Open Access. Powered by Scholars. Published by Universities.®

Fine Arts Commons™

Open Access. Powered by Scholars. Published by Universities.®

10,525 Full-Text Articles 9,294 Authors 5,097,474 Downloads 231 Institutions

All Articles in Fine Arts

Faceted Search

10,525 full-text articles. Page 195 of 408.

Adhd, Andrew Zhang '22 2020 Illinois Mathematics and Science Academy

Adhd, Andrew Zhang '22

Distinguished Student Work - Visual Arts

Painting


I Need A New Word, Andrew Zhang '22 2020 Illinois Mathematics and Science Academy

I Need A New Word, Andrew Zhang '22

Distinguished Student Work - Visual Arts

Poem


Untitled, Unknown 2020 Morehead State University

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated collage created by an unknown artist.


Kepler-16b, NASA JPL, Dan Goods, David Delgado 2020 Morehead State University

Kepler-16b, Nasa Jpl, Dan Goods, David Delgado

Morehead State University Art Collection

An undated print of planet Kepler-16b by the NASA JPL team in a series titled "Visions of the Future."


Tailormade : Fine Art Merchandise, Mirabelle Alan 2020 Sotheby's Institute of Art

Tailormade : Fine Art Merchandise, Mirabelle Alan

MA Projects

This Master’s Thesis Project proposes a three-year business plan for establishing TAILORMADE, an online platform that develops fine art merchandise through accessible means to combat intellectual property theft from emerging artists. It analyzes how merchandise is used as a method in transforming the ways we create, buy and sell art. It also addresses how fast-fashion stores use their mass-produced merchandise as to copy artworks from emerging artists without consent or compensation. Through this analysis, TAILORMADE proposes a company that sells merchandise made by the artist, for the art lover, and that maintains artistic integrity.

TAILORMADE also taps into an emerging …


Index Of Mind, Ziqing Gao 2020 Sotheby's Institute of Art

Index Of Mind, Ziqing Gao

MA Projects

Li Xiangming: Index of Mind, is an exhibition focuses on the artist’s recent productions and his contemplation of “object” and “its relations.” The collection demonstrates the artist’s freewill of creation and his hope of conveying his care and bring attention to the group of people who has been neglected in the trace of history. Li has not only been dedicated to express the living condition and mental state of a certain region, though to express the life and the will to live shared by all through his use of ordinary materials and subject matters with collective memories. This exhibition could …


Intelligent Art, Lindsay Covington 2020 Sotheby's Institute of Art

Intelligent Art, Lindsay Covington

MA Projects

This proposal outlines the development of software, composed of a network of machine learning algorithms, which aims to eliminate risk associated with investment in Post-War and Contemporary art.

While art funds employ specialists to inform decision-making, there still remains an unsettling level of volatility in the art market, especially in the Contemporary art sector. This program will inform art fund specialists on what to buy and sell based on a variety of factors. These factors, which the program include economic predictors, changes in political climate, art news, celebrity sales and social media trends. Sentiment analysis of articles will be used …


Connecting Art And The Public Through Digital Marketing And Brand Collaboration – Co-Art, A New Art Marketing Agency, Qing Su 2020 Sotheby's Institute of Art

Connecting Art And The Public Through Digital Marketing And Brand Collaboration – Co-Art, A New Art Marketing Agency, Qing Su

MA Projects

Traditional art marketing often focuses on physical exhibitions, in-person networking, and the endorsement of the art world “gatekeepers.” The making of a “star” artist relies not only on the quality of the art itself, but also on how galleries (the art marketers) orchestrate the complex power dynamics in the art industry – critics, curators, institutions, and collectors. This long-lasting mechanism leads to the elitization of the art world and disconnection with the mass public as it targets only a niche number of audiences that might make an influence on an artist’s career, price, and portfolio. COART is an agency that …


ประติมากรรม: ประจำเดือนและสภาวะความเจ็บปวดภายใต้อิทธิพลของฮอร์โมนเพศที่เปลี่ยนแปลงในร่างกายของสตรีวัยเจริญพันธุ์, ชาลิศา วงษ์มงคล 2020 คณะศิลปกรรมศาสตร์

ประติมากรรม: ประจำเดือนและสภาวะความเจ็บปวดภายใต้อิทธิพลของฮอร์โมนเพศที่เปลี่ยนแปลงในร่างกายของสตรีวัยเจริญพันธุ์, ชาลิศา วงษ์มงคล

