Very Suddenly Last Summer // Gretchen // Grammed // Planned Parenthood // Human Harp // Frankensteins And Mermaids // Rock Of Love,
2018
SUNY Plattsburgh
Very Suddenly Last Summer // Gretchen // Grammed // Planned Parenthood // Human Harp // Frankensteins And Mermaids // Rock Of Love, Heather Loase
Gandy Dancer Archives
No abstract provided.
Vision Boards – Redefining Your Journey Through Visualization,
2018
Massachusetts Art Education Association (MAEA), President
Vision Boards – Redefining Your Journey Through Visualization, Laura Marotta, Eleena Rioux
Violence Against Women conference
Women who have been through trauma, specifically violence or abusive situations, often feel a lack of control, which can permeate into their lives, even after post-treatment therapy and services. After a traumatic experience, we often need to retrain our brains and hearts by engaging with interests that are within our sphere of control. One of the most powerful activities that can aid in this transition is art-making. Making art can be a very personal, expressive, non-threatening and empowering experience. This workshop will take you through the journey of creating your own vision board, using basic art materials. Many start-ups and …
Creating Coping Mechanism: An Anatomy Of A Gallery-Based Installation And Performance Work,
2018
Louisiana State University and Agricultural and Mechanical College
Creating Coping Mechanism: An Anatomy Of A Gallery-Based Installation And Performance Work, Jamie M. Kutner
LSU Master's Theses
The project described in this paper is an exhibition of gallery-based durational performance art, and resulting three-dimensional artifacts, that was created through a tangled process of relapse and recovery from mental illness. The first section of this paper peers into the parameters of ephemeral artistic practice. I discuss the process of merging my recovery and creative practice through performance art, and then parse the discussion of the work into the categories of performer, audience, site, and time. Section II details various aspects of spectator experience through a second-person narrative tracing the crowd flow of the exhibition. I conclude with an …
An Artful Habitat:Creating An Environment For Divergent Expression,
2018
Brigham Young University
An Artful Habitat:Creating An Environment For Divergent Expression, Marilyn Edna Bambrough
Theses and Dissertations
Over the last century, teaching techniques and philosophies have changed extensively in the art classroom. Teaching methods have spanned a range that stretches from highly rigid, to self-expressive, more learner centered approaches. In recent years, there has been a resurgence of interest and research regarding the role of creativity in visual art education. This research project focused on the qualities of effective art instruction using elements from a number of historical ideologies, with the intent to study creative development in students. The research used a case-study methodology informed by a reflective, action research methodology. Research was used to determine effective …
Taking (Birth) Control: Empowerment Through Contraceptive Education,
2018
Louisiana State University and Agricultural and Mechanical College
Taking (Birth) Control: Empowerment Through Contraceptive Education, Meghan Saas
LSU Master's Theses
TAKING (birth) CONTROL is a body of work that educates women on their options for contraceptives, and empowers them to claim their right to choose if—and when—to have a child. Utilizing graphic design and letterpress printing processes, I created a visual system consisting of carefully honed typographic, color, and graphic styles. The bulk of the materials make up an educational toolkit for use at Delta Clinic of Baton Rouge, one of only three remaining abortion providers in Louisiana. Delta Clinic was in need of comprehensive and affordable materials for their patients on the subject of contraception. The toolkit consists of …
The Miala Fine Arts Interest Group: Making Connections Across The Mitten State,
2018
Western Michigan University
The Miala Fine Arts Interest Group: Making Connections Across The Mitten State, Michael J. Duffy Iv, Grace Haynes, Laura Thompson
University Libraries Faculty & Staff Presentations
The Michigan Academic Library Association (MiALA), established in 2014, is the leading professional organization for academic librarians in the state of Michigan, and a chapter of the Association of College & Research Libraries (ACRL). Within the organization are several established interest groups that reflect a wide variety of interests across academic librarianship. The MiALA Fine Arts Interest Group was formed in 2017 to serve as a forum for academic librarians who work with users and collections in the fine arts, including but not limited to, visual art, creative writing, dance, film, media production, music, and theatre to share ideas, collaborate, …
Before Columbus: Art And Archaeology Of Mexico And Guatemala,
2018
Governors State University
Before Columbus: Art And Archaeology Of Mexico And Guatemala, Arthur Bourgeois
Grant Supported Events
Dr. Arthur P. Bourgeois, Professor Emeritus, will a talk about the artifacts on display in the Skylight Gallery and their history while enjoying some Mexican-style snacks in celebration of Hispanic Heritage Month.
Azimuth,
2018
Western Kentucky University
Azimuth, Leslie Fox
Masters Theses & Specialist Projects
This is a book-length, creative nonfiction collection of essays with a critical introduction. These essays are illustrating the conflict of fitting within socially-formed identities. In theme, this collection explores class, gender, and sexuality of the self. Each section is introduced with a brief reflection which links the essays together.
Pathos, Fall 2018,
2018
Portland State University
Pathos, Fall 2018, Portland State University. Student Publications Board
Pathos
Editor: Sadie Jordan
Orpheus, Fall 2018: Bedside,
2018
University of Dayton
Orpheus, Fall 2018: Bedside, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Demo 29,
2018
Columbia College Chicago
Demo 29, Columbia College Chicago
Alumni Newsletters
Alumni newsletter from Fall-Winter 2018 entitled "DEMO 29." This issue is 48 pages.
