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Everything, Nothing, Harvey Keitel: A Review, Sarah Geis 2015 Third Coast International Audio Festival

Everything, Nothing, Harvey Keitel: A Review, Sarah Geis

RadioDoc Review

Although producer Pejk Malinowski is originally from Denmark, and Everything, Nothing, Harvey Keitel is a project of London-based Falling Tree Productions, its premise seems cringingly American: our narrator goes to a self-help class, has an encounter with a celebrity. Which is to say, the risk of self-indulgence is high. To make it worse: the documentary takes place almost entirely within Malinovski’s mind. But these factors make it only more astonishing to hear how – through his singular voice, playful sense of humour, and impeccable sound design – Malinovski tells a story that makes the listener laugh, feel, and consider …


Rien Que Les Os: Version Française., Irène Omélianenko 2015 Radio France

Rien Que Les Os: Version Française., Irène Omélianenko

RadioDoc Review

Critique d'un documentaire de création conçue par l'artiste Française Floy Krouchi à Radio France en équipe avec la réalisatrice Nathalie Battus et le chef opérateur du son Bruno Mourlan (2010).


Nothing But Bones (Rien Que Les Os): A Review, Irène Omélianenko 2015 Radio France

Nothing But Bones (Rien Que Les Os): A Review, Irène Omélianenko

RadioDoc Review

This documentary by the French artist Floy Krouchi in collaboration with Nathalie Battus and Bruno Mourlan from Radio France is a hybrid piece that lies between music and poetic creation. It attempts to make a radiophonic connection between the mythic memory of the indigenous peoples of India and what remains today in certain pieces of music, in (people’s) memory, in singing and translation. The project began five years ago (2010) in Southern India where Floy Krouchi was then travelling. There she heard a short piece of music taken from a very ancient tradition that struck her as so strange and …


The Change In Farming: A Review, Neil Sandell 2015 University of Wollongong

The Change In Farming: A Review, Neil Sandell

RadioDoc Review

The protagonist of the CBC documentary, The Change in Farming, is an 89-year-old farmer, called Henry. We learn that his grandson, Adam, has been recording Henry’s reminiscences about farming as a way of preserving his family heritage. The program was produced in 1998 by Adam Goddard, a 25-year-old musician and composer, in collaboration with veteran CBC producer, Steve Wadhams.

Adam is more hunter-gather than farmer. He collects found sound, an artist alert to its musical possibilities. He is composing a work using Henry’s speech. We hear the elder’s reaction. And then, in an indispensable coda, the two of them …


Music In Syracuse: The Hidden Gem Of The Snowy City, Amanda Winograd 2015 Syracuse University

Music In Syracuse: The Hidden Gem Of The Snowy City, Amanda Winograd

Honors Capstone Projects - All

This project explores the surprisingly thriving music culture in Syracuse, NY. In my years here, I have heard many students complain about the city and express that it has little to offer. My own experience contradicts that idea. I’ve found a thriving cultural community here, especially within the realm of live music. I was surprised to find such a thriving music scene when I had heard so many negative things about the city of Syracuse, so I decided to explore the paradox of Syracuse’s reputation versus the reality. I entered into the Syracuse music scene with a camera in hand …


Experiential Learning: An Exploration, John Santo Verdico 2015 Butler University

Experiential Learning: An Exploration, John Santo Verdico

Undergraduate Honors Thesis Collection

There is a problem with education in the United States. Students coast through school focused on grades, and leave school prepared for homework and controlled situations; they are not ready for the rigor and unpredictability of every day life in the real world. Studies on experiential learning show that the best way to gain professional skills and understanding is not necessarily in the classroom with a teacher, but outside the classroom with peers. Butler University's Music Industry Association (BMIA), provides such an opportunity. Producing the annual BMIA Sampler album increases students' understanding of concepts learned in the classroom and encourages …


Efter Festen (After The Celebration): A Review, Leslie Rosin 2015 WDR (Westdeutscher Rundfunk)

Efter Festen (After The Celebration): A Review, Leslie Rosin

RadioDoc Review

This 2002 feature is a masterpiece of our genre. On one level, the story examines how a young man called Allan told on Danish radio how he confronted his father at his 60th birthday celebration with the devastating fact that the father had abused him and his twin sister as children. But Allan’s story is also the subject of the successful Danish film The Celebration by Thomas Vinterberg, part of the Dogma Film Group founded by Lars von Trier. The feature’s title, Efter Festen, (After the Celebration) is ambiguous in Danish, the Danish word 'efter' being …


I Want To Be In That Number: A Song Profile Of "When The Saints Go Marching In", Gregory H. Jacks 2015 Syracuse University

