'Shooting Expired Konica Sxg 100' & 'Abjection',
2025
California Polytechnic State University, San Luis Obispo
'Shooting Expired Konica Sxg 100' & 'Abjection', Anushe Irani, Isabela Cordovez
.RAW Journal of Art and Design
No abstract provided.
'Chromatic',
2025
California Polytechnic State University, San Luis Obispo
'Culture In Couture' & 'The Elements Of Style',
2025
California Polytechnic State University, San Luis Obispo
'Culture In Couture' & 'The Elements Of Style', Cooper Mortensen, Riley Williamson
.RAW Journal of Art and Design
No abstract provided.
'The Power Of The Sun',
2025
California Polytechnic State University, San Luis Obispo
'The Power Of The Sun', Asher Dolinger
.RAW Journal of Art and Design
No abstract provided.
'Midsummer's Dream' & 'A Portrait Of Blossoming',
2025
California Polytechnic State University, San Luis Obispo
'Midsummer's Dream' & 'A Portrait Of Blossoming', Brooke De La Torre, Chloe Krome
.RAW Journal of Art and Design
No abstract provided.
'Tzatziki Sauce Recipe' & 'Madonna Inn',
2025
California Polytechnic State University, San Luis Obispo
'Tzatziki Sauce Recipe' & 'Madonna Inn', Teia Kornienko, Miranda Kowalski
.RAW Journal of Art and Design
No abstract provided.
'Young Cowboy',
2025
California Polytechnic State University, San Luis Obispo
'Herd' & 'Divine',
2025
California Polytechnic State University, San Luis Obispo
'Herd' & 'Divine', Zoé Shaikh, Margaret Mallow
.RAW Journal of Art and Design
No abstract provided.
'And Many More, To Be Like You' & 'Donut Still Life',
2025
California Polytechnic State University, San Luis Obispo
'And Many More, To Be Like You' & 'Donut Still Life', Hayley Armstrong, Jolina Chen
.RAW Journal of Art and Design
No abstract provided.
'Submarine Cinema',
2025
California Polytechnic State University, San Luis Obispo
'Submarine Cinema', Lucas Vergara
.RAW Journal of Art and Design
No abstract provided.
'All Bottled Up' & 'Sunce Na Plaži',
2025
California Polytechnic State University, San Luis Obispo
'All Bottled Up' & 'Sunce Na Plaži', Amanda Keith, Natalia Celebrini
.RAW Journal of Art and Design
No abstract provided.
Table Of Contents,
2025
California Polytechnic State University, San Luis Obispo
Table Of Contents, Itzel Camarillo-Gonzalez
.RAW Journal of Art and Design
No abstract provided.
Opening,
2025
California Polytechnic State University, San Luis Obispo
Cover,
2025
California Polytechnic State University, San Luis Obispo
Full Issue,
2025
California Polytechnic State University, San Luis Obispo
Full Issue, Erin Robinson, Michaela Velleno
.RAW Journal of Art and Design
No abstract provided.
To Whom It Does Not Concern,
2025
Humboldt State University
To Whom It Does Not Concern, Kylee A. Conriquez
Toyon: Multilingual Literary Magazine
Not published.
Parody And Mis-Unda-Stendings In Comics Art World: Bridging The Gap With New Criteria,
2025
Department of Preschool Education Sciences and Educational Design, University of the Aegean, Rhodes, Greece
Parody And Mis-Unda-Stendings In Comics Art World: Bridging The Gap With New Criteria, Yannis Koukoulas
SANE journal: Sequential Art Narrative in Education
The word parody and its many cognates such as appropriation, adaptation, pastiche, travesty, forgery, homage, tribute, swipe, etc., have often been at the centre of fierce debates within the traditional Artworld and various criteria have been proposed for the critical evaluation of visual and literary works. In particular, parody as a dominant practice in postmodern art is a concept that is subject to misunderstandings as to its content and meaning. In Comics Artworld, however, within which recontextualizing practices are very common, often with humorous content, the attempt to describe artists' works and intentions by the criteria applied to other arts, …
Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev,
2025
University of Cambridge
Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev, Alexander Hart
Journal of Religion & Film
Throughout the history of the cinema, filmmakers have turned to the visual arts for inspiration in creating spiritual styles on film. In this essay, it is argued that Roberto Rossellini’s The Flowers of St. Francis (1950) and Andrei Tarkovsky’s Andrei Rublev (1966) were influenced by Giotto di Bondone’s frescos and Andrei Rublev’s Eastern Orthodox icons, respectively. Committed to realism, Rossellini adopts Giotto’s proto-Renaissance, humanist art as a model for a spiritual style in which the Transcendent is manifested through the natural world. Subverting terrestrial reality, Tarkovsky adopts the aesthetic principles of the Eastern Orthodox icon, translating Pavel Florensky’s concepts of …
Violence And Artistic Resistance,
2025
Providence College
Violence And Artistic Resistance, Tucker Brown
The Civil Rights Movement (HIS/BLS 347) Zine Project
No abstract provided.
My Oath Of Healing And Living,
2025
Nova Southeastern University