One Root, Many Trees: Reviving Collections Practices,
2018
Virginia Commonwealth University Libraries
One Root, Many Trees: Reviving Collections Practices, Kevin Farley, Emily Davis Winthrop, Ibironke Lawal, Patricia Sobczak
Charleston Library Conference
Collections are undergoing intense change and pressure from technology, budgetary uncertainties, and emerging perspectives on future approaches. Our case study—drawn from our experiences as collections librarians—examines these complex issues facing academic collections, large or small, across the profession. Through the development of “collections of distinction” within the local collection, collaborations and scholarly partnerships with colleagues and faculty, and advocacy for the importance of dedicated oversight to ensure that collections investments fulfill the academic mission, we explore possible solutions to the complicated issues defining contemporary collections practices.
Cariboo Fires, 2017,
2018
Wilfrid Laurier University
Cariboo Fires, 2017, Susan Mccaslin, Mark Haddock
The Goose
A union of poetry and photography exploring the devastating impact of the wildfires in the Cariboo region of British Columbia in the summer of 2017 in relation to climate change.
Returning The Radiant Gaze: Visual Art And Embodiment In A World Of Subjects,
2018
Emily Carr University of Art + Design
Returning The Radiant Gaze: Visual Art And Embodiment In A World Of Subjects, Beth Carruthers
The Goose
Drawing on the latter thinking of Maurice Merleau-Ponty, as well as on the ideas of other contemporary philosophers and theorists, this essay considers the denigration of vision from Plato to twentieth-century anti-ocularism, and argues for the reclamation of vision and visual perception as sensuous, embodied interplay between humans and world, self and other—an opening to wonder and more sensitive human-world relations. It does so through a phenomenological exploration of the process of art-making, and consideration of the role and value of artworks and images in the world. This essay is first and foremost an enquiry. As such it promises no …
Sea Squad,
2018
Goldsmiths, University of London
Sea Squad, Liam Geary Baulch
The Goose
The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.
Seeing Red,
2018
Seton Hall University
Seeing Red, Angelica Bergamini, Steven Broder, Pasquale Cuppari, Chien-Ch'in Feng, Ben Jones, Morimoto Kawaracho, Heejung Kim, Henry Koerner, Eric Jiaju Lee, Carole Loeffler, Don Miller, Rafael Rivera Rosa, V. Sachkov, E. Artsrunyan, Yuli Sung, Peter Treiber, Peter Turnley
Exhibition Catalogs
Catalog for the exhibition Seeing Red held at the Seton Hall University Walsh Gallery, September 4 - October 20, 2018. Curated by Meghan Brady and Alexandra Henderson. Includes an essay by Meghan Brady and Alexandra Henderson. Includes color illustrations.
Modern Arts And Pueblo Traditions In Santa Fe, 1909–1931,
2018
CUNY Graduate Center
Modern Arts And Pueblo Traditions In Santa Fe, 1909–1931, Elizabeth S. Hawley
Dissertations, Theses, and Capstone Projects
This dissertation examines art produced in and around Santa Fe, New Mexico during the early twentieth century, putting the works of Pueblo artists who lived in the area into dialogue with the works of Anglo-American modernists who traveled there. I take as case studies three artists whose practices are linked by both circumstance and agenda: Maria Martinez, a famed Pueblo potter; John Sloan, a leading member of The Eight and the Ashcan School; and Tonita Peña, a Pueblo watercolor painter. Weaving together Anglo-American and American Indian art history – which are too often bifurcated into separate accounts, omitting rich histories …
Raw, Roast Or Half-Baked? Hogarth’S Beef In Calais Gate,
2018
University of Southern Maine
Raw, Roast Or Half-Baked? Hogarth’S Beef In Calais Gate, Piers Beirne Phd
Department of Criminology
Scholars of human–animal studies, literary criticism and art history have paid considerable attention of late to how the visual representation of nonhuman animals has often and sometimes to great effect been used in the imagining of national identity. It is from the scrutinies of these several disciplines that the broad backcloth of this article is woven. Its focus is the neglected coupling of patriotism and carnism, instantiated here by its deployment in William Hogarth’s painting Calais Gate (1749). A pro-animal reading is offered of the English artist’s exhortation that it is in the nature of ‘true-born Britons’ to consume a …
Illusions Of "Blackness" In Contemporary Visual Culture,
2018
Lesley University College of Art and Design
Illusions Of "Blackness" In Contemporary Visual Culture, Michaël Dorn
MFA in Visual Arts Theses
My thesis begins with a primer of the historical concept of “black(ness)” and the roots of its racialization. Intertwined throughout my discussion in Section I, I will highlight a few of my research findings and discuss some of the installation images that I created as I studied the work of contemporary artists who use lexical and literal figurative “blackness” in their work—in particular, the oeuvre of Kerry James Marshall as featured in his retrospective exhibition Mastry. My discourse unfolds with a brief etymological review of both the English word “black” and its precedent conceptual forms in Section II. Section …
Four Decades Ron Geibert: Emeritus Professor - Works From 1978 - 2017,
2018
Wright State University
Four Decades Ron Geibert: Emeritus Professor - Works From 1978 - 2017, Ronald R. Geibert, Robert And Elaine Stein Galleries
Exhibition and Program Catalogs
A retrospective showing featuring color street photography, installations, Orwellian prints, and electronic kiosks and complemented with a re-showing of a 1986 exhibition, and the 1997 CD-ROM with rare video and audio components, illustrating the role of social and recreational events during the Great Depression and photographic artworks added to the Wright State University permanent collection from the dozen shows curated by Professor Emeritus Ron Geibert from 1986 to 2007
