Audio Arts and Acoustics Commons^™

Speed And Resolution In The Age Of Technological Reproducibility, Shawn Taylor

Theses and Dissertations

The rate of acceleration of the biologic and synthetic world has for a while now, been in the process of exponentially speeding up, maxing out servers and landfills, merging with each other, destroying each other. The last prehistoric relics on Earth are absorbing the same oxygen, carbon dioxide and electronic waves in our biosphere as us. A degraded .jpeg enlarged to full screen on a Samsung 4K UHD HU8550 Series Smart TV - 85” Class (84.5” diag.). Within this composite ecology, the ancient limestone of the grand canyon competes with the iMax movie of itself, the production of Mac pros, …

Sound Design For Our Town, Anna Warda Alex

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in theatre. It is a detailed account of the author, Anna Warda Alex's artistic process in developing the sound design for Minnesota State University, Mankato's production of Our Town in the fall of 2014. The thesis documents the designer's process from the pre-production analysis through the designer's afterthoughts on the design in five chapters: a pre-production analysis, an historical and critical perspective, a process and rehearsal journal, a post-production analysis and a process development. Appendices and works cited are included.

Mighty Beast: A Critical Reflection, Neil Verma

RadioDoc Review

This review-essay considers Mighty Beast, a radio feature by Sean Borodale, Sara Davies and Elizabeth Purnell, exploring how it approaches vernacular speech using poems based on auctioneering, sounds of market places and interviews with farmers and other workers. Listening closely to key passages, I highlight the role of Borodale’s 'in the moment' process and the use of sound editing as a form of writing, while situating the work within a longer history of livestock poetry and auctioneering in the sound arts. In the end, I argue that Mighty Beast is an outstanding piece to help think through larger issues of …

Mighty Beast: Review 1, Mike Ladd

RadioDoc Review

MIGHTY BEAST: written by Sean Borodale, soundscape by Elizabeth Purnell, produced by Sara Davies, performed by Christopher Bianchi. BBC Radio 3, Between the Ears, 2013. 29mins10.

Mighty Beast is a ‘radio poem’ that takes us into the cattle saleyard, and the lives of the auctioneers, animal handlers and farmers that are its denizens. Radio poems operate through feeling as much as intellect, and give scope for different interpretations. They are not so much about imparting information or telling a story, as creating an experience. They are more associative than expository, often proceeding in a non-linear way. Often radio poems …

My Share Of The Sky: Review 2, Alan Hall

RadioDoc Review

This documentary by the celebrated Danish producer Rikke Houd, in collaboration with Iranian journalist Sheida Jahanbin, is a work of art. It is also a powerful piece of documentary journalism that measures the pulse of a young couple’s emigration from Iran and their attempts to settle in Norway. The narration by Sheida Jahanbin, our guide to establishing a new life as an asylum seeker, is lent a profound dimension by being choreographed in a sophisticated ‘hocketing’ with the voiced-over translation, which acts as Sheida’s Norwegian voice. This is an inspired device, which also serves as a metaphor in a story …

My Share Of The Sky: Review 1, Helene Thomas

RadioDoc Review

My Share of the Sky speaks like a poem. A poem of love, of life, and of loss. It is a story of finding refuge and freedom in a foreign land and reconciling with the longing for loved ones back home. Presented as an audio diary, Sheida Jahanbin invites listeners into her world as she and her husband Madyar make a new life for themselves in Oslo, Norway as political refugees from Iran. The program presents a stream of live happening moments which intimately capture Sheida's life as it is unfolding. Juxtaposing the mundane and the terrifying, the ordinary and …

The Left-To-Die Boat: Review 2, Peter Mares

RadioDoc Review

In March 2011 an inflatable boat carrying 72 asylum seekers from sub-Saharan Africa set out from the coast of Libya hoping to reach the Italian island of Lampedusa. As one Italian official commented, sailing from Libya towards Italy should have been ‘a bit like doing a slalom between military ships’. Yet as, out of fuel, supplies of food and water dwindled to nothing and the people on board began to get sick and die, the boat continued to drift and no help came. Eventually it floated all the way back to the Libyan coast. Of the 50 men, 20 women …

A Different Kind Of Justice: Review 2, Claudia Taranto

RadioDoc Review

A Different Kind of Justice tells the story of two people who met across a table in a restorative justice (RJ) conference, facilitated by Karl James, an RJ professional. Margaret’s home is robbed; Ian, a burglar and heroin addict, took a few small items, including a laptop with all her family photos. Margaret reveals that her daughter Jessica died in a car accident a few months after the burglary and the missing photos now mean so much more to the family.

The program is essentially interviews with the two characters, intercut, as they each tell their version of their shared …

A Different Kind Of Justice: A Critical Reflection, Cassandra Sharp Dr

RadioDoc Review

Despite the accepted success of many restorative justice programs with youth and Indigenous offenders, debate still proliferates about the utility of adult restorative justice programs within the criminal justice system. Many important questions are raised about the efficacy and impact of such programs including: ‘What can restorative justice offer adult offenders and victims of crime? What are some of the challenges of using restorative justice in this context? And what can we learn from emerging developments in practice?’ (Bolitho et al, 2012). As will be discussed in this review, Russell Finch’s BBC Radio 4 production of A Different Kind of …

