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10,525 full-text articles. Page 171 of 408.

La « Condition Des Femmes » Au Maghreb Fait Recette Sur Le Marché Du Film Européen ! 1990-2019, Patricia Caillé 2020 Université de Strasbourg – Crem EA 3476

La « Condition Des Femmes » Au Maghreb Fait Recette Sur Le Marché Du Film Européen ! 1990-2019, Patricia Caillé

Regards

This article examines the commercial and symbolic valorisation of Maghrebi films on the European market, looking at film admissions, film criticism, and academic discourses. It explores the position and the significance of films made with Maghrebi funding in Europe, while focusing more specifically on films on the condition of women, and films by women filmmakers. Comparing the circulation of Tunisian and Moroccan films in Europe, it highlights the recurring narrative tropes of these films and shows how films on the condition of women became the lead product on the French market. These films brought more success to male than to …


Possibilité Du Filmage Documentaire Des Marges Berbères Au Maroc : Cas Comparés Des Tournages Clandestins De « La Longue Journée » (Mohamed Abbazi, 1969) Et D’« Amussu » (Nadir Bouhmouch, 2019), Marie Pierre-Bouthier 2020 Université Paul-Valéry-Montpellier

Possibilité Du Filmage Documentaire Des Marges Berbères Au Maroc : Cas Comparés Des Tournages Clandestins De « La Longue Journée » (Mohamed Abbazi, 1969) Et D’« Amussu » (Nadir Bouhmouch, 2019), Marie Pierre-Bouthier

Regards

This paper explores two filmic attempts at compensating for the invisibility in which Amazigh people and struggles are kept in Morocco. Both films and filmmakers experimented with shooting and production plans, devices, and film forms that should best convey these realities. With a 50-year interval between the two, both attempts share the ambition to go against the limitations imposed by the “Centre Cinématographique Marocain”, resorting to clandestine shooting and supported by an international network. In particular, both attempts were made possible by a detour through California (USA). The Breadwinner (1969) is an unfinished documentary by Mohamed Abbazi, dedicated to the …


La Guerre Civile Libanaise Au Cinéma Et Les Circulations Transculturelles, Thomas Richard 2020 Chercheur associé, Centre Michel de l’Hospital, Université Clermont-Auvergne

La Guerre Civile Libanaise Au Cinéma Et Les Circulations Transculturelles, Thomas Richard

Regards

The trajectories of Lebanese film directors and their work, characterized by a strong international dimension and by their insertion within the art film networks, bear the mark of interactions between local and global visual and memorial norms linked to these trajectories, in a globalized cultural environment. These films, though enriched by this international dimension, may appear to develop their narrative following the demands of international festival audiences, risking that these demands become constraints, and at the risk of possible loss of contact with local audiences.

Résumé

Les circulations des cinéastes libanais et de leurs œuvres, fortement marquées par une dimension …


Production Locale Et Coproductions Européennes Des Films D'Auteur Dans Le Cinéma Turc Contemporain, Hilal Ahiskali 2020 Université Paris 1 Panthéon Sorbonne / Institut ACTE

Production Locale Et Coproductions Européennes Des Films D'Auteur Dans Le Cinéma Turc Contemporain, Hilal Ahiskali

Regards

Since its birth, Turkish cinema has gone through different eras that have allowed it to progressively evolve towards an author cinema. Even though it took longer than for European cinema, certain contemporary Turkish directors today manage to nourish themselves not only from the aesthetics and theory of European cinema but also from their own cinematic culture called Yeşilçam. This is the result of their cinematographic approaches, their independent productions, and European financial support. These production sources have allowed Turkish directors to choose the subjects of their films to work on their art, rather than serve the commercial expectations of …


Petites Et Grandes Guerres : Une Filmographie Des Longs Métrages Tournés Au Liban Pendant La Guerre Civile (1975-1990), Hady Zaccak 2020 Université Saint-Joseph de Beyrouth

Petites Et Grandes Guerres : Une Filmographie Des Longs Métrages Tournés Au Liban Pendant La Guerre Civile (1975-1990), Hady Zaccak

Regards

This study was carried out as part of the “Ciné-rencontres de l’ALBA” (Académie libanaise des beaux-arts, University of Balamand), a film event organized at the School of Cinema and Audiovisual Directing by Ghassan Koteit, May El Koussa, Danielle Davie, Myriam Hage, and Gregory Buchakjian, from April 9 to 12, 2019.
This filmography includes 70 feature films (fiction and documentaries) shot in Lebanon between 1975 and 1990...

Résumé

Cette étude a été effectuée dans le cadre des « Ciné-rencontres de l’ALBA » (Académie libanaise des beaux-arts, University of Balamand), événement de rencontres cinématographiques organisé à l’École de cinéma et de réalisation …


Les Co-Productions Algériennes Avec L'Europe : Standardisation Ou Résistance ?, Salima Tenfiche 2020 Université de Paris

Les Co-Productions Algériennes Avec L'Europe : Standardisation Ou Résistance ?, Salima Tenfiche

Regards

After more than twenty years of silence, Algerian cinema has resurfaced on the international scene for ten years, through co-productions with foreign countries and especially Europe. The use of foreign funding and the recognition of these films by the legitimating institutions of the North — reading committees and prestigious international festivals — raise the question of the subjugation of these filmmakers to European cultural hegemony.
However, if some Algerian filmmakers and producers appeal to foreign funds, it is above all to free themselves from the supervision of the State and from censorship in their own country. These filmmakers are far …


Artist Spotlight, Ben Schoenburg 2020 University of New Mexico

Artist Spotlight, Ben Schoenburg

Hemisphere: Visual Cultures of the Americas

No abstract provided.


Seeds, Sophie Friis 2020 Furman University

Seeds, Sophie Friis

The Echo

No abstract provided.


Bedrock, Jordan Winiski 2020 Furman University

Bedrock, Jordan Winiski

The Echo

No abstract provided.


Enough, Ella Morton 2020 Furman University

Enough, Ella Morton

The Echo

No abstract provided.


Unoduhi, Brandon Barney 2020 Furman University

Unoduhi, Brandon Barney

The Echo

No abstract provided.


Golden Field, Caroline Bass 2020 Furman University

Golden Field, Caroline Bass

The Echo

No abstract provided.


Apple Trees, Zach Hughes 2020 Furman University

Apple Trees, Zach Hughes

The Echo

No abstract provided.


Untitled Ii, Kelsey Watkins 2020 Furman University

Untitled Ii, Kelsey Watkins

The Echo

No abstract provided.


Twenty Bucks For A Bus Ticket, Hailey Pierce 2020 Furman University

Twenty Bucks For A Bus Ticket, Hailey Pierce

The Echo

No abstract provided.


Mangled, Emily Lane 2020 Furman University

Mangled, Emily Lane

The Echo

No abstract provided.


Mice And Elephants, Sarah Dusek 2020 Furman University

Mice And Elephants, Sarah Dusek

The Echo

No abstract provided.


Shiny, Abbey Morelli 2020 Furman University

Shiny, Abbey Morelli

The Echo

No abstract provided.


Full Moon Stomach, Sarah Feingold 2020 Furman University

Full Moon Stomach, Sarah Feingold

The Echo

No abstract provided.


Voluptuous, Emily Lane 2020 Furman University

Voluptuous, Emily Lane

The Echo

No abstract provided.


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