Fine Arts Commons^™

Indeed, In A Way, It's Worse., Jani C. Zubkovs

Theses and Dissertations

This thesis investigates walking as both method and metaphor within an artistic practice grounded in photography. Through walking, I engage in a sustained act of seeing — one that resists the speed and consumption-driven logic of late capitalism and opens space for reflection, slowness, and heightened perception. My photographic work focuses on fragments of the built environment, particularly advertisements, signage, and residual human marks, reframing them through strategies of cropping, isolation, and recontextualization. These images question the distinction between original and reproduction, presence and absence, surface and depth. Drawing on thinkers such as Jonathan Crary, Luigi Ghirri, Siegfried Kracauer, and …

Studies About The World, And The Magical Principles Of Our Destructive Dynamics, Vanessa Georjana Sandoval Cuadrado

Theses and Dissertations

This thesis paper arises from an interest in how realities are fictional constructions. In it, I am exploring and questioning the separation between nature and culture, and how bodies are expressions of ecological relations. In this sense, I conceived the end of this world (the main subject of this paper) as an opening to the possibility of other worlds emerging.

Card Tables Are A Dime A Dozen, Art Is Rare, Shannon Pritchard

Theses and Dissertations

In this text, through the categories of truth and mimicry, discomfort, repetition, and bureaucracy, Shannon Pritchard dissects her studio practice. With a dedication to high craft, she investigates the world through the lens of the Freudian Uncanny, linking eerie subject matter to conspiracy mindset, mid-century politics, and personal relationships.

Displaced Nostalgia, Nava Derakhshani

Theses and Dissertations

Exploring themes of identity, displacement, gender, and belonging, this paper examines the artist's work and her approach to her art. She covers the many influences that she has access to while unable to visit her ancestral homelands. Acknowledging the translation that comes from this removal, her art is in conversation with other diasporic, exiled, marginalised groups. She makes art with various materials such as clay, shadow, light, and paint, to work on the themes that she is pursuing.

Paintings And Paintings, Anna T. Gregor

Theses and Dissertations

This thesis argues for a renewed distinction between mere paintings and capital-P Paintings, contending that meaning arises through sustained, reciprocal engagement between viewer and artwork. Amid "postmodern" disorientation, it proposes a reorientation toward individual works as sites of immanent logic and shared perception, rather than relying on external narratives or historical clichés.

The Function Of Art, Magdalen O. M. Pickering

Theses and Dissertations

With the help of machines and the powers of perception, Magdalen Pickering introduces logic to strange and fantastical subjects. The Function of Art explores a hybrid of techniques in painting, screenprinting, and computer generated imagery as Magdalen attempts to use generative printing to obscure art historical consciousness. The installation crosses into virtual reality; reframing textiles, landscapes, and the gallery space through a metaphysical lens.

E Is For Ephemera, E Rady

Theses and Dissertations

E is for Ephemera contends with an artist's role as a performer - traversing questions of identity, documentation, temporality, authority, power relations and implication of the self in response to systemic forces. Here, performances are treated as zones in which simulated scenarios sometimes offer various potential opportunities to resolve.

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

The Logic Of Car Accidents And Other Digestive Processes, Rosalie G.L. Smith

Theses and Dissertations

In this essay the author explores the artistic process via an analogy with digestion. The author goes on to explain their work via components of their practice, described as organs.

The Spirit Of Things Sometimes Or Shrew Gazing, Mariel Rolwing Montes

Theses and Dissertations

Mariel Rolwing Montes’ paintings are viewed as though through a portal. Photography and collected objects are negotiated on the canvas through a collage logic, allowing for distortion through memory. In The Spirit of Things Sometimes or Shrew Gazing, Rolwing Montes contextualizes her work around references related to history, imagination, and mysticism.

Inherited Fervor: Maternal Archive, Maria Angela Talavera Tejeda

Theses and Dissertations

Inherited Fervor: Maternal Archive investigates the deconstruction of the non-verbal language of Catholic ecstasy rituals to develop a choreographic language. Through the piece Doves Don’t Fly at Night, it explores the expansion of dancers’ physical range, positioning the body as an archive that embodies memories and mirrors the audience’s humanity.

