Angles Of Drama #3,
2018
Indiana State University
Today I Am A Woman,
2018
Indiana State University
Hourglass Figure,
2018
Indiana State University
A Self-Portrait In A Pane Of Frosted Glass,
2018
Indiana State University
A Self-Portrait In A Pane Of Frosted Glass, Matthew Fash
Allusions
No abstract provided.
Critique,
2018
Indiana State University
Vacation,
2018
Indiana State University
Pain,
2018
Indiana State University
I Wish I Hadn’T Died Alone,
2018
Indiana State University
Vulnerable,
2018
Indiana State University
Strokes,
2018
Indiana State University
Eraser,
2018
Indiana State University
One More,
2018
Indiana State University
Artist Residency Programs Resources,
2018
CUNY City College
Artist Residency Programs Resources, Becca Albee
Open Educational Resources
A handout on artist residency programs resources.
Writing About Art - Thesis Statement,
2018
CUNY City College
Writing About Art - Thesis Statement, Ana Marjanovic
Open Educational Resources
No abstract provided.
Art Infested Water, December 2017 - January 2018,
2018
Nova Southeastern University
Art Infested Water, December 2017 - January 2018, Nova Southeastern University Department Of Performing And Visual Arts
Department of Performing and Visual Arts Newsletters
No abstract provided.
The Future Of Textiles: Disruption And Collaboration,
2018
Cooper Hewitt Smithsonian Design Museum
The Future Of Textiles: Disruption And Collaboration, Susan Brown, Matilda Mcquaid, David Breslauer, Suzanne Lee, Anais Missakian, Abby-George Erikson, Salem Van Der Swaagh
Textile Society of America: Symposium Proceedings
The textile field, while not “local” in the geographic sense, is a community: a group of people with a shared language, history, and practices that date back thousands of years. As deeply-rooted as those materials and practices are, textiles is also an area that has historically experienced enormous disruptions due to changing technology and globalization. In the 21st century, we are undergoing something like a second Industrial Revolution. Advances in digital and robotic technologies and shifting labor markets are driving a revolution in where and how things are made. Global climate change, lack of food security for much of …
Timberline Textiles: Creating A Sense Of Place,
2018
anninbarrett.com
Timberline Textiles: Creating A Sense Of Place, Annin Barrett
Textile Society of America: Symposium Proceedings
Timberline Village holds an iconic place in popular culture, serving as a symbol of Western U.S. mountain tradition. Stanley Kubrick’s The Shining was filmed there, dozens of ski-wear advertisements feature it as background, and it has even been used for an immersive horror game setting. During the early 20th century, other great mountain lodges were built in the West, but what makes Timberline unique is its textiles. It receives almost two million visitors a year who come from around the world to admire this handcrafted building perched at 6000 fee elevation on Mt. Hood in Oregon. The Lodge was …
Wrapped In Wool: Coast Salish Wool Weaving, Vancouver’S Public Art, And Unceded Territory,
2018
University of British Columbia
Wrapped In Wool: Coast Salish Wool Weaving, Vancouver’S Public Art, And Unceded Territory, Alison Ariss
Textile Society of America: Symposium Proceedings
Coast Salish blankets, lovingly woven with hand dyed, home spun, and commercially produced yarns, adorn the walls of an international airport, museum, universities, and national broadcasting studio, and a mixed-use development project in Vancouver. All of these publicly accessible sites are located in unceded Coast Salish territory, upon which this city exists. These weavings present a conundrum. Simultaneously viewed as public art and symbols of cultural revitalization, their recognition as fine art has been limited, as most discourse about Coast Salish blankets has occurred outside of the discipline of art history. How then, have these weavings found their way into …
Schoolgirl Embroideries: Integrating Indigenous Motifs, Materials, And Text,
2018
University of Delaware
Schoolgirl Embroideries: Integrating Indigenous Motifs, Materials, And Text, Lynne Anderson
Textile Society of America: Symposium Proceedings
Hand embroidery was an integral part of female education in Europe, America, and their colonized territories until the late 19th century. All girls embroidered at least one sampler and many stitched more than one. Because needlework was part of the school’s curriculum; a sampler’s composition, technique, and text communicate a great deal about the teacher’s goals, as well as community and family expectations, including those of indigenous students. This presentation explores ways in which indigenous motifs, materials, and text were integrated into schoolgirl samplers and other girlhood embroideries, leaving visible evidence of cross-cultural accommodations. Motifs are recurring patterns or …
Eliza Calvert Hall, A Book Of Hand-Woven Coverlets, And Collecting Coverlet Patterns In Early Twentieth Century Appalachia,
2018
[email protected]
Eliza Calvert Hall, A Book Of Hand-Woven Coverlets, And Collecting Coverlet Patterns In Early Twentieth Century Appalachia, Philis Alvic
Textile Society of America: Symposium Proceedings
In her 1912 book, Eliza Calvert Hall describes looking out of her window and seeing coverlets thrown over tobacco wagons on way to market. She would run out and try to bargain with the owner for the coverlet. She collected coverlets, their design names, and their patterns. Since Hall supported herself with her writing, she counted on her coverlet book appealing to the wide audience of people interested in the Colonial Revival in home decoration. Although hall published the book, she was just the more visible of those interested in coverlets during the early twentieth century. Throughout Appalachia, there were …