I Want To Be In That Number: A Song Profile Of "When The Saints Go Marching In", Gregory H. Jacks

Honors Capstone Projects - All

“When the Saints Go Marching In” has never been subject to a sustained study of its origins, disseminations, and current manifestations. A study like this, focused on a song’s perceptions via various viewpoints through time, is typically referred to as a song profile; a form of reception history specifically concentrated on a single musical composition. “When the Saints Go Marching In,” also known as “Saints” or “The Saints,” is an African-American spiritual typically listed as a traditional in most songbooks without a composer.[1] I have laid out this paper into four sections, one for each period of the song’s …


Qui A Connu Lolita: Who Killed Lolita? A Review, Chris Brookes 2015 Battery Radio

Qui A Connu Lolita: Who Killed Lolita? A Review, Chris Brookes

RadioDoc Review

The brilliant and disturbing work Qui a Connu Lolita? (Who Knew Lolita?), or as it is more provocatively titled in the authors' English translation Who Killed Lolita?, starts with a precis: voices tell us there have been three deaths, of a mother and her two children, the bodies found in their Marseilles apartment two months later.

This is a composition for radio, not a collection of easy evidence for a police dossier. Who did kill Lolita? Who is to blame? The program draws its power from suggestion, like footnotes plucked from a subterranean soundtrack. It poses uncomfortable …


On The Hallelujah Efect: Priming Consumers, Recording Music, And The Spirit Of Tragedy, Babette Babich 2015 Fordham University

On The Hallelujah Efect: Priming Consumers, Recording Music, And The Spirit Of Tragedy, Babette Babich

Articles and Chapters in Academic Book Collections

An overview of The Hallelujah Effect concentrating on priming or sonic branding, media, online porn as well as marketing and media programming, with a special excursus on the space of music --and radio in Adorno's Current of Music, and a detailed discussion on Nietzsche and music in antiquity as he explores this with reference ot Beethoven in The Birth of Tragedy.


Work Made For Hire – Analyzing The Multifactor Balancing Test, Ryan G. Vacca 2015 University of Akron School of Law

Work Made For Hire – Analyzing The Multifactor Balancing Test, Ryan G. Vacca

Akron Law Faculty Publications

Authorship, and hence, initial ownership of copyrighted works is oftentimes controlled by the 1976 Copyright Act’s work made for hire doctrine. This doctrine states that works created by employees within the scope of their employment result in the employer owning the copyright. One key determination in this analysis is whether the hired party is an employee or independent contractor. In 1989, the U.S. Supreme Court, in CCNV v. Reid, answered the question of how employees are distinguished from independent contractors by setting forth a list of factors courts should consider. Unfortunately, the Supreme Court did not give further guidance on …


Voz Alta: The Sound Of A Collective Memory, Sarah E. Kleinman 2015 Virginia Commonwealth University

Voz Alta: The Sound Of A Collective Memory, Sarah E. Kleinman

Graduate Research Posters

Voz Alta is a participatory, voice-activated public light installation designed by Rafael Lozano-Hemmer as a memorial for the Tlatelolco massacre, which occurred on October 2, 1968 in the Plaza de las Tres Culturas in Tlatelolco, Mexico. In the Plaza, Lozano-Hemmer has synchronized a megaphone with a 10 kW Xenon robotic searchlight. As each participant speaks into the megaphone, the searchlight shines to the uppermost floor of the towering Centro Cultural Tlatelolco (CCT) building where three additional searchlights instantaneously strobe, dim, and brighten, illuminating the nocturnal landscape in horizontally fixed, tangential beams. Although the aesthetic, social, historical, and political aspects of …


Work Made For Hire – Analyzing The Multifactor Balancing Test, Ryan G. Vacca 2015 University of Akron School of Law

Work Made For Hire – Analyzing The Multifactor Balancing Test, Ryan G. Vacca

Ryan G. Vacca

Authorship, and hence, initial ownership of copyrighted works is oftentimes controlled by the 1976 Copyright Act’s work made for hire doctrine. This doctrine states that works created by employees within the scope of their employment result in the employer owning the copyright. One key determination in this analysis is whether the hired party is an employee or independent contractor. In 1989, the U.S. Supreme Court, in CCNV v. Reid, answered the question of how employees are distinguished from independent contractors by setting forth a list of factors courts should consider. Unfortunately, the Supreme Court did not give further guidance on …


Work Made For Hire – Analyzing The Multifactor Balancing Test, Ryan G. Vacca 2015 University of New Hampshire School of Law

