Medieval Studies Commons^™

King Arthur’S Charter: A Thirteenth-Century French Satire Against Bretons, Christopher Berard

Humanities Program Faculty Publications

On the verso of the last leaf of a twelfth-century manuscript containing the poetry of Hilarius, a student of Abelard, appears a faux charter purporting to have been issued by Arthur, king of the Britons, in the hundredth year of his immortality. In the act, Arthur thanks the descendants of his British subjects for their fidelity and grants them an exclusive franchise to fish in secret rivulets. The privilege contains two prohibitions: one prohibiting Britons from wearing shoes and the other prohibiting them from owning cats. This article provides a diplomatic edition, English translation and analysis of King Arthur’s Charter …

‘We Don’T Need Another Hero’ – Problematic Heroes And Their Function In Some Of Tolkien’S Works, Thomas Honegger

Journal of Tolkien Research

This paper discusses the potentially problematic nature of certain forms of heroism in Tolkien’s works and their representatives, such as Túrin Turambar or Beorhtnoth. It analyses not only the problems that may arise on the battlefield from an excess of pride (ofermod), but it also investigates the problem of how to contain and deal with the more aggressive forms of military prowess when its energies are not employed on the battlefield or in fighting an adversary such as a dragon. As will be shown, Tolkien contrasts his ‘unlucky’ heroes implicitly with heroic figures such as Aragorn Elessar, who …

Hysteria, Perversion, And Paranoia In The Canterbury Tales: "Wild" Analysis And The Symptomatic Storyteller, Becky Renee Mclaughlin

Research in Medieval and Early Modern Culture

Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer’s Canterbury Tales, for Chaucer’s tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other—conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats, and decapitations. Like …

Boethian Variations: Musical Thought In Sir Orfeo, Troilus And Criseyde, And Robert Henryson’S Orpheus And Eurydice, Joshua T. Parks

Masters Theses

This study approaches three poems from the late medieval British Isles—the Middle English Breton lay Sir Orfeo, Geoffrey Chaucer’s Troilus and Criseyde, and Robert Henryson’s Orpheus and Eurydice—through the lens of medieval music theory. The most important authority for medieval music theorists was the late antique philosopher Boethius, who held to a Neoplatonic philosophy of music that valued reason, theory, and contemplation of the music of the spheres. Later medieval theorists cited Boethius extensively while also adapting his thought to suit their own purposes. In particular, the early fourteenth-century French theorist Johannes de Grocheio, influenced by Aristotle, departed …

No Nazis In Valhalla: Understanding The Use (And Misuse) Of Nordic Cultural Markers In Third Reich Era Germany, Lena Nighswander

International ResearchScape Journal

While medieval concepts are frequently used as a means for the general public to understand emerging global political institutions around the world, they also have immense capability to be purposely misused by political groups due to the generally vague and misguided understanding of these concepts by the masses. At one core of these movements is the legacy of Vikings and the misrepresentation of their history by far-right political groups, especially in mid-20^th century Europe, in order to push a fictitious agenda of a prosperous, all-white race of seafaring warriors. Through the appropriation of medieval Old Norse imagery and mythology, …

Elessar Telcontar Magnus, Rex Pater Gondor, Restitutor Imperii, Richard Z. Gallant

Journal of Tolkien Research

The nature of the heroic-ethos changes in the late Third Age of J. R. R. Tolkien’s Legendarium. At the beginning of the First Age, a Germanic ethos that Tolkien called the theory of Northern courage accompanied the exile of the Noldor. However, at the dawn of the dominion of Men, a new ethos emerges. It is an ethos of hope rather than the “sad light of fatalism” of the “long defeat.” This ethos is exemplified, ad bono exemplum, in the character of Aragorn who fuses the old ethos and tradition into a new ‘pseudo-chivalry’ appropriate for the Age …

Talking Back: Sodomy Laws And Transgressive Subjectivity In Medieval Venice, Alex Baldassano

