The Messenger, 2011,
2011
University of Richmond
Untitled 2,
2011
University of Richmond
Heart Grip,
2011
University of Richmond
Río Que Teme Al Mar,
2011
University of Texas at El Paso
Río Que Teme Al Mar, Juan Pablo Roman Alvarado
Open Access Theses & Dissertations
Río que teme al mar es una novela de formación, que narra el viaje iniciático de tres personajes: David, Francisco y Violeta, estudiantes universitarios que deciden dejar sus carreras para vivir y aprender a través de las experiencias que tendrán viajando como mochileros y artesanos vagabundos por cuatro de los países de Suramérica: Colombia, Ecuador, Perú y Bolivia. La novela plantea el viaje como una especie de rito de pasaje a la adultez, en el que los personajes deben abandonar la comodidad de su casa para emanciparse y hacerse verdaderos dueños de su vida, es decir, para ganarse el derecho …
Making Art History Come Alive In The Online Classroom,
2011
Sacred Heart University
Making Art History Come Alive In The Online Classroom, Anahit Ter-Stepanian
Art & Design Faculty Publications
Student engagement, development of critical thinking, and fostering original ideas are among the many challenges of online course design. This concern is particularly pertinent for courses in humanities, where the lack of face to face interaction and group discussions needs to be compensated with other methods resulting in similarly successful learning outcomes. Since most of the communication and exchange of ideas in the online classroom takes place in discussion threads, designing intellectually stimulating and motivating discussion topics is instrumental for fostering students’ enthusiasm for the subject. The paper discusses learner engagement strategies the author has developed, experimented with and found …
A "Desperate Vitality": Tableaux Vivants In The Work Of Pasolini And Ontani (1963–1974),
2011
University of New Orleans
A "Desperate Vitality": Tableaux Vivants In The Work Of Pasolini And Ontani (1963–1974), Anna Mecugni
Fine Arts Faculty Publications
This essay focuses on four key works by Pier Paolo Pasolini (1922-75) and Luigi Ontani (b. 1943) that involve tableaux vivants after sixteenth- and seventeenth-century paintings held in Italian churches and museums: Pasolini’s short film La ricotta (1963), and Ontani’s video Favola impropriata (1970-71) and two photographic works – La caduta dei ciechi d’après Brueghel and San Sebastiano nel bosco di Calvenzano (d’après Guido Reni) – also from circa 1970. In the 1960s and 1970s, several other Italian filmmakers and artists referenced past art in their work. Indeed, quotations and allusions to past art are characteristic of an idiosyncratic strain …
Mfa11 (Mfa 2011),
2011
Washington University in St Louis
Mfa11 (Mfa 2011), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Patricia Olynyk, Marshall N. Klimasewiski, John Talbott Allen, Meghan Bean, Shira Berkowitz, Darrick Byers, Jisun Choi, Zlatko Ćosić, James R. Daniels, Kara Daving, Andrea Degener, Kristin Fleischmann, William Frank, Nicholas Mccullough, Jordan Mcgirk, Zachary Miller, Esther Murphy, Kathryn Neale, Christopher Ottinger, Maia Palmer, Nicole Petrescu, Lauren Pressler, Bryce Olen Robinson, Whitney Sage, Donna Smith
Books and Monographs
Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum, May 6-Aug. 1, 2011. Content includes Introduction / Buzz Spector -- Patricia Olynyk -- Marshall N. Klimasewiski -- John Talbott Allen -- Meghan Bean -- Shira Berkowitz / Maggie Stanley Majors -- Darrick Byers, Bryce Olen Robinson -- Jisun Choi -- Zlatko Ćosić -- James R. Daniels -- Kara Daving -- Andrea Degener -- Kristin Fleischmann / Randi Shapiro -- William Frank / Lawrence Ypil -- Nicholas Kania -- Katherine McCullough -- Jordan McGirk / Aditi Machado -- Zachary Miller -- Esther Murphy / Maggie Stanley …
Pathos, Winter 2011,
2011
Portland State University
Pathos, Winter 2011, Portland State University. Student Publications Board
Pathos
Editor: Joel Eisenhower
Issue 14
La Vida En Un Click,
2011
University of Texas at El Paso
La Vida En Un Click, Ana Lourdes Cardenas
Open Access Theses & Dissertations
Abstract not available
Art In The Light Of Knowing A Cognitive Approach To The Creative Process,
2011
University of Central Florida
Art In The Light Of Knowing A Cognitive Approach To The Creative Process, Victor M. Knoe
HIM 1990-2015
Art can be an elusive concept. Neither an outsider nor a professional artist is immune to abstractions in the attempt to describe it. Every individual must necessarily come from their own, unique perspective. The obstacles that we experience in defining the essence of art can be better understood if we see them as a gauge for our historical period. Given the limits of our contemporary conditions, it seems impossible that we may ever overcome the vast chasms that imprison us. We are discouraged to build bridges, at almost every turn, by the suggestive hopelessness of the abysmal distances between us. …
Mesmerized,
2011
Louisiana State University and Agricultural and Mechanical College
Mesmerized, Katherine Knoeringer
LSU Master's Theses
This body of work is about looking and contemplating. Intense concentration requires solitude, which is why the figures that appear in the work are either literally isolated or seem detached from others around them. Sometimes the events the figures witness are ordinary, but more often their environments have mysterious or whimsical qualities. The whimsy comes from two places; fictional literature and childhood fantasies. Reading connects me to things and ideas outside of myself and allows the work to vacillate between the reality of normal daily observation and the mental escape of daydreaming. I want to make a place where everything …
Wiggle Veil (Or, Love Needs Objects),
2011
Louisiana State University and Agricultural and Mechanical College
Wiggle Veil (Or, Love Needs Objects), Adrienne Lynch
LSU Master's Theses
The six sculptural works that comprise my thesis exhibition emerged from a prolonged series of investigations into the intricately interconnected phenomenon of embodied experience in the world as we know it. These works explore the connections between mysteries in our inner and outer worlds, taking as inescapable fact the notion that our bodily vessels, in all their complexity and subtlety, are the vehicles through which we encounter the world. As such, this work posits embodiment as both frame and anchor for all knowledge and experience. These sculptures, made from ceramic materials and mixed media such as sugar, salt, string, and …
