Fine Arts Commons^™

Embodied Stories: Painting The Figure, Diana Hoffman

Bachelor of Fine Arts Senior Papers

This thesis explores the enduring significance of figure painting as a means to record both a personal and cultural narrative. Figure painting reflects not only artistic evolution but also shifting societal values, technological advancements, and emotional expression. Through historical analysis and my own artistic practice, this paper traces the development of figurative painting - from ancient cave art to contemporary work - and examines how artists have used the human body to convey themes of identity, memory and connection. With reference images from my personal photo archive, my work reimagines everyday moments among family and friends, transforming them into open-ended …

Weep No More, My Lady (Oh! Weep No More Today): Love, Violence, Printmaking, And Kentuckian Futurity, Madison Brown, Marshall Brown

Bachelor of Fine Arts Senior Papers

Situated within a regressive political climate, this essay considers the writer’s thesis artwork Weep No More, My Lady as a simultaneous account of Southern gendered violence and a desire for healing. Through personal and historical connections to Kentucky’s material culture, the work navigates binaries of class, race, and gender that have dictated the dominant contemporary conception of the region. Placing the competing forces of care and brutality in dialogue, Weep No More, My Lady translates these theoretical challenges into formal attributes. The work suggests modes of making — stitching, unraveling, tearing — can act against the construction and naturalization of …

Counter-Environments And The Myth Of Progress: A Practice Of Participatory Disruption, Elliott J. Andrew

Bachelor of Fine Arts Senior Papers

This thesis explores the potential of archival and participatory practices to illuminate and disrupt societal barriers to genuine human connection, particularly those arising from productivity, routine, and capitalist notions of progress. Rooted in an extensive personal archive—over 70,000 photographs, hundreds of journal entries, and fragmented sensory experiences—my artistic process involves meticulously collecting, rearranging, and interpreting patterns within everyday consumption. Through iterative methods akin to artists such as Wolfgang Tillmans, I juxtapose images, texts, and found materials, embedding personal narratives and subjective insights to uncover deeper connections and overlooked truths.

Central to my practice is the critique of contemporary societal norms, …

Encountering The Imaginary: Félix Régamey In Japan And The Legacy Of Japonisme, Nicolas Moiseyev

Art and Art History Honors Projects

This thesis critically examines Félix Régamey’s transformative role in the development of Japonisme, highlighting his pivotal contribution to bridging Western perceptions and authentic Japanese culture during the late nineteenth century. Through an exploration of his firsthand experiences in Japan, Régamey emerges as a multifaceted and paradoxical figure—an artist, educator, and author—whose pursuits reshaped the narrative of Japanese art and cultural exchange in France amid the fervor of Japonisme. His immersion in Japanese society enabled him to engage directly with its artistic traditions, which he skillfully translated for European audiences. This study reveals Régamey’s efforts to challenge the prevailing Orientalist stereotypes …

Performative Biomechanics : Evolving Buildings Into Inhabitable Organisms, Josh Lopez

Bachelor of Architecture Theses - 5th Year

There has always been a connection between biology and architecture. Michael Pawlyn, in Biomimicry in Architecture, coined “biomechanical designs” to describe structural techniques derived from creatures. This study investigates chitin-based creatures. Crustaceans, insects, and microscopic organisms all have exoskeletons in nature. With a focus on crabs, other crustaceans and bugs, this study examines and evaluates the formal characteristics of chitin-based organisms. The architectural creations of OXMAN, NOX, which was founded by Lars Spuybroek; and Lebbeus Woods are among those that are analyzed and studied due to their inspiration from living things. They follow functional effectiveness in nature, which is why …

Veils Of The Unseen, Shinwoo Song

Art Theses and Dissertations

This thesis explores the dynamic interplay between consciousness and unconsciousness and how this relationship influences visual language in my art practice. My research investigates how unconscious impulses and conscious choices intersect in the creative process, shaping artistic expression and viewer interpretation. I examine how visual art can serve as a medium through which hidden emotional and psychological states, such as memory, desire, and internal conflict, emerge and take form. Rooted in the practice of automatism and influenced by Surrealist strategies, my work engages with theories by Jacques Lacan, particularly his notion of the gaze, and Gilles Deleuze’s concepts of extraction …

Multifunctionality, Aahanaa Tibrewal

Art and Art History Honors Projects

Multifunctionality is a project that explores the intersection of art and design through a versatile dining table that transforms into a gaming table. Built with accessibility in mind and using red oak for its warmth and grain, the table features a rolling tambour top that serves as a dining surface when closed and reveals a felt-covered gaming area when open. This piece was shaped by my needs and the desire to create a space for connection and shared experiences. This project reflects my broader approach to art – constantly exploring new materials and methods, driven by curiosity and a love …

Realistik Heaven, Alexa H. Senan

Theses and Dissertations

“Realistik Heaven” processes the traumas, forced transformations and the cannibalization of womanhood and culture as a result of colonization. Inspired by Oswald de Andrade’s Cannibalist Manifesto, Senan writes to evoke the literal meaning of Andrade’s description of the cannibalization of culture and having to become someone new cannibalizing themselves while still longing for the remains of the past.

