Re-Thinking Paris At The Fin-De-Siècle: A New Vision Of Parisian Musical Culture From The Perspective Of Gabriel Astruc (1854-1938),
2014
University of Kentucky
Re-Thinking Paris At The Fin-De-Siècle: A New Vision Of Parisian Musical Culture From The Perspective Of Gabriel Astruc (1854-1938), Cesar A. Leal
Theses and Dissertations--Music
Gabriel Astruc (1864-1938), a French impresario of Jewish background, is mostly known for his collaborative work as an impresario with Sergei Diaghilev and his Ballets Russes. His role within Parisian musical culture at the fin de siècle, however, was much broader. He was a critic, creator of a leading periodical, producer of musical and circus events, music publisher, and associate of many important cultural figures of his day. Although Astruc has been mentioned in scholarly literature, his multifaceted activities have never been carefully studied.
Following the revisionist initiatives of previous scholars (e.g., Pasler, Huebner, Garafola, Fauser), this project offers …
Cultural Discourse In Taiwan. Ed. Chin-Chuan Cheng, I-Chun Wang, And Steven Tötösy De Zepetnek.,
2014
Academia Sinica
Cultural Discourse In Taiwan. Ed. Chin-Chuan Cheng, I-Chun Wang, And Steven Tötösy De Zepetnek., Chin-Chuan Cheng, I-Chun Wang, Steven Tötösy De Zepetnek
CLCWeb Library
The collected volume Cultural Discourse in Taiwan — edited by Chin-Chuan Cheng, I-Chun Wang, and Steven Tötösy de Zepetnek and published by National Sun Yat-sen Uiniversity Press in 2009 — is intended as an addition to scholarship in the field of Taiwan Studies. The articles in the volume are in many aspects comparative and the topics discussed are in the context of literary and culture scholarship. At the same time, the volume is interdisciplinary as the articles cover historical perspectives, analyses of texts by Taiwan authors, and cultural discourse as related to Taiwan consciousness, language, and linguistic issues. Copyright release …
Clcweb Best Practices,
2014
Editor of journal and book series, Purdue University Press
Mapping The World, Culture, And Border-Crossing,
2014
National Sun Yat-Sen University
Mapping The World, Culture, And Border-Crossing, Steven Tötösy De Zepetnek, I-Chun Wang
CLCWeb Library
Authors in the collected volume Mapping the World, Culture, and Border-crossing — edited by Steven Tötösy de Zepetnek and I-Chun Wang and published by National Sun Yat-sen University Press in 2010— begin with exploring theoretical premises about the processes and ramifications of cultural crossings to establish a clearly defined theoretical context for the case studies which follow. The case studies range from the creation of identity through patriotic songs in Taiwan under martial law, to nationality and Japanese identity, cultural autonomy in contemporary North America, Asian migration to Latin America, ethnic identity in the writings of Tan, Naipaul, Eliot, and …
Reviews,
2014
Brigham Young University
'Det Ny Fra Thy': Historical Innovation In A Peripheral Place,
2014
Brigham Young University
'Det Ny Fra Thy': Historical Innovation In A Peripheral Place, Poul Houe
The Bridge
When we say in English that a certain innovation "takes place" or in Danish: finder sted, which means literally, "finds place" -both linguistic idioms, "takes" or "finds" place, suggest that the role of place is not accidental. This is obviously pivotal in geography, but also in anthropology, sociology, philosophy, and a host of cultural studies, sometimes in the form of "mental geography." Recent Danish book titles suggest as much: Dan Ringgaard's Stedssans (Sense of Place), Anne-Marie Mai's Hvor litteraturen finder sted (Where literature Takes Place) in 3 volumes, and Ringgaard & Mai's anthology Sted (Place).
My Danish Heritage And The Privilege Of Serving As U.S. Ambassador To Denmark,
2014
Brigham Young University
My Danish Heritage And The Privilege Of Serving As U.S. Ambassador To Denmark, Laurie S. Fulton
The Bridge
One of the things I miss most since leaving my post as U.S. ambassador to Denmark is not hearing anyone around me speak Danish or speak English with a Danish accent. It was an adjustment to realize that few people in America know much about Denmark. And so, I truly am delighted to be with you this evening for the Danish American Heritage Society Conference. Tak for invitationen.
Editorial Statement,
2014
Brigham Young University
Excerpts From The World At War By Georg Brandes,
2014
Brigham Young University
Excerpts From The World At War By Georg Brandes, Catherine D. Groth
The Bridge
Dear Friend:
Your remark about the Danes, that they are a nation without pride, has made bad blood in this country and has wounded me personally. A writer of your rank should refrain from derogatory expressions about a whole nation, especially since such generalisations never hit the truth, no more than one strikes a butterfly with a club. You doubtless remember Renan's words on the subject.
