'My Skin As A Room'; 'Muscle Memory'; & 'I Remember It Being Brighter',
2026
California Polytechnic State University, San Luis Obispo
'My Skin As A Room'; 'Muscle Memory'; & 'I Remember It Being Brighter', Sarah Tarquin, Addy Cota
.RAW Journal of Art and Design
No abstract provided.
'Road Not Taken' & 'The Ripening',
2026
California Polytechnic State University, San Luis Obispo
'Road Not Taken' & 'The Ripening', Sierra Hall, Kyra Oh
.RAW Journal of Art and Design
No abstract provided.
'Chop' & 'Simple Life',
2026
California Polytechnic State University, San Luis Obispo
'Chop' & 'Simple Life', Owen Isachsen
.RAW Journal of Art and Design
No abstract provided.
'Ethical Hacking',
2026
California Polytechnic State University, San Luis Obispo
'Ethical Hacking', Lillie Turinsky
.RAW Journal of Art and Design
No abstract provided.
'Performers',
2026
California Polytechnic State University, San Luis Obispo
'The Unseen Anguish'; 'The Annunciation'; & 'Emerging',
2026
California Polytechnic State University, San Luis Obispo
'The Unseen Anguish'; 'The Annunciation'; & 'Emerging', Abigail Gan, Angel Froumis
.RAW Journal of Art and Design
No abstract provided.
'Sweet Nectar' & 'The Songs Of Fish',
2026
California Polytechnic State University, San Luis Obispo
'Sweet Nectar' & 'The Songs Of Fish', Yasmin Myers, Julia Hazemoto
.RAW Journal of Art and Design
No abstract provided.
'Kinda Crushing Hard',
2026
California Polytechnic State University, San Luis Obispo
'Kinda Crushing Hard', Erin Robinson
.RAW Journal of Art and Design
No abstract provided.
'Overgrown',
2026
California Polytechnic State University, San Luis Obispo
'An Inner Child’S Garden Of Growth' & 'Structures (Labor)',
2026
California Polytechnic State University, San Luis Obispo
'An Inner Child’S Garden Of Growth' & 'Structures (Labor)', Maria Belén Luzuriaga Abad, Itzel Camarillo-Gonzalez
.RAW Journal of Art and Design
No abstract provided.
'West Coast Orpheus',
2026
California Polytechnic State University, San Luis Obispo
'West Coast Orpheus', Maneli Mianji
.RAW Journal of Art and Design
No abstract provided.
'Rhythm Of A Champion',
2026
California Polytechnic State University, San Luis Obispo
'Rhythm Of A Champion', Nick Degeorge
.RAW Journal of Art and Design
No abstract provided.
'An Ode To The Pacific',
2026
California Polytechnic State University, San Luis Obispo
'An Ode To The Pacific', Owen Beim
.RAW Journal of Art and Design
No abstract provided.
Preface,
2026
California Polytechnic State University, San Luis Obispo
Table Of Contents,
2026
California Polytechnic State University, San Luis Obispo
Opening,
2026
California Polytechnic State University, San Luis Obispo
Opening, Michaela Velleno, Erin Robinson
.RAW Journal of Art and Design
No abstract provided.
Cover,
2026
California Polytechnic State University, San Luis Obispo
Full Issue,
2026
California Polytechnic State University, San Luis Obispo
Full Issue, Michaela Velleno, Erin Robinson
.RAW Journal of Art and Design
No abstract provided.
I Know You Are Watching,
2026
CUNY Hunter College
I Know You Are Watching, Camilo Salas Kusulas
Theses and Dissertations
I Know You Are Watching is a short documentary film that examines the evolving history and scope of mass surveillance, and how to resist it. The film introduces two local New York City artists, Bill Brown from the Surveillance Camera Players, and Sam Lavigne, who misuse technologies designed to watch us, exposing these systems and fighting back through digital art and performance.
Blending interviews, observational footage, personal narration, archival images, and news clips from different eras, the film interrogates the mechanisms of control, and positions art as a method of both understanding and talking back to surveillance.
Ideology And Iconography In Gustav Machatý’S Ecstasy (1933),
2026
San Jose State University
Ideology And Iconography In Gustav Machatý’S Ecstasy (1933), Karl E. Toepfer
Open Educational Resources
This essay discusses the cinematic construction of sexual ecstatic experience in Gustav Machaty's 1933 film Ecstasy. Sergei Eisenstein's theory of cinematic montage governs the shapes the way the filmmakers organize the representation of erotic desire and rapture. But the film also shows affinity with the Czech "Poetist" movement of the 1920s in constructing a guiding view of ecstatic experience. The essay analyzes many images in the film, and concludes with an application of montage theory of ecstatic cinema to the consumption of erotic videos and internet imagery.