Will Kate Survive Kate: Review 2, Kate Montague

RadioDoc Review

Masako Fukui’s radio documentary Will Kate Survive Kate is a tender portrait of a young woman’s battle with an eating disorder. The use of conventional interviews, recorded conversations, audio diaries, and fly-on-the-wall style observational recordings, contribute to a rich and layered documentary work. The anonymity of radio provided Kate the opportunity to articulate her experience without the distraction of her visual representation. And the use of intimate audio diary recordings, and script from written diaries, allowed Kate a degree of co-authorship in the documentary. Fukui’s compassionate approach is reflected in the deeply personal quality of the storytelling that is shared. …

Will Kate Survive Kate? Review 1, Laura Starecheski

RadioDoc Review

To craft a narrative with a dramatic arc out of an onerous battle with illness, when no sure recovery is in sight: this was the task facing Will Kate Survive Kate? producer Masako Fukui when she set out to document a year in the life of 'Kate'—a 29-year-old Australian woman battling—and at times tightly holding on to—anorexia nervosa. Kate’s family wants her to eat—to triumph over her illness—and for complicated and frustrating reasons, she can’t bring herself to do it. For Kate, this is a matter of life and death. At the heart of Kate’s story is the acknowledgment that …

The Role Of Semantic Processing In The Allocation Of Auditory Attention In Competitive Acoustic Scenarios, John Mcgee, Charlie Cullen

Conference Papers

No abstract provided.

A Space Without Memory: Time And The Sublime In The Work Of Janet Cardiff And George Bures Miller, Margherita N. Papadatos

Electronic Thesis and Dissertation Repository

The central question of my investigation is: how do artists present the unpresentable when presentation itself is impossible? Concentrating solely on Janet Cardiff and George Bures Miller’s artworks Opera For a Small Room (2005) and The Killing Machine (2007), I redevelop Jean François Lyotard’s concept of the sublime as put forth in his The Inhuman: Reflections on Time, in order to ask how Cardiff and Miller give shape to the unpresentable in their work. Opera and Killing are works that dynamically problematize and play with ideas of presentation, subjectivity, memory, and time. Thus, I explore my central question of …

An Inspiration From San Diego, Gabriel Leiner

Gabriel Leiner

The city of San Diego is the only place in America that maintains a public transportation system designed to run in a circle, which is a shape with a common start and end point. The point of this paper is to model these types of systems. The code for the model constructed here is in the D programming language and uses constraints and equations to simulate trial runs of trains along a track. Trains move as objects and make station stops at nodes. The model uses a random number generator to simulate boarding times and allows vehicles to coast around …

Acoustic Scattering And Radiation Response Of Circular Hexagonal And Auxetic Honeycomb Shell Structures, Vaibhav Iyer

All Theses

Sandwich panels with honeycomb cores are used in many engineering applications because of their high strength to weight ratio, vibration isolation and sound transmission loss characteristics. Previous studies indicate that such sandwich structures with auxetic honeycomb cores (negative in-plane Poisson's ratio) can have a higher sound transmission loss compared to a regular hexagonal honeycomb core structure. In this study, sound scattering and acoustic radiation characteristics of sandwich structures with hexagonal and auxetic cores arranged in a circular pattern interacting with exterior acoustic domains of both air and water have been investigated using finite element analysis. A novel in-plane honeycomb geometry …

Digital Music Recovery From Historical Analog Sources, Marcus R. Wigan

Marcus R Wigan

This includes some aspects of digital conservation, and the associated printed materials, as established as part of an earlier paper on music databases and metadata issues (also here in SelectedWorks).

The present paper documents a small practical research exercise to collate experience on this subject. It was stimulated by an initial (incorrect) initial assumption that these techniques and precautions were very well known. Once checked with some libraries and music repository holders this proved to be substantially inaccurate.

The consequence was to undertake a limited literature scan and interview process to collate some of the very practical experiences of those …

The Perception Of Emotion From Acoustic Cues In Natural Speech, John Snel

Doctoral

Knowledge of human perception of emotional speech is imperative for the development of emotion in speech recognition systems and emotional speech synthesis. Owing to the fact that there is a growing trend towards research on spontaneous, real-life data, the aim of the present thesis is to examine human perception of emotion in naturalistic speech. Although there are many available emotional speech corpora, most contain simulated expressions. Therefore, there remains a compelling need to obtain naturalistic speech corpora that are appropriate and freely available for research. In that regard, our initial aim was to acquire suitable naturalistic material and examine its …

Managing Metadata Interoperability Within Audio Preservation Framework: Integrating The Metadata Encoding & Transmission Standard (Mets) And Multichannel Source Material Into Digital Library Audio Collections, Darnelle O. Melvin

Library Philosophy and Practice (e-journal)

This study investigates the management and interoperability of metadata within audio preservation frameworks. With the intention to harvest all descriptors contained in multichannel audio material semantically linked to bibliographic records, authority files, and other associated digital objects; the researcher attempt to incorporate XML, Dublin Core syntax, and the Metadata Encoding & Transmission Standard as a digital carrier to express stereophonic, multichannel source material, and related objects into a digital library audio collection.

A Composed Space, Adam S. Hogan

Graduate School of Art Theses

My practice is invested in expanding our conscious scope—revealing phenomena and observations, and presenting the information to the viewer through auxiliary channels. Using the language of minimalism, cinema, and abstraction I create technologically sophisticated systems to produce spaces of contemplation (a meditative space challenging the ephemeral relationships between our sensorial perceptions, space, and time).

Material, space, and technology become instruments for composition manifesting as silent experimental cinema (created and controlled sonically). My work seeks to illuminate our conscious scope through the succession of frames.

What Constitutes "Success" For Professional Musicians?, Jonathan M. Brown

Chancellor’s Honors Program Projects

No abstract provided.