Optimistic And A Little Flawed,
2021
University of Arkansas, Fayetteville
Optimistic And A Little Flawed, Christian Schultz
Graduate Theses and Dissertations
The accompanying exhibition to this paper, Optimistic and Flawed is a body of drawings and objects that explores the liminal space between playful and intended actions. Inspired by the landscape of the yard and the actions that take place within, the goalless play of a child and the laborious maintenance of an adult. The value of play exists within labor and labor exists within play. The drawings observe this through the theoretical framework of telic and paratelic motivational states as they relate to drawing. Abstracted yards and landscapes provide a space for the labor of the hand. A history of …
Heartwork,
2021
University of Arkansas, Fayetteville
Heartwork, Lance Taylor Loftin
Graduate Theses and Dissertations
Heartwork is a collection of paintings, drawings, and sculptures that explore the many ways identity is shaped by familial histories and personal memory. Focusing on my time growing up on a pine tree farm in Jackson, Mississippi in the early 90s, Heartwork explores gender, religion, regional traditions, family, and art. Through conversations and collaborations with my family, painting acts as an impetus for strengthening relationships. By reevaluating the past, I am able to create a web of interconnected narratives that inform and shift my understanding of the present.
Do You Want To Be Tender?,
2021
University of Arkansas, Fayetteville
Do You Want To Be Tender?, Leah Grant
Graduate Theses and Dissertations
In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.
Made Of Water, Covered In Mud,
2021
University of Arkansas, Fayetteville
Made Of Water, Covered In Mud, Nicole Norman
Graduate Theses and Dissertations
My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …
What's Going On Here,
2021
University of Arkansas, Fayetteville
What's Going On Here, Joanna R. Pike
Graduate Theses and Dissertations
This project is an installation depicting shirts and pants in various degrees of Recognizability. The Components vary from somewhat Unrecognizable to entirely Unrecognizable; Bumps and Blocks are interspersed and interrupt the Semi-logic of What’s going on here while adding repetitive elements to clarify the existence of the Semi-logic. The arrangement of the Components in the installation makes the Unrecognizable forms surrounded by the In-between Space into somewhat Recognizable versions of shirts and pants. The viewer does not fully recognize all the Components, but instead understands the implied Recognition given their existence within the installation. The ideas of Lists, Patterns, Systems, …
But Also Full Of Seeds For A Future That Could Have Turned Out Differently.,
2021
University of Louisville
But Also Full Of Seeds For A Future That Could Have Turned Out Differently., Megan Marie Bickel
Electronic Theses and Dissertations
This thesis examines the relationship between "illusion," "allusion," and their relationship to contemporary images which announce, shield, or reference information. Beginning by discussing Casualist and Post-Digital Painting discourse, two styles I work within, we see connecting tissue in announcing and shielding of meaning. We look at the meaning of marks, and in the parallel exhibition, marks that utilize camouflage strategies appear as a metaphor for illuding to information which appears as conveying depth when there is none, and using paintings' symbols in objects that are not paintings. The work 'alludes' to what the viewer has seen before and relies on …
Coherence,
2021
Stephen F Austin State University
Coherence, Travis Walthall
Electronic Theses and Dissertations
COHERENCE is a series of oil paintings and pen drawings that explores open narratives, or different ways to read artwork. The paintings and drawings showcase harmony, or tension, between ambiguous and representational forms. The visual experience requires the viewer to create their own narrative and decipher forms to do so. COHERENCE is a psychological and aesthetic exhibition fueled from human experience— one of fragility, uncertainty, imperfection, beauty, faith and memories.
Time. Moves. Things. Change.,
2021
Southern Methodist University
Time. Moves. Things. Change., Jennifer Wester
Art Theses and Dissertations
In this paper I discuss my art making principles and their physical representation in some examples of my most recent work.