Medieval Feminist Forum: A Journal of Gender and Sexuality

Urban Italian law, by the fifteenth-century, would become particularly aggressive in comparison to the rest of Europe not only in prosecuting sodomy, but also in implementing the threatened capital punishment. The 1354 Venetian court case of Rolandinus/a Ronchaia, in the century leading up to the officialization of the law, both exemplifies this trend and yet also stands out as unique because of the subject’s gender presentation; the case seeks to resolve whether or not this person, perceived either as ambiguously gendered or as a man dressed as a woman, can be convicted of committing sodomy or prostitution. Ronchaia, however, is …

Melusine, Invisible Leadership And The Future (In The Past), Jan Shaw

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper considers the operation of “invisible” leadership in the figure of Melusine from the late Middle English romance Melusine. By invoking contemporary leadership theory, this paper identifies leadership maneuvers in Melusine that are similar to those often practiced by women today, but the discourses of gender identity then ultimately render Melusine’s leadership invisible, just as leadership discourses today often render female leadership invisible. By uncovering the operation of “invisible” leadership in the figure of Melusine and identifying commonalities with the leadership of women today, this paper aims to improve our understanding of the contemporary problem of the marked …

Matrons, Mothers, And Monsters: The Heroine In Beowulf, Grendel, And The Mere Wife, Grace Lucier

College Honors Program

This thesis examines the relationship between gender and heroism in the Beowulf tale and two of its modern retellings. It includes an exploration of the medieval gender roles of the original epic using Seamus Heaney and E. Talbot Donaldson’s translations. This thesis also addresses the ways in which some characters disturb gender binaries and social roles — especially in the case of Grendel’s mother. The second and third chapters focus on two retellings of the Beowulf text respectively: John Gardner’s Grendel , told from the perspective of the monster Grendel; and Maria Dahvana Headley’s The Mere Wife , which is …

Pratiquer Ou Incarner La Vertu? L'Agentivité Des Femmes Chez Marie De France Et Christine De Pizan, Kathe Blydenburgh

Theses and Dissertations

This thesis studies the treatment of women in Medieval literature as active agents in their roles of upholding the virtues of the societies in which they live. This study focuses on works written by the female authors Marie de France and Christine de Pizan.

55th International Congress On Medieval Studies, Medieval Institute, Western Michigan University

International Congress on Medieval Studies Archive

The printed program of the 55th International Congress on Medieval Studies (May 7-10, 2020), which was canceled due to the COVID-19 outbreak and recommendations of the CDC and the WHO regarding social distancing and public gatherings.

The Aesthetics Of Storytelling And Literary Criticism As Mythological Ritual: The Myth Of The Human Tragic Hero, Intertextual Comparisons Between The Heroes And Monsters Of Beowulf And The Anglo-Saxon Exodus, Daniel Stoll

Undergraduate Honors Theses

For thousands of years, people have been hearing, reading, and interpreting stories and myths in light of their own experience. To read a work by a different author living in a different era and setting, people tend to imagine works of literature to be something they are not. To avoid this fateful tendency, I hope to elucidate what it means to read a work of literature and interpret it: love it to the point of wanting to foremost discuss its excellence of being a piece of art. Rather than this being a defense, I would rather call it a musing, …

The Medieval British Legacy Of The Founding Myth Of Britain, Timothy J. Nelson

Graduate Theses and Dissertations

The Medieval British Legacy of the Founding Myth of Britain” examines the historiographical development of the founding myth of Britain between the 9th and 14th centuries. This study begins with an overview of the Latin, Anglo-Norman French, Middle English, and Middle Welsh texts that transmit this founding myth across medieval Britain. The stylistic features and the motivations of the authors who are adapting this myth are addressed but the main objective of this overview is to introduce the texts in question and to start establishing the intertextual relationships between these works. The textual examination of the historiographical development of the …

Vulgar Love: The Sicilian School And The New Aesthetic, Jason Collins

Vernacular: New Connections in Language, Literature, & Culture

Much consideration has been given in the last century to the Scuola Siciliana, or the Sicilian School, the first coterie of poets in an already developed but still emergent Italian vernacular, and this in spite of an almost complete lack of autograph copies of poetic works in the original language. A great deal of this scholarship or research has a taxonomic and theoretical approach to the works, their composition, and the atmosphere that fostered them, and oftentimes attempts to position the Sicilian School within the historiography of Italian literature (particularly as progenitors to the Tuscan poets and thus Dante, Petrarch, …