Chulalongkorn University Theses and Dissertations (Chula ETD)

การวิจัยเชิงสร้างสรรค์เรื่อง ประติมากรรม: ประจำเดือนและสภาวะความเจ็บปวดภายใต้อิทธิพลของฮอร์โมนเพศที่เปลี่ยนแปลงในร่างกายของสตรีวัยเจริญพันธุ์ มีวัตถุประสงค์วิจัยเพื่อ 1. ศึกษาประเด็นที่เกี่ยวข้องกับประจำเดือนในกรอบของสังคม วัฒนธรรม และในทางการแพทย์ 2. สร้างสรรค์ผลงานประติมากรรมที่สะท้อนภาวะความเจ็บปวดจากการมีประจำเดือน ทั้งทางร่างกายและจิตใจ การวิจัยนี้ เป็นการวิจัยจากการสำรวจลักษณะอาการในขณะมีประจำเดือนของตนเอง บันทึกข้อมูลโดยใช้รูปแบบการบันทึก Calendar of Premenstrual Experiences (COPE) โดยแบ่งลักษณะอาการเป็น 2 กลุ่ม คือ อาการทางกายและอาการทางจิตใจ ร่วมกับการศึกษาข้อมูลที่เกี่ยวข้องกับประจำเดือนทั้งในเชิงการแพทย์ สังคม และวัฒนธรรม เพื่อสร้างชุดข้อมูลที่ใช้กำหนดแนวทางในการสร้างสรรค์ ผู้วิจัยใช้วิธีวิทยาของทฤษฎีปรากฏการณ์วิทยา (Phenomenology) ในการทำความเข้าใจความรู้สึกจากประสบการณ์ การมีประจำเดือนของตนเอง และศึกษาทฤษฎีที่เกี่ยวข้องทั้งในด้านแนวคิดกับอารมณ์ (Expression) แนวคิดเกี่ยวกับความเจ็บปวด (Painful) ทฤษฎีสัญวิทยา (Semiology) รวมถึงผลงานศิลปกรรมที่เกี่ยวข้อง เพื่อหารูปแบบและวัสดุที่สามารถแสดงคุณลักษณะถึงความรู้สึกของสภาวะความเจ็บปวดทรมานจากการมีประจำเดือนได้ ผลงานศิลปกรรมที่สะท้อนภาพความเจ็บปวดจากการมีประจำเดือน โดยนำประสบการณ์และการเลือกใช้วัสดุมาสร้างสรรค์ผลงานที่สะท้อนอารมณ์ความรู้สึกจากการมีประจำเดือนที่ส่งผลต่อร่างกายและชีวิตประจำวัน จากผลงานสร้างสรรค์สามารถสรุปได้ว่า การใช้เทคนิคกระบวนการและวัสดุที่เชื่อมโยงถึงความเป็นผู้หญิง มีศักยภาพพอที่จะใช้เพื่อสื่อสารถึงประสบการณ์ความเป็นผู้หญิง การเชื่อมโยงแต่ละส่วนเข้าด้วยกันในผลงานประติมากรรมสามารถถ่ายทอดเรื่องราวความเจ็บปวดจากการมีประจำเดือนที่เกิดขึ้นทางร่างกายและจิตใจ


I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche 2020 Virginia Commonwealth University

I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche

Theses and Dissertations

I Hope My Black Skin Don't Dirt This White Tuxedo is a series of works--sculpture, installations, and performances--that explore themes of shame, failure, commodity, ephemerality, ritual, resilience, erasure, race, and death. The research and interest in these themes stem from a page of the Trinidad and Tobago Slave Registry. I use the research that surrounds this document to highlight different moments in history, in my personal life, and to imagine near futures.