Having started my artistic practice during a particularly transformative period of my life, this paper reflects on my artistic evolution, it’s influences, and the principles I’ve acquired along the way. In it, I explain and analyze the function of failure and mmy relation to manipulation. I show, through image and descriptions, the ways in which a spectrum of pieces converge to substantiate my claims of intent to outcome. And I illuminate synergies between my practice and historical artists such …
-Rhiza.,
2021
University of Louisville
-Rhiza., Katherine E. Watts
Electronic Theses and Dissertations
-rhiza is a collection of work that focuses on an immersive experience of local ecology and the dichotomous relationship of humanity and nature, presented through the artist's eyes, ecophilosophy, mycology, ecofeminism, and metaphor. An installation of experiential work, -rhiza consists of videography, printmaking, photography, musical elements, both found object and natural item sculptures, and poetry. This compendium of work addresses humanity's apathy towards the ecological imbalance and how this affects our fundamental interconnectedness with all life. Based on explorations of local waterways and the recognition of human consumerism's pressing issues, -rhiza attempts to present the urgent matter of rising …
Love Labor: Literal Symbols And True Abstractions.,
2021
University of Louisville
Love Labor: Literal Symbols And True Abstractions., Karen Weeks
Electronic Theses and Dissertations
If the home can be a metaphor for our own interiors, then the things that collect there can be similarly thought of, performing as punctuated moments within that interior, giving it shape, creating contours. Within the domestic setting, macro social forces such as global capitalism as well as the more immediate experience of meeting our children’s demands can push and pull us, equally informing the experience of being in the home. Love Labor: Literal Symbols and True Abstractions is comprised of images sourced from common ephemera of the home meant to represent the everyday: notes, discarded letters, open envelopes, unfinished …
We Are Gold,
2021
California State University - San Bernardino
We Are Gold, Amber Shanice Bowser
Electronic Theses, Projects, and Dissertations
Amber Shanice Bowser
Artist Statement
My work is influenced not only by the underrepresentation of Black women in the art world of today, but also in our past and in our day to day lives as a whole. My work heavily incorporates the use of different Black hairstyles and beauty to represent familiarity to my culture while also showcasing the beauty in our versatility to another.
I use mix media such as oil paints, graphite pencils, synthetic hair, clay, and digital media in my artwork as well to add abundant elements of texture throughout. The use of lots of neutral …
Pink Fantasy,
2021
California State University, San Bernardino
Pink Fantasy, Andrea Clary
Electronic Theses, Projects, and Dissertations
“I do my hair toss check my nails, baby how you feeling? Feeling good as hell”– Lizzo, “Good as Hell”, Cuz I Love You, 2019.
My work is about self-acceptance and body positivity. I am learning to love and accept my own body and channel this personal growth into my ceramics.
Reacting to media images of celebrity culture and the movement of fabric in Couture runway fashion shows, I am deeply impacted by contemporary American beauty ideals. Utilizing Hip-hop’s cultural messages of defiance and historical platform for presenting underrepresented voices, song titles and slang become titles for my work, in …
God Is Gay,
2021
California State University, San Bernardino
God Is Gay, Ordando Prieto, Ordando Prieto
Electronic Theses, Projects, and Dissertations
The major life of The Christ are well known among Christians and have been depicted throughout art history and contemporary media.
The juxtaposition using gay pornography is meant to question the ideologies of homosexuality. The choice life events and fetishes are to juxtapose terminology and show possible sexual innuendos.
