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Air, Abi Olivera 2011 University of Richmond

Air, Abi Olivera

The Messenger

No abstract provided.


Myths And Realities, Isoko Onodera 2011 Louisiana State University and Agricultural and Mechanical College

Myths And Realities, Isoko Onodera

LSU Master's Theses

My work explores the manifold personalities and roles of contemporary women, through depicting different female figures from western mythology. The mythic women in my paintings each have their own personalities, stories and roles to play, which are often conflicting in nature. By having my model act as a mythological character and by replacing the scenes from mythology with a contemporary setting, my paintings emphasize the universal and timeless essence of women. Each painting also utilizes the symbolic use of color to intensify the sensory experience of the viewer. The mythic figures I rendered are Proserpine, Venus, Psyche, Penelope, Artemis, and …


A Matter Of Time, Rebecca Kreisler 2011 Louisiana State University and Agricultural and Mechanical College

A Matter Of Time, Rebecca Kreisler

LSU Master's Theses

We frame our experiences as narratives, and associate the narrative with the book. My work takes the form of an immersive installation of printed, paper polyhedrons that act for me as non-traditional book structures. The planes of the polyhedrons function as pages without prescribing a certain order of events. The focus has been to blur the linear narrative into a body of visual work that represents my particular human experience, one full of memories and dreams, contradictions and juxtapositions, chaos and calm. What began as an objective examination of concepts of time in physics, philosophy, and psychology has developed into …


Sword In The Stone Of Steroids, Marisa Apstein 2011 University of Richmond

Sword In The Stone Of Steroids, Marisa Apstein

The Messenger

No abstract provided.


Vertigo, Irena Stanisic 2011 University of Richmond

Vertigo, Irena Stanisic

The Messenger

No abstract provided.


Huguenot, Amanda Lineberry 2011 University of Richmond

Huguenot, Amanda Lineberry

The Messenger

No abstract provided.


Broken Enso, Irena Stanisic 2011 University of Richmond

Broken Enso, Irena Stanisic

The Messenger

No abstract provided.


Reclining Women, Ale Nicolet 2011 University of Richmond

Reclining Women, Ale Nicolet

The Messenger

No abstract provided.


Don't Blame Yourself, Mary Waller 2011 University of Richmond

Don't Blame Yourself, Mary Waller

The Messenger

No abstract provided.


Lights And Shadows - 2011, University of North Alabama 2011 University of North Alabama

Lights And Shadows - 2011, University Of North Alabama

Lights and Shadows

Art and Literature Magazine


Mesmerized, Katherine Knoeringer 2011 Louisiana State University and Agricultural and Mechanical College

Mesmerized, Katherine Knoeringer

LSU Master's Theses

This body of work is about looking and contemplating. Intense concentration requires solitude, which is why the figures that appear in the work are either literally isolated or seem detached from others around them. Sometimes the events the figures witness are ordinary, but more often their environments have mysterious or whimsical qualities. The whimsy comes from two places; fictional literature and childhood fantasies. Reading connects me to things and ideas outside of myself and allows the work to vacillate between the reality of normal daily observation and the mental escape of daydreaming. I want to make a place where everything …


Vessel Manifest, Jessie Marie Hornbrook 2011 Louisiana State University and Agricultural and Mechanical College

Vessel Manifest, Jessie Marie Hornbrook

LSU Master's Theses

Vessel Manifest explores vessel forms and their pathways through time and experience. In using semiotic definitions to define the term vessel I investigate the ways in which it has become profound in my life. In seeking comfort and in searching for an explanation for the process of life and death, I look to the ways in which a vessel can manifest itself, physically, emotionally, mentally, and metaphysically. Memories of life spent on the water and theories and tenets of Tibetan Buddhist Philosophy are sewn together through images of physical vessels and abstract vessel forms. The large-scale intaglio prints incorporate multi-media …


Enumerate / Construct, Andrew Gilliatt 2011 Louisiana State University and Agricultural and Mechanical College

Enumerate / Construct, Andrew Gilliatt

LSU Master's Theses

I am fascinated how we define and personalize ourselves through the objects we own and accumulate. It is my goal to make a collection of utilitarian pottery forms that through the use of color, form, and pattern, are cohesive in their variety, and are accessible as objects for daily use.