Records In Space, Anthony Torrano

Theses and Dissertations

I am interested in how the process of layering has the capacity to mimic layers of history. History is a fraught concept, subject to changes with the passage of time, hierarchies in dissemination, and differing memories. Its precarity leaves some stories immortalized and some forgotten. The acts of recording, erasing, and rerecording in my work are a mediation on this liminality.

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

Woe Be Gone, Yuhan Hu

Theses and Dissertations

In Woe be gone, Yuhan Hu explores the porous boundaries between image, memory, perception, and material through a deeply personal and reflective multimedia practice. Drawing on influences from film, literature, and game environments, Yuhan investigates how moments—fleeting or fixed—transform when mediated through photography, digital frames, and sculptural assemblage. Anchored by a series of installations and image-based works, the thesis unpacks the poetics of poor images, the failures and promises of translation, and the emotional residue of digital and physical touch. With a tactile sensitivity to materials like wood, wax, solder, and horsehair, Yuhan contemplates impermanence, miscommunication, and care, embracing …

How Much Touch Can The Paper Withstand?, Aldrin Regina Valdez

Theses and Dissertations

Between embodiment and disembodiment, Aldrin Regina Valdez’s works on paper map histories of care, violence, and mourning, both personal and collective. They ask: how much touch can the paper withstand?

Indeed, In A Way, It's Worse., Jani C. Zubkovs

Theses and Dissertations

This thesis investigates walking as both method and metaphor within an artistic practice grounded in photography. Through walking, I engage in a sustained act of seeing — one that resists the speed and consumption-driven logic of late capitalism and opens space for reflection, slowness, and heightened perception. My photographic work focuses on fragments of the built environment, particularly advertisements, signage, and residual human marks, reframing them through strategies of cropping, isolation, and recontextualization. These images question the distinction between original and reproduction, presence and absence, surface and depth. Drawing on thinkers such as Jonathan Crary, Luigi Ghirri, Siegfried Kracauer, and …

Studies About The World, And The Magical Principles Of Our Destructive Dynamics, Vanessa Georjana Sandoval Cuadrado

Theses and Dissertations

This thesis paper arises from an interest in how realities are fictional constructions. In it, I am exploring and questioning the separation between nature and culture, and how bodies are expressions of ecological relations. In this sense, I conceived the end of this world (the main subject of this paper) as an opening to the possibility of other worlds emerging.

Card Tables Are A Dime A Dozen, Art Is Rare, Shannon Pritchard

Theses and Dissertations

In this text, through the categories of truth and mimicry, discomfort, repetition, and bureaucracy, Shannon Pritchard dissects her studio practice. With a dedication to high craft, she investigates the world through the lens of the Freudian Uncanny, linking eerie subject matter to conspiracy mindset, mid-century politics, and personal relationships.

Displaced Nostalgia, Nava Derakhshani

Theses and Dissertations

Exploring themes of identity, displacement, gender, and belonging, this paper examines the artist's work and her approach to her art. She covers the many influences that she has access to while unable to visit her ancestral homelands. Acknowledging the translation that comes from this removal, her art is in conversation with other diasporic, exiled, marginalised groups. She makes art with various materials such as clay, shadow, light, and paint, to work on the themes that she is pursuing.

Paintings And Paintings, Anna T. Gregor

Theses and Dissertations

This thesis argues for a renewed distinction between mere paintings and capital-P Paintings, contending that meaning arises through sustained, reciprocal engagement between viewer and artwork. Amid "postmodern" disorientation, it proposes a reorientation toward individual works as sites of immanent logic and shared perception, rather than relying on external narratives or historical clichés.

The Function Of Art, Magdalen O. M. Pickering

Theses and Dissertations

With the help of machines and the powers of perception, Magdalen Pickering introduces logic to strange and fantastical subjects. The Function of Art explores a hybrid of techniques in painting, screenprinting, and computer generated imagery as Magdalen attempts to use generative printing to obscure art historical consciousness. The installation crosses into virtual reality; reframing textiles, landscapes, and the gallery space through a metaphysical lens.

E Is For Ephemera, E Rady

Theses and Dissertations

E is for Ephemera contends with an artist's role as a performer - traversing questions of identity, documentation, temporality, authority, power relations and implication of the self in response to systemic forces. Here, performances are treated as zones in which simulated scenarios sometimes offer various potential opportunities to resolve.

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.