Art Practice Commons^™

The Retablos Of Teabo And Mani: The Evolution Of Renaissance Altars In Colonial Yucatán, C. Cody Barteet

Visual Arts Publications

From the turn to seventeenth through the early eighteenth century, three retablos (altarpieces) were created in Yucatán that relied on a similar Renaissance design. The retablos located in the ex-convents of Mani and Teabo all adopt the Spanish sixteenth-century Renaissance style of the Plateresque. Further, the retablos are connected by the inclusion of caryatid framing devices that establishes a strong affinity among the works. Two of the retablos are located in Mani: the Retablo of San Antonio de Padua and the Retablo of Nuestra Señora de Soledad (or sometimes called the Dolores Retablo). At Teabo is the Retablo de Santa …

Circulation Of Images, From Recognition To Erasure: An Artist’S Response, Lei Xie

Artl@s Bulletin

This article revolves around my practice, as an artist, which has an essential link with images and their circulation. In a subtle way, painting offers me a language allowing me to explore the polysemy of the chosen image, to experience a vocabulary both figurative and abstract. My practice could choose and process "ordinary" images, which are diffused but whose diffusion does not alter the subject, and has no consequence on the latter. It can also retain images whose strength is intrinsic to their circulation, to their popularization, to their controversy, images which will however ultimately generate paintings, and simultaneously erasing …

Écorché Figures In Mannerism As Influenced By The Reemergence Of Systematic Human Dissection, Megan Tanner

Honors College Theses

During the sixteenth century, many individuals became fascinated by the human form, which led to an increase in artistic and scientific focus on these subjects. Artistic interest in the human body resulted in a close relationship between artists and anatomists during the time, and the societal acceptance to public demonstrations of dissections, including flaying, was often converged with Mannerist ideals. It is historically evident that écorché figures during Mannerism were based on these, as well as torture methods during the time. As these demonstrations became more common throughout the sixteenth century, they began to be monitored in order to ensure …

Arabesque, Zafirah Ahmed

CGU MFA Theses

This paper talks about my MFA Thesis Exhibition : Arabesque. It discusses my usage of pattern and how I am exploring pattern in its historical context, against the repetition of societal patterns in various spaces. Through the use of created symbols in paintings, and installation work.

Blanket Statements, Issue 148, Spring 2021

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 148, Spring 2021

The Eight Grids: A New Method To Enhance Students’ Sketching Skills In The Schools Of Architecture, Mohamad Tohme

Architecture and Planning Journal (APJ)

Sketching is one of the required courses for architecture and design students in higher education since it is considered a necessary skill for architects and designers. However, the lack of visualization skills and practice, students were met with difficulties in grasping the complex concepts of this course, concurrent with the teachers’ lack of familiarity with the various methods. The aim of this paper is to find a new method that allows students to carry out their sketches by examining the problems faced by first-year undergraduate students at the Faculty of Architecture, Design & Built Environment in BAU, Lebanon. To achieve …

Take Your Time, Terry A. Ratzlaff

School of Art, Art History, and Design: Theses and Student Creative Work

I see the world not as one seamless world but as a world composed of other worlds, built on top and within one another. They exist harmoniously, bound not by space but by time. In an instant I can move from one world into another where I can exist in two worlds simultaneously—in space, I am here. In time, I am there.

Worldmaking is a conceptual process of seeing connections and making distinctions within our lived reality.1 It is a process of dividing and organizing parts into collections that represent different narratives. Only through suitable arrangements can we handle vast …

The Last, Tony D. Riel

Theses

This thesis shares a collection of paintings that demonstrates my understanding of how to paint still lifes using oil paint. The tools, preparation, steps, and techniques other still life painters have used to create paintings were examined in-depth and were applied by me to create my still life paintings. Food is the subject of my paintings. My family’s eating habits and wastefulness of food were my sources of inspiration. My observations took place at the end of mealtimes because that is when I noticed that my family tends to not eat every piece of food. This often means there are …

Art In The Data-City: Critical Data Art In The Age Of Surveillance Capitalism, Conor Mcgarrigle

Books/Book Chapters

This chapter considers the role of digital art practice, with an emphasis on the Irish context, in what is described as the data-city, that is a theorisation of this contemporary urban condition so infused with opaque data-driven systems that almost every action is described by and enacted through data. The ubiquitous deployment and action of data assemblages – the networks of hardware and software that enable data-capture regimes – in urban space are changing the nature of the city itself in ways that are not readily apparent. Critical data art practices it is suggested, provide a method to highlight and …

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …

Giglife.Nyc: Blood, Sweat, Tears And Glitter., Erik B. Slavin

Theses and Dissertations

In New York City there's a community of artists who have rejected the obvious choices that the world has offered them and pursued a life of performance and glitter, of bright lights and fire and sensuality.