Front Cover,
2014
Brigham Young University
Contributors,
2014
Brigham Young University
Challenges And Success Stories From The Danish Health Care System,
2014
Brigham Young University
Challenges And Success Stories From The Danish Health Care System, Lars Engberg
The Bridge
There are some substantial differences between the Danish health care system and the health care system in the United States. Most importantly, Danish health care is free. As a Dane you do not pay when you visit a doctor or a hospital, knowing, of course, that as a taxpayer (and taxes are high in Denmark), a fairly large proportion of your taxes goes to keeping visits to hospitals and doctors free of charge. But some services in the health care system do cost you out-of-pocket when you use them. In Europe, in general, the co-payment rate, besides what you pay …
Peter Ludwig Panum And The Danish School Of Epidemiology,
2014
Brigham Young University
Peter Ludwig Panum And The Danish School Of Epidemiology, Craig A. Melgaard, Amanda L. Golbeck
The Bridge
One of the major historical questions of public health has been, "What causes epidemic outbreaks of disease?" Epidemiology, the basic science of public health, has only relatively recently emerged from a period during which epidemic outbreaks were attributed to miasmas. Miasma theory, a common folk theory of disease ascribed to by many ancient writers, was codified by Lancisi in 1717 in De Noxiis Paludum Effiuviis. This text held that bad air quality, supposedly caused by decaying organic matter, made those who inhaled it ill. "Miasma" was believed to pass from cases to susceptibles in those diseases considered to be contagious …
The Spirit Of Hans Christian Andersen In The United States,
2014
Brigham Young University
The Spirit Of Hans Christian Andersen In The United States, Taru Rauha Spiegel, Kristi Planck Johnson
The Bridge
Hans Christian Andersen (1805-75) was a great traveler and would undoubtedly have liked to visit the United States, in which he took a keen interest. As his fame grew, he received numerous invitations from his admirers across the Atlantic. However, as is well known, he became morbidly afraid of sea voyages after his dear friend, Henriette Wulff, perished in a fire onboard ship in 1858. 1 Prone to seasickness and careful of his health and well being, the aging author found the prospect of the long Atlantic voyage daunting and never undertook it.
A Glimpse Into Modem Danish Poetry,
2014
Brigham Young University
A Glimpse Into Modem Danish Poetry, Athena Kildegaard
The Bridge
"It is difficult to get the news from poems yet men die miserably every day for lack of what is found there," wrote the American poet William Carlos Williams. In America, getting the news from Danish poets is even more difficult. That's true in part because there are few translators working, but also because there are few publishers interested in translation. Perhaps, if more of us read and bought poetry in translation, this situation might change. And fewer of us will die "for lack of what is found there."
Full Issue,
2014
Brigham Young University
Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan,
2014
University of Richmond
Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
As the largest “foreign” population in Germany, Turkish immigrants have been the primary target for concerns about integration and the impact of immigration on German culture. Since the founding of the first Turkish German cabaret in 1985 by Şinasi Dikmen and Muhsin Omurca, the misconceptions and one-sided expectations associated with integration have been played, parodied, and satirized by Turkish German performers. As producers of contemporary ethno-comedy, Kaya Yanar and Bülent Ceylan appeal to mass audiences with a new approach, inverting questions of integration by creating communities through laughter in which audiences are at once in on the joke and its …
Transcultural Literature And Contemporary World Literature(S),
2013
University of South Australia
Transcultural Literature And Contemporary World Literature(S), Arianna Dagnino
CLCWeb: Comparative Literature and Culture
In her article "Transcultural Literature and Contemporary World Literature(s)" Arianna Dagnino argues that within the emerging field of transcultural literary studies and despite the inevitable issues raised by categorization, we may classify transcultural literature within the wider domain of world literature(s). Dagnino presents a brief overview of the growing importance of a transcultural perspective in the fields of (comparative) cultural studies and literary studies and proceeds by outlining the main contours of transcultural literary theory and its main differences in respect to (im)migrant and postcolonial literary theories. Further, Dagnino analyzes the contemporary understanding of the field of world literature(s) and …
World Humanism(S), The Divine Comedy, Lao She's "灵的文学与佛教" ("Literature Of The Soul And Buddhism"), And Gao's Soul Mountain,
2013
University of London
World Humanism(S), The Divine Comedy, Lao She's "灵的文学与佛教" ("Literature Of The Soul And Buddhism"), And Gao's Soul Mountain, Letizia Fusini
CLCWeb: Comparative Literature and Culture
In her article "World Humanism(s), the Divine Comedy, Lao She's "灵的文学与佛教" ("Literature of the Soul and Buddhism"), and Gao's Soul Mountain" Letizia Fusini analyzes the Lao She's and Xingjian Gao's conceptions of literature as an activity concerning the realm of the spirit. Fusini utilizes Dante's Divine Comedy for comparison between the literary ideals pursued by the two Chinese writers and regards Lao She's and Gao's humanist and non-political approach underlying their respective notions. Considering Lao She's call for the emergence of a "Chinese Dante" (1941), Fusini contends that China might have found its own "Dante" in …
From Cultural Third-Worldism To The Literary World-System,
2013
Research Center of the Slovenian Academy of Sciences and Arts
From Cultural Third-Worldism To The Literary World-System, Jernej Habjan
CLCWeb: Comparative Literature and Culture
In his article "From Cultural Third-Worldism to the Literary World-System" Jernej Habjan links the debate on Franco Moretti's distant reading to the debate on Fredric Jameson's "third world culture." In and around this debate, Aijaz Ahmad both critiqued close reading and rejected Jameson's "Third-Worldism." What Jameson's and Ahmad's interventions into literary theory meant at the end of the real-socialist alternative and what Moretti's meant at the end of the US-American alternative to real-socialism, a synoptic reading of all three interventions might help achieve at the end of what seemed the European alternative to the US-American alternative.
