomalies shown in the woodcut images.

Pope Innocent Viii (1484-1492) And The Summis Desiderantes Affectibus, Maral Deyrmenjian

Malleus Maleficarum

The papal bull (or decree) Summis desiderantes affectibus, issued in 1484 by Pope Innocent VIII (1484-1492), specifically addressed the malign presence of witches and witchcraft in the Holy Roman Empire and authorized a formal inquisition into their activities. It was one of several official condemnations of heretics and other enemies of Christendom, both groups and individuals, issued during Innocent VII’s reign.

Heinrich Kramer, the primary author of the Malleus maleficarum (1486/7) prefaced the second edition of his witch-hunting manual with the Summis desiderantes affectibus without explicit permission; scholars argue that he considered it likely to bolster the work’s authority …

Sites Of Performance And Circulation, Christopher B. Swift

Publications and Research

No abstract provided.

Fasciculus Temporum: Extra-Textual Genealogy, Amanda Swinford

Extra-Textual Elements

Following the printed text of the Fasciculus temporum in PSU Library's codex is a concise, six-line, handwritten verse genealogy which lists the three husbands and three daughters, all named Mary, of St. Anne, the mother of Mary and maternal grandmother of Jesus.

The source of this addition is the Legenda aurea, a popular compilation of hagiographies, composed in Latin by Jacob Voragine (1230 - c.1298) in approximately 1270. This content was included by the publishers of certain other editions of the Fasciculus temporum, but is not included in the printed portion of the PSU edition.

Watermarks In The Psu Codex Fasciculus Temporum And The Paper Trade, Christian Graham

Extra-Textual Elements

Medieval watermarks were introduced into early printed works during the production process of the paper. It is not known exactly when or why they came into common use, but they did come to identify specific paper suppliers.

As the number of paper suppliers grew enormously in concert with the growth of popularity of printed books, identifying the watermarks of specific producers can provide the modern scholar with valuable information about an early printed work, including dating editions and providing insight into trading relationships and connections between paper-makers and printers.

This paper examines some of the watermarks present in the PSU’s …

Rational Creatures: Examining The Cat-Dog Divide In The Medieval World, Emily Price

Capstone Showcase

The spiritual chasm of status that exists between man and beast is daily put to the test by the very beasts kept in our homes. Human beings have a long history of keeping animals for one reason or another, but it has only been recently that the concept of animals purely maintained for companionship has taken center stage. The Middle Ages in particular served as a transformative moment in the history of the “pet,” where not only was the role of the animal within man’s existence re-examined, but so, too, were the specific animals preferred by different cultures more solidly …

The Reconquista And Crusading In The Late 11th And Early 12th Century, Catherine Hill

Capstone Showcase

The purpose of this project is to recount the historiography and literature of the Crusades and the Reconquista and then offer some commentary on their relationship in Spain in the late 11th and early 12th centuries. Both of these fields have a tremendous amount of scholarship to understand these phenomena in medieval history. Therefore, the scope of this project is to compile the main scholarly debates surrounding the connection between the Crusades and the Reconquista and consider the evidence for the various approaches. The relevant background history of the Reconquista contextualizes the literature of the two fields. The main debates …

Rational Creatures: Examining The Cat-Dog Divide In The Medieval World, Emily Price

Capstone Showcase

The spiritual chasm of status that exists between man and beast is daily put to the test by the very beasts kept in our homes. Human beings have a long history of keeping animals for one reason or another, but it has only been recently that the concept of animals purely maintained for companionship has taken center stage. The Middle Ages in particular served as a transformative moment in the history of the “pet,” where not only was the role of the animal within man’s existence re-examined, but so, too, were the specific animals preferred by different cultures more solidly …

Spices, Spirituality, And Scarcity: Experiences Of Food And Drink In The Middle Ages, Thomas Nelson

History - Master of Arts in Teaching

I. Synthesis Essay………………………….......3

II. Primary Documents and Headnotes………27

III. Textbook Critique…………………………...37

IV. New Textbook Entry………………………...40

V. Bibliography…………………………………..49

Tolerance, Prejudice, And The Ornament Of The World, Elijah Zane

History - Master of Arts in Teaching

I. Synthesis Essay…………………………....3

II. Primary Documents and Headnotes…….32

III. Textbook Critique………………………....38

IV. New Textbook Entry………………………42

V. Bibliography………………………………..52

Acts Of Meaning, Resource Diagrams, And Essential Learning Behaviors: The Design Evolution Of Lost & Found, Owen Gottlieb, Ian Schreiber

Articles

Lost & Found is a tabletop-to-mobile game series designed for teaching medieval religious legal systems. The long-term goals of the project are to change the discourse around religious laws, such as foregrounding the prosocial aspects of religious law such as collaboration, cooperation, and communal sustainability. This design case focuses on the evolution of the design of the mechanics and core systems in the first two tabletop games in the series, informed by over three and a half years’ worth of design notes, playable prototypes, outside design consultations, internal design reviews, playtests, and interviews.