These performers are extraordinarily compelling. They're artists with lives crafted to entice and delight our gaze. GigLife.NYC: Blood, Sweat, Tears & Glitter is an observational documentary film that invites the viewer, drawn in with the promise of titillating spectacle, to discover the object of their desire is engaged in artistic, romantic, political and economic struggle.

In Order To Escort Her, Kimberly Baglieri

Theses and Dissertations

In Order To Escort Her is a thirty-five minute hybrid-documentary in which Lila, my great-aunt, converses with her niece, my mother, about various supernatural creature encounters and spirit visitations from relatives. This is interspersed with a “visitation” from another close relative, communicating from a different time and space dimension. By weaving together supernatural stories and matter-of-fact accounts of resilience and survival, a magical world is created where boundaries between the material and the invisible realms blur. The main thematic concerns of this film are love, care, presence in joy amidst terror, and the journey of the soul.

Color Compliments, Jennifer Hansen Rolli

The Transdisciplinary STEAM+ Journal

A discussion of the range of use of complimentary colors

Embracing Imperfections, Raja Gopal Bhattar

The Transdisciplinary STEAM+ Journal

A window into my meditation practice.

The Dancing Between Two Worlds Project: Background, Methodology And Learning To Approach Community In Place, Anindita Banerjee, Shaun Mcleod, Gretel Taylor, Patrick L. West

Landscapes: the Journal of the International Centre for Landscape and Language

This article recounts the history to date of the Dancing Between Two Worlds (DBTW) project, which was initiated by a team of artist-scholars at Deakin University in 2018. DBTW’s brief was to engage the Indian community living in the western fringes of Melbourne in a project on civic belonging, cross-cultural artistic identity, and the performance of outer-suburban Indian diaspora. Working with the creative and community energies that are activated at the intersection of the creative arts and demographically inflected place, the Deakin researchers collaborated with local artists with an Indian background on a major performance in late 2019: …

The Gridded Time Of Waiting; Or Is Not Aristotle’S Metaphysics; Or A Kind Of Idealist Trap; Or In My Secret Life, Olivia Divecchia

Theses and Dissertations

Theoretical musings, descriptions, articulations of process, quotations and anecdotes form a constellation of thoughts about the trappings of the grid, ontology, the subject, the window, translation and other things.

Geometric Times, Linguistic Spaces, Johanna Strobel

Theses and Dissertations

If the loop is the trademark of our times and truthiness the reversal of the uncanny, what is the correlation between logic and information? This writing investigates the role of repetition and motifs in the production of meaning, how kitsch and neutrality function as modes of signifiers and how authenticity relates to the banal.

Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi

Theses and Dissertations

In this text, I consider my identity as a Japanese immigrant in the United States during a global pandemic and its impact on my understanding of home as a liminal space. In particular, I discuss notions of home in relation to my work as an artist including two works that utilize the home-sharing platform Airbnb and three works that deal with the dichotomy of inside and outside.

Membranes And Frames, Nurya Chana

Theses and Dissertations

Nurya Chana (b.1988, Bronx, NY) paints, sculpts, and performs to grapple with discontinuities between self and other, the inner and outer self, physicality and feeling. Her practice aims to expose the non-mental voices of the body, reconciling life sciences with the complexity, enormity, and potency of livingness.

From Here And Now: Monuments Of Today And Everyday, Adam Shaw

Theses and Dissertations

The arc of my educational narrative was drawing to a close. I was a month out from my thesis exhibition, the culmination of a three-year experience. The studio was full of an energy I had been longing to feel. I was just beginning. Then came the Pause.