The Latent Landscape, May Ann Babcock 2011 Louisiana State University and Agricultural and Mechanical College

The Latent Landscape, May Ann Babcock

LSU Master's Theses

I set a task to take a new look at local Louisiana landscape and to understand this place where I live. The spaces most powerful were leftover, abandoned and forbidden industrial places, including an old lock, stretches of the levee along the Mississippi River, highway underpasses and chemical, energy and sugar cane processing plants. Working from observational sketches and using local materials such as river mud and plant fibers for papermaking, I make prints on handmade paper, books and video that bring this latent landscape into view. Images and surfaces become primitive, disorienting, psychological, dark and changing landscapes.


Trials & Tributaries: Myth And Disaster In Southern Louisiana, Hannah March Campbell Sanders 2011 Louisiana State University and Agricultural and Mechanical College

Trials & Tributaries: Myth And Disaster In Southern Louisiana, Hannah March Campbell Sanders

LSU Master's Theses

Trials and Tributaries examines recent disasters occurring in southern Louisiana, interpreted through the Greek myths The Twelve Labors of Herakles. Mankind’s false sense of control over Louisiana’s resources leaves us vulnerable to nature’s powerful acts of reclamation: hurricanes, floods and the ground sinking beneath our feet. While researching the details and origins of The Twelve Labors, I found a plethora of similarities with local culture, politics and natural disasters. The characters in these narrative prints include hybrid monsters drawn from Greek mythology, which I have then further augmented with various forms of local south Louisiana fauna and contemporary political figures. …


Course Over Ground, Kyle James Bauer 2011 Louisiana State University and Agricultural and Mechanical College

Course Over Ground, Kyle James Bauer

LSU Master's Theses

This exhibition, Course Over Ground, cohesively combines a metaphorical reference to maritime navigation with sculptural forms that convey balance, tension, and control. My mixed media sculptures are conceived with an adherence to the formalist perspective of objects. Each sculpture exists as an honest form. The work, and my intention in making it, is evidence of the process of breaking down selective images or objects into what I understand to be their purest representational forms, such as a squares, cylinders, pyramids, and rectangles. I allude to themes and the metaphor of a journey, which coupled alongside my continual quest for self-discovery, …


Designing Graphic Design History: Teaching For The 21st Century Classroom, Phillip Peter Winfield 2011 Louisiana State University and Agricultural and Mechanical College

Designing Graphic Design History: Teaching For The 21st Century Classroom, Phillip Peter Winfield

LSU Master's Theses

Designing Graphic Design History: Teaching for the 21st Century Classroom undertakes the development of a web-based Graphic Design History interactive timeline (GDHit), intended as a user-generated online database for potentially all graphic design enthusiasts, but specifically faculty and students within the traditional graphic design history course. GDHit seeks to continue the implementation of new media and emerging digital technologies in a traditional, lecture-oriented environment by inviting the user (or audience) to contribute the content for the timeline, while fostering new forms of course engagement for students in this digital age. In keeping with the tenets of the digital age and …


The Quiet, Shannon Kolvitz 2011 Louisiana State University and Agricultural and Mechanical College

The Quiet, Shannon Kolvitz

LSU Master's Theses

The Quiet is a series of photographs that focuses on nightly travels in South Louisiana and Oklahoma. The images recall my time growing up in Southwest Oklahoma through the depiction of dismal yet riveting structures. The images are based on the idea of architectural ecology― that is, the relationship of architectural structures to one another and to their surroundings. I photograph isolated vernacular structures and pair them with other photographs to create a single panoramic image. By digitally merging complementary scenes, I create an illusion that derelict structures can exist as “neighbors.” The final results are seamless panoramic representations of …


Island Hunting: A Field Guide, Kit French 2011 Louisiana State University and Agricultural and Mechanical College

Island Hunting: A Field Guide, Kit French

LSU Master's Theses

The Island Hunter Association and this field guide are elaborate constructions that assist you in looking at familiar places in a new way. Following the methods and procedures I’ve outlined in this field guide you will become an expert in tracking the many incarnations of Islands. Fact and fiction, real and psychological, Islands are all around.


Inside Out, Kathleen Ann Pheney 2011 Louisiana State University and Agricultural and Mechanical College

Inside Out, Kathleen Ann Pheney

LSU Master's Theses

Because I process my external world internally, I often think of my mind as a vessel-housing my internal reality: fears, demons, curiosities, joys, sorrows, etc. My body of work is comprised of paintings and drawings that present surreal interpretations of these occupants as depicted through line, color, gesture and form and, as such, are true self-portraits in that they bring the “inside out.”


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