Work Made For Hire – Analyzing The Multifactor Balancing Test, Ryan G. Vacca

Law Faculty Scholarship

Authorship, and hence, initial ownership of copyrighted works is oftentimes controlled by the 1976 Copyright Act’s work made for hire doctrine. This doctrine states that works created by employees within the scope of their employment result in the employer owning the copyright. One key determination in this analysis is whether the hired party is an employee or independent contractor. In 1989, the U.S. Supreme Court, in CCNV v. Reid, answered the question of how employees are distinguished from independent contractors by setting forth a list of factors courts should consider. Unfortunately, the Supreme Court did not give further guidance on …


Sound Design For Our Town, Anna Warda Alex 2015 Minnesota State University - Mankato

Sound Design For Our Town, Anna Warda Alex

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in theatre. It is a detailed account of the author, Anna Warda Alex's artistic process in developing the sound design for Minnesota State University, Mankato's production of Our Town in the fall of 2014. The thesis documents the designer's process from the pre-production analysis through the designer's afterthoughts on the design in five chapters: a pre-production analysis, an historical and critical perspective, a process and rehearsal journal, a post-production analysis and a process development. Appendices and works cited are included.


Speed And Resolution In The Age Of Technological Reproducibility, SHAWN TAYLOR 2015 Virginia Commonwealth University

Speed And Resolution In The Age Of Technological Reproducibility, Shawn Taylor

Theses and Dissertations

The rate of acceleration of the biologic and synthetic world has for a while now, been in the process of exponentially speeding up, maxing out servers and landfills, merging with each other, destroying each other. The last prehistoric relics on Earth are absorbing the same oxygen, carbon dioxide and electronic waves in our biosphere as us. A degraded .jpeg enlarged to full screen on a Samsung 4K UHD HU8550 Series Smart TV - 85” Class (84.5” diag.). Within this composite ecology, the ancient limestone of the grand canyon competes with the iMax movie of itself, the production of Mac pros, …


Mighty Beast: A Critical Reflection, Neil Verma 2014 Northwestern University, Chicago

Mighty Beast: A Critical Reflection, Neil Verma

RadioDoc Review

This review-essay considers Mighty Beast, a radio feature by Sean Borodale, Sara Davies and Elizabeth Purnell, exploring how it approaches vernacular speech using poems based on auctioneering, sounds of market places and interviews with farmers and other workers. Listening closely to key passages, I highlight the role of Borodale’s 'in the moment' process and the use of sound editing as a form of writing, while situating the work within a longer history of livestock poetry and auctioneering in the sound arts. In the end, I argue that Mighty Beast is an outstanding piece to help think through larger issues of …


Mighty Beast: Review 1, Mike Ladd 2014 Australian Broadcasting Corporation

Mighty Beast: Review 1, Mike Ladd

RadioDoc Review

MIGHTY BEAST: written by Sean Borodale, soundscape by Elizabeth Purnell, produced by Sara Davies, performed by Christopher Bianchi. BBC Radio 3, Between the Ears, 2013. 29mins10.

Mighty Beast is a ‘radio poem’ that takes us into the cattle saleyard, and the lives of the auctioneers, animal handlers and farmers that are its denizens. Radio poems operate through feeling as much as intellect, and give scope for different interpretations. They are not so much about imparting information or telling a story, as creating an experience. They are more associative than expository, often proceeding in a non-linear way. Often radio poems …


My Share Of The Sky: Review 2, Alan Hall 2014 Falling Tree Productions

My Share Of The Sky: Review 2, Alan Hall

RadioDoc Review

This documentary by the celebrated Danish producer Rikke Houd, in collaboration with Iranian journalist Sheida Jahanbin, is a work of art. It is also a powerful piece of documentary journalism that measures the pulse of a young couple’s emigration from Iran and their attempts to settle in Norway. The narration by Sheida Jahanbin, our guide to establishing a new life as an asylum seeker, is lent a profound dimension by being choreographed in a sophisticated ‘hocketing’ with the voiced-over translation, which acts as Sheida’s Norwegian voice. This is an inspired device, which also serves as a metaphor in a story …


My Share Of The Sky: Review 1, Helene Thomas 2014 Murdoch University

My Share Of The Sky: Review 1, Helene Thomas

RadioDoc Review

My Share of the Sky speaks like a poem. A poem of love, of life, and of loss. It is a story of finding refuge and freedom in a foreign land and reconciling with the longing for loved ones back home. Presented as an audio diary, Sheida Jahanbin invites listeners into her world as she and her husband Madyar make a new life for themselves in Oslo, Norway as political refugees from Iran. The program presents a stream of live happening moments which intimately capture Sheida's life as it is unfolding. Juxtaposing the mundane and the terrifying, the ordinary and …


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