Port To World, Samuel M. Brown 2020 Virginia Commonwealth University

Port To World, Samuel M. Brown

Theses and Dissertations

Among those that are ill for long periods, there is often a mistrust created not only in one’s own body but in the institution that promises a cure to the malady. Often this stems naturally from the dogma of the institution paired with one’s desire for wellness, for the institution's goals are many besides the overall health of the patient. Even when a patient is cured of an ailment, this is often just the first step in the actual healing process. The body can quickly change, and the mind takes time to catch up with the body's condition. My work …


Moving Parts, Andrew Lowrie 2020 Virginia Commonwealth University

Moving Parts, Andrew Lowrie

Theses and Dissertations

Material bodies, human and non-human, exist in a constant state of doing and undoing. As bodies change over time, so too do the objects they wear. In this way, a jewelry object is never finished and is constantly being made. In contemporary art practice, this is described as relational ontology by Amelia Jones, who reaches this terminology through the eco-political writings of Jane Bennett and Karen Barad. Through this framework we are able to understand the way artists like Gabriel Orozco and Helen Carnac resist the notion of a finished object or artwork. By engaging with the ways that process …


...And Yet The Devil Exists, John Hee Taek Chae 2020 Virginia Commonwealth University

...And Yet The Devil Exists, John Hee Taek Chae

Theses and Dissertations

...And Yet the Devil Exists is a project that explores the ways in which ideology determines reality. It is an installation that plots and connects the historical and personal narratives that have defined my sense of identity–narratives in which perceptions of reality shatter, mutate, or hybridize when confronted with power, opportunity, or coercion. The installation component of the project consists of three parts. The first is an infrastructure made of wooden beams upon which paintings and images are installed; I call this the lantern. In the center of this is a round table on top of which is a nonsensical …


Pathos, Winter 2020, Portland State University. Student Publications Board 2020 Portland State University

Pathos, Winter 2020, Portland State University. Student Publications Board

Pathos

Editor: Sadie Jordan


Exhibition "Louisiana's Natural Treasure: Margaret Stones, Botanical Artist", Leah Wood Jewett, John D. Miles, Christina Riquelmy 2020 Louisiana State University and Agricultural and Mechanical College

Exhibition "Louisiana's Natural Treasure: Margaret Stones, Botanical Artist", Leah Wood Jewett, John D. Miles, Christina Riquelmy

Special Collections

In 2020, LSU Libraries Special Collections presented the exhibition “Louisiana’s Natural Treasure: Margaret Stones, Botanical Artist” at Hill Memorial Library, featuring selected original watercolor paintings and archival materials related to the Native Flora of Louisiana project.

A native of Australia, Margaret Stones (1920-2018) achieved an acclaimed international career that spanned three continents. Commissioned by LSU and funded by private donations, more than 200 watercolor drawings of Louisiana plants produced by Stones during the 1970s and 1980s are among the most treasured holdings of LSU Libraries Special Collections.

The Native Flora of Louisiana project was grounded in a long historical tradition …


Index Of Dirt: Composing And Composting In Art And Education, Circa 2020, Carol N. Padberg 2020 University of Hartford

Index Of Dirt: Composing And Composting In Art And Education, Circa 2020, Carol N. Padberg

Journal of Social Theory in Art Education

This photo essay presents an abridged version of a performative lecture addressing strategies for regenerative art education and arts-based research. Using an alphabetized compilation of stories, texts, objects and lessons, the index provides examples of how embodied, field-based art education can provide appropriate learning methods for art students of the Anthropocene who bear the burden of the economic, environmental, and emotional precarities of our times.


Observation, Beth Ann Hamilton 2020 Minnesota State University, Mankato

Observation, Beth Ann Hamilton

All Graduate Theses, Dissertations, and Other Capstone Projects

We have been conditioned by past generations in our understanding of portrait importance. On the contemporary side of portraiture, most pictures are concealed within tech devices. Among common society, these personal phone portraits of oneself are considered tactless, and taboo. Most do not exist in a tangible context. It is my mission to display these portraits with a sense of grandeur and appreciation. My work is a retaliation to the boundaries of what was and what is portraiture.

My work consists of heavily decorated mixed media portraits set in a domestic realm, focusing on blissful sensuality. My art projects range …


Front Matter, 2020 Virginia Commonwealth University

Front Matter

Art Inquiries

No abstract provided.


S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson 2020 Baylor University

S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson

Art Inquiries

No abstract provided.


The Drop Sinister: Harry Wilson Watrous’ Visualization Of The One-Drop Rule, Mey-Yen Moriuchi 2020 La Salle University

The Drop Sinister: Harry Wilson Watrous’ Visualization Of The One-Drop Rule, Mey-Yen Moriuchi

Art Inquiries

No abstract provided.


Digital Commons powered by bepress