Designing Graphic Design History: Teaching For The 21st Century Classroom,
2011
Louisiana State University and Agricultural and Mechanical College
Designing Graphic Design History: Teaching For The 21st Century Classroom, Phillip Peter Winfield
LSU Master's Theses
Designing Graphic Design History: Teaching for the 21st Century Classroom undertakes the development of a web-based Graphic Design History interactive timeline (GDHit), intended as a user-generated online database for potentially all graphic design enthusiasts, but specifically faculty and students within the traditional graphic design history course. GDHit seeks to continue the implementation of new media and emerging digital technologies in a traditional, lecture-oriented environment by inviting the user (or audience) to contribute the content for the timeline, while fostering new forms of course engagement for students in this digital age. In keeping with the tenets of the digital age and …
The Quiet,
2011
Louisiana State University and Agricultural and Mechanical College
The Quiet, Shannon Kolvitz
LSU Master's Theses
The Quiet is a series of photographs that focuses on nightly travels in South Louisiana and Oklahoma. The images recall my time growing up in Southwest Oklahoma through the depiction of dismal yet riveting structures. The images are based on the idea of architectural ecology― that is, the relationship of architectural structures to one another and to their surroundings. I photograph isolated vernacular structures and pair them with other photographs to create a single panoramic image. By digitally merging complementary scenes, I create an illusion that derelict structures can exist as “neighbors.” The final results are seamless panoramic representations of …
Myths And Realities,
2011
Louisiana State University and Agricultural and Mechanical College
Myths And Realities, Isoko Onodera
LSU Master's Theses
My work explores the manifold personalities and roles of contemporary women, through depicting different female figures from western mythology. The mythic women in my paintings each have their own personalities, stories and roles to play, which are often conflicting in nature. By having my model act as a mythological character and by replacing the scenes from mythology with a contemporary setting, my paintings emphasize the universal and timeless essence of women. Each painting also utilizes the symbolic use of color to intensify the sensory experience of the viewer. The mythic figures I rendered are Proserpine, Venus, Psyche, Penelope, Artemis, and …
Houses Move, Houses Speak,
2011
Louisiana State University and Agricultural and Mechanical College
Houses Move, Houses Speak, Allison Regan
LSU Master's Theses
This body of text speaks about an installation that deals with feelings of displacement, and isolation. This work invites and encourages the viewer to view another family with new eyes, perhaps finding similarities between this family and their own.
Unveiled Pandemonium,
2011
Louisiana State University and Agricultural and Mechanical College
Unveiled Pandemonium, Christina Marie Johnson
LSU Master's Theses
Unveiled Pandemonium is a body of work that acknowledges my struggles, as a woman, with skewed self-perception and how frayed, decayed bits of self-love affect interaction with daily life: the public sphere versus the private. Using both large-scale graphite drawings and intimately sized, full-color digital narrative sequences, I portray movement, as a state of freedom, while capturing each character in a position of physical or emotional constraint. To increase the tension each figure interacts with another visually and in narrative; a war with the self begins. Within the engagement of internal and external tensions, each character’s body becomes a battlefield …
Sensing Synesthesia,
2011
Louisiana State University and Agricultural and Mechanical College
Sensing Synesthesia, Jeffrey Harlan Johnson
LSU Master's Theses
Sensing Synesthesia is an exhibition of experiments, carried out through the medium of graphic design as an attempt to generate a synesthesiac experience by visualizing sound. Since many elements within the realms of sound and sight are relative, creating a genuine synesthesiac experience for a viewing audience proved challenging. To address this problem, I created visual elements that corresponded with personal convictions, emotions and proclamations and presented them in a way congruent to the sounds being heard. Through these experiments, I discovered the personal growth of myself: the sharpened skills as a graphic designer, initiated interest in hand-rendered type as …
Communiplaytion: Getting Our Hands Dirty Together,
2011
Louisiana State University and Agricultural and Mechanical College
Communiplaytion: Getting Our Hands Dirty Together, Brooke Tyson Cassady
LSU Master's Theses
CommuniPLAYtion: getting our hands dirty together is a weeklong installation of a collective ceramics studio implanted in Foster Gallery. It is a participatory and interactive exhibition that demonstrates how material play creates moments for personal reflection and contemplation, while also facilitating communication and social relations within a specific place. CommuniPLAYtion is an opportunity for an altruistic exchange among individuals in contrast to the monetary transactions that momentarily connect strangers. These engagements, similar to the “Do-It-Yourself Geopolitics” of other contemporary artists, empower individuals to develop modes of interaction that suit their interpersonal needs. The exhibition, communiPLAYtion enables the basic precursors that …
Of Reality: A Society Of Selves,
2011
Louisiana State University and Agricultural and Mechanical College
Of Reality: A Society Of Selves, Kelly C. Tate
LSU Master's Theses
Of Reality: A Society of Selves is a series of photographs that challenge the viewer’s perception of reality. Through digital image manipulation, costumed, multiplicitous self-portraits merge with handcrafted miniature environments. With the goal of illustrating the complexity of existing within society, the resulting images examine the psychological process of perception as it relates to social interaction and identity.