These seven works of art are mixed media paintings; made up using works from art history, gay pornography, photographs I have taken, and drawing and painting by myself. The exhibition is an alternative perspective of the major components of Christian Messiah, Jesus Christ. These events include: The Nativity, The Baptism, The …
Unmentionables,
2021
Washington University in St. Louis
Unmentionables, Madeleine F. Grotewiel
Graduate School of Art Theses
This text explores the capacity for shamed bodily materiality to narrate the complexity of healing from sexual trauma while rape culture persists. Because rape is discussed so little in public, sexual healing often takes place under a meaty layer of shame, placed on the survivor’s body. Their truth is frequently interpreted as too much/gross/ugly/unspeakable for the public, and it is simultaneously not enough to be discussed/accepted/pursued as an actual issue. This uncomfortable teeter-totter comes from the patriarchal boundaries drawn between what is privately or publicly acceptable. There are plenty of depictions of sexual violence in popular culture and the canon …
Eagle Eye Vs. Gear Jammer,
2021
CUNY Hunter College
Eagle Eye Vs. Gear Jammer, Jessica Danielle Ellis
Theses and Dissertations
Where similarities in class struggle have historically operated as a unifying force globally, the American crafted mythos isolates the individual and dehumanizes those that do not fall within the parameters of the cowboy archetype. The national protagonist is turned into a class traitor and an extension of government power.
From Criticism To Complicity And Back Again: Criticality, Audience, And Desire In The Art Of Sherrie Levine And Jeff Koons,
2021
CUNY Hunter College
From Criticism To Complicity And Back Again: Criticality, Audience, And Desire In The Art Of Sherrie Levine And Jeff Koons, Kelly L. Jost
Theses and Dissertations
Despite strong similarities in Sherrie Levine’s and Jeff Koons’s art, a comparative exploration of their work has never been undertaken. To draw a comparison between Levine and Koons, while redressing the critical and public perception of their art, I reconsider the nature of three pivotal concepts—criticality, audience, and desire.
Museum Studies 2021 Strata Exhibition Curatorial Seminar Presentation,
2021
Ursinus College
Museum Studies 2021 Strata Exhibition Curatorial Seminar Presentation, Kristen Cooney, Justin Mitchell, Katie Sanfield
Art and Art History Presentations
Strata, a multi-sensory installation by Canadian artist Shannon Collis on display at the Berman Museum of Art, immerses visitors in an environment of deep sonic resonance and dynamic moving images that travel above and through Alberta’s Boreal Forest, the Athabasca River, and Fort McMurray to underscore the scale of the Fort Hills Suncor Oil Sands and Syncrude Oil Plant, the third-largest known crude bitumen reservoir on the planet. As part of the programming for the exhibition, each student enrolled in the Curatorial Seminar course (MS-200B-A) planned and carried out a creative project, reached out to other communities to get them …
Artists' Genres: A Brief Introduction To Post-Medieval Western Art,
2021
University of Kentucky
Artists' Genres: A Brief Introduction To Post-Medieval Western Art, Robert Jensen
Art and Visual Studies Faculty Book Gallery
Artists' Genres is a brief introduction to the history of post-medieval Western art organized by the major genres. The book is designed as a basic textbook for high school- or introductory college-level courses or for individuals simply looking for an interesting guidebook into the art of this period and geographical region.
This is the revised edition of Artists' Genres: A Brief Introduction to Post-Medieval Western Art, which was released in 2018.
Dreamwalk,
2021
Claremont Colleges
Dreamwalk, Julie Loffer
CGU MFA Theses
The day I learned that dreams can be real had a profound effect on my life. As I began
to form my art practice, I naturally began to contemplate how we determine what is science
fiction and what is real. People seem to divide themselves by who they are or what they
believe. There are times when science fiction has become real. For example, the idea that
giants or Bigfoot could be real sounds silly to most people. Even though artifacts of unusually
large remains are a part of the fossil record, such creatures are considered science fiction.
Science asks …
Tomorrow Is The Worst Day Since Yesterday,
2021
University of Nebraska-Lincoln
Tomorrow Is The Worst Day Since Yesterday, Matthew Carlson
School of Art, Art History, and Design: Theses and Student Creative Work
Susan Sontag wrote: “Illness is the night-side of life, a more onerous citizenship. Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick. Although we prefer to use only the good passport, sooner or later each of us is obliged, at least for a spell, to identify ourselves as citizens of that other space”.
This work addresses aspects of that citizenship. I used my experiences as a person living with a disability and as a parent to a son with Autism to explore the dichotomy of this dual citizenship. The …