Aquí Y Ahora A Dance Tribute To Gustavo Cerati And The Expression Of Hispanic Immigrant Identity In New York City, Karina Terán

Theses and Dissertations

This Thesis explores how dance serves as a language of cultural identity among Hispanic immigrants in New York City. Through a multidisciplinary performance and research, it reflects lived experiences, blending movement and music to celebrate legacy, resilience, and community, while honoring the influence of Argentine rock icon Gustavo Cerati.

Piecemeal, Max J. Eisenberg

Theses and Dissertations

Exploring the history of photographic manipulation both inside and outside of the camera from the late 19th century until today. My work plucks out cultural and local signifiers from the state of Florida, and the American South as a whole, and disseminates them using a constructed symbolic vernacular in the form of in-camera collaging on large format film.

All You Can Eat, Kelly Schiesswohl

Theses and Dissertations

All You Can Eat is a 2D-animated horror short following the patrons and inhabitants of a bakery as they prepare for its annual pie-eating contest. As the contest nears, tensions rise after the discovery of a dark secret amongst the staff inspires rebellion. Through the visual metaphor of pie and the pie-eating contest, this film explores how sexual violence functions on a systemic level. It explores our collective conditioning to a range of behaviors that contribute to patriarchal oppression and the social cycles that reinforce them across generations. Through design and surreal storytelling, this film captures the urgent threat of …

Found Words, Lost Homes: Immigration And The Language Of Identity, Ali Motamedi

Theses and Dissertations

This thesis explores the relationship between personal experience and public space through a body of work that moves between image, text, and material. Rooted in an intimate perspective and extending into streets, landscapes, and communal environments, the practice examines how nomadism—both physical and conceptual—shapes ways of seeing and making. Drawing from my background in engineering, a deep connection to Farsi literature, and the lived experience of immigration, the work reflects on themes of displacement, belonging, and identity.

The Importance Of Being Earnest: A Costume Designer’S Process, James Hunter Rock

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis is a comprehensive breakdown of the costume design process for Nebraska Repertory Theatre’s production of The Importance of Being Earnest by Oscar Wilde during the fall semester of 2024. The author logs the production’s processes in collaborating on the concept and aesthetic of the play to present the Victorian era story for a modern audience. In this thesis, insights into the costume designer’s conceptualization, research, previsualization, and final design process are explored, providing an in-depth look into the creation of characters that remain true to the director’s original vision while being engaging for contemporary theatre. The various challenges …

Trouble Don't Last Always, Carletta Williams

Graduate Theses and Dissertations

Being born and raised in the South, it has become clear to me that acts of adornment and cultural representations of home are a prevalent factor of the Southern archive. Trouble don’t last always considers the various elements of coloniality that saturate function within the Southern Black home, noting that acts of adornment and cultural representations of home are a prevalent factor of the Southern archive. Enumerating the various roles that Black women play as place makers while also navigating elements of coloniality. In turn these spaces do not function without their knowledge production. This knowledge is one that becomes …

Laughing Tiger, Michael Shum

Graduate Theses and Dissertations

Laughing Tiger is the title of my thesis exhibition/paper, as well as the middle name I was gifted with. The relationship I have with this name has changed throughout my life. At one point, this name was more a reminder of being different, but now it is a personal symbol I take pride in. My name is Michael Laughing Tiger Shum, and I make inventive autobiographical paintings about the relationships we invest in, whether it’s with others, objects, rituals, environments, and so on. I have broken down my painting practice into three main themes, which are actions, experiences, and thoughts. …

Mandatory Bliss, Jocelyn Reid

Graduate Theses and Dissertations

Mandatory Bliss is an exhibition of sculptural objects that discuss value, feminism, material hierarchy, and societal expectation. Using mundane structures and objects, this installation aims to frustrate and dissect the significance of the tangible items that we interact with every day.

A Living House Never Stands Still, Holly Rose Kranker

Graduate Theses and Dissertations

A Living House Never Stands Still is an exhibition that explores the interplay between place, memory, and the suspension of time through diverse mediums and materials. I engage with seemingly mundane objects, interpreting them through a non-linear, dream-like, and irrational framework to unearth latent connections across time–past, present, and future. Central to these explorations is the concept of home—not merely as a physical location, but as an evolving entity. Home is a sacred space for me.

My recent studio reflections are focused on the lifecycle of objects, the emotional responses they evoke, and how these cycles emulate the human body …