Reflections Of An Impossible Ideal: Passion As The Will To Downfall In Madame Bovary, Christopher Ramponi

Cal Poly Humboldt theses and projects

Broadly speaking, this thesis is an examination of passionate love: its qualities, its presentation, the ends to which it is employed, its paradoxical nature, and set of beliefs surrounding it—in short, the impossibility of it all. More narrowly, this thesis argues that in Madame Bovary, Flaubert attaches a specifically twelfth-century understanding of passion to Emma Bovary, one that is at the heart of troubadour lyric poetry. What is more, I argue that Emma finds in this vision of love, whose structure is built upon a Neoplatonist dialectic and expressed through a paradoxical antithesis, an Ideal—an ideal world, life, and …

Inventing Christine De Pizan: Art And Authorship In Late Medieval France, Adria Leigh Woodruff

Senior Independent Study Theses

The Book of the Queen (Harley 4431) is one of the most exquisite and fascinating manuscripts of late medieval France. Compiled for Queen Isabeau of Bavaria between 1411 and 1415 by Christine de Pizan and her small workshop, the codex is one of the largest and most illuminated of Christine’s works. While the literature on the poems of the book is vast, the miniatures have received significantly less attention. I endeavor to contribute to the literature on Christine de Pizan’s illuminations, as they serve as important amplifications of her allegories. Therefore, it is necessary to examine her miniatures in order …

Late Anglo-Saxon Prayer In Practice: Before The Books Of Hours, Kate Thomas

Richard Rawlinson Center Series

This monograph examines the practice of Anglo-Saxon prayer outside of the communal liturgy. With a particular emphasis on its practical aspects, it considers how small groups of prayers were elaborated into complex programs for personal devotion, resulting in the forerunners of the Special Offices. With examples being taken chiefly from major eleventh-century collections of prayers, liturgy, and medical remedies, the methodologies of Anglo-Saxon compilers are examined, followed by five chapters on specialist kinds of prayer: to the Trinity and saints, for liturgical feasts and the canonical hours, to the Holy Cross, for protection and healing, and confessions. Analyzing prayer in …

The Feeling Heart In Medieval And Early Modern Europe: Meaning, Embodiment, And Making, Katie Barclay, Bronwyn Reddan

Studies in Medieval and Early Modern Culture

The heart is an iconic symbol in the medieval and early modern European world. In addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. The heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. In medieval and early modern Europe, the “feeling heart”—the heart as the site of emotion and emotional practices—informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. This multidisciplinary collection brings together art historians, …

The Performance Tradition Of The Medieval English University: The Works Of Thomas Chaundler, Thomas Meacham

Early Drama, Art, and Music

Contrary to previous scholarship, which has claimed that university drama did not occur at the English universities before the Tudor period, Meacham argues that there was a vibrant tradition of performance throughout the fourteenth and fifteenth centuries. He suggests an earlier tradition has not been recognized because, in addition to the false assumption that medieval pedagogy cannot support such activity, the full range of medieval performance practices or "texts," beyond the traditional play text, have not been considered. This book takes as its focus one of the last medieval university plays, Thomas Chaundler’s Liber apologeticus de omni statu humanae naturae …

The Horse In Premodern European Culture, Anastasija Ropa

Studies in Medieval and Early Modern Culture

This volume provides a unique introduction to the most topical issues, advances, and challenges in medieval horse history. Medievalists who have a long-standing interest in horse history, as well as those seeking to widen their understanding of horses in medieval society will find here informed and comprehensive treatment of chapters from disciplines as diverse as archaeology, legal, economic and military history, urban and rural history, art and literature. The themes range from case studies of saddles and bridles, to hippiatric treatises, to the medieval origins of dressage. It shows the ubiquitous – and often ambiguous – role of the horse …

Inscribing Knowledge In The Medieval Book: The Power Of Paratexts, Rosalind Brown-Grant, Patrizia Carmassi, Gisela Drossbach, Anne D. Hedeman, Victoria Turner, Iolanda Ventura

Studies in Medieval and Early Modern Culture

This collection of essays examines how the paratextual apparatus of medieval manuscripts both inscribes and expresses power relations between the producers and consumers of knowledge in this important period of intellectual history. It seeks to define which paratextual features—annotations, commentaries, corrections, diagrams, glosses, images, prologues, rubrics, and titles—are common to manuscripts from different branches of medieval knowledge and how they function in any particular discipline. It reveals how these visual expressions of power that organize and compile thought on the written page are consciously applied, negotiated or resisted by authors, scribes, artists, patrons, and readers. This collection, which brings together …

Full Of Grace: Little Books Are Big On Beauty, Advice, Jillian M. Ewalt

Marian Library Faculty Publications

What was the best-selling book in Christendom from 1250 to 1550? It wasn’t the Bible, but the Book of Hours.

Brief compiled by University of Dayton Magazine staff from three informational blogs by the author on the Marian Library website.