Between The Judean Desert And Gaza: Asceticism And The Monastic Communities Of Palestine In The Sixth Century, Austin Mccray

LSU Doctoral Dissertations

The dissertation focuses on the religious culture of Christian monasticism in sixth-century Palestine. Rather than see the monastic communities of the Judean Desert, just to the east of Jerusalem, and those around Gaza as two independent monastic regions, as much scholarship has done, the dissertation focuses on the common threads that can be seen in the monastic teachings and idealized ascetic practices in the literature of the area. This dissertation reveals ways to redefine the boundaries between the monastic communities of Palestine during the sixth century as well as emphasizes the continuities between the monks of the Judean Desert and …

Convents And Novices In Early Modern English Dramatic Works: In Medias Res, Vanessa L. Rapatz

Late Tudor and Stuart Drama

Convents and Novices in Early Modern English Dramatic Texts: In Medias Res attends to the religious, social, and material changes in England during the century following the Reformation, specifically examining how the English came to terms with the meanings of convents and novices even after they disappeared from the physical and social landscape. In five chapters, it traces convents and novices across a range of dramatic texts that refuse easy generic classification: problem plays such as Shakespeare's Measure for Measure; Marlowe's comic tragedy The Jew of Malta; Margaret Cavendish's closet dramas The Convent of Pleasure and The Religious …

“Thus Seyden Sadde Folk”: Chaucer’S Oxford Clerk On Theological Controversy In The 14th Century, Molly Kluever

CSB and SJU Distinguished Thesis

Among the most disturbing of The Canterbury Tales, the Oxford Clerk’s story of the submissive Griselda and her husband-cum-tormentor Walter has, despite its categorization as one of Chaucer’s “religious tales,” resisted most, if not all, theological readings with its lack of a clear moral. I attempt to address this ambiguity by focusing on the teller himself. As an Oxford-trained cleric, the Clerk is uniquely qualified to juggle the interrelated but conflicting discourses of two significant theological controversies of the late fourteenth century: the ongoing realist-nominalist debate within medieval universities and the rising Wycliffite/lollardy reform movement among all levels of …

Questions Of Religion And Society In The Works Of Ibn Khaldun, Lazizakhon Abbasovna Alidjanova

The Light of Islam

Ibn Khaldun is one of the prominent scholars, studied and created works on religious science in harmony with secular science. His full name - Abdurahman Abu Zayd ibn Muhammad ibn Khaldun (b. 1332, Tunisia / died. 1406, Cairo) – Arab historian and philosopher. He is considered as a follower of Ibn Rushd, in 1349-1375 he served in high posts under the rulers of Tunis, Fes, Garnot, Bujojya (Chorus). In 1382 he arrived in Egypt and began to work as a teacher at the local madrasah. Ibn Khaldun was part of the delegation negotiating the conditions for the surrender of the …

Gower As Data: Exploring The Application Of Machine Learning To Gower’S Middle English Corpus, Kara L. Mcshane, Alvin Grissom Ii

Accessus

Distant reading, a digital humanities method in wide use, involves processing and analyzing a large amount of text through computer programs. In treating texts as data, these methods can highlight trends in diction, themes, and linguistic patterns that individual readers may miss or critical traditions may obscure. Though several scholars have undertaken projects using topic models and text mining on Middle English texts, the nonstandard orthography of Middle English makes this process more challenging than for our counterparts in later literature.

This collaborative project uses Gower’s Confessio Amantis as a small, fixed corpus for analysis. We employ natural language processing …

Standing In The Dark: Sloth And Stability, Paralysis And Perseverance In Book Iv Of The Confessio Amantis, Andrea Schutz

Accessus

In Book IV of the Confessio, things happen in the dark – the dark of night, of dreams, of despair, of secrecy, of treachery, of death. The medieval sin of accidia sets the pace for this beautifully constructed book, whose tales link and cross, as in a dance. Dido, Phyllis, the bad, the forgetful, and the obsessive lovers swing like slowing pendulums back to their starting points, and stop still. On the whole, their dance with Amans is a slow and stately pavane of the dead and desperate. This is Gower’s darkest book, though not the most bloody: Sloth is …