Virtual Bodies: Probing Fake Flesh,
2024
Washington University in St. Louis
Virtual Bodies: Probing Fake Flesh, Emily Elhoffer
MFA in Visual Art
This thesis explores the fluid and often elusive concept of the body as mediated through technology and art, questioning the boundaries between the physical and virtual. By investigating the interactions of cultural ideals, technological mediation, and material experimentation, the research delves into how contemporary art practices can challenge and expand our understanding of embodiment.
Central to this exploration is the use of varied mediums such as sculpture, digital imagery, and installation art to create what I term "virtual bodies"—conceptual entities that exist at the intersection of imagination and material reality. These creations often reflect and critique societal norms regarding beauty, …
Teaching Legal Issues In Arts Management To Non-Lawyers,
2024
Belmont University College of Law
Teaching Legal Issues In Arts Management To Non-Lawyers, Kristi Arth
Faculty Scholarship Symposium
Teaching Legal Issues in Arts Management to Non-Lawyers
This presentation will provide an overview of the pedagogical framework developed by Prof. Arth for her textbook, "Legal Issues for Arts Organizations: A Practical Guide" (Routledge 2024), which is set for publication on April 29, 2024 and available here: https://www.routledge.com/Legal-Issues-for-Arts-Organizations-A-Practical-Guide/Arth/p/book/9780367771133. The book is designed to make legal concepts approachable by and for non-lawyer audiences. The book’s main objectives include: providing an overview of the American legal system, teaching a systematic process for identifying legal issues, training administrators to read and understand contracts, conveying practical advice for working with professional lawyers, and …
Speak My Language: Art Therapy Restorative Justice Hybrid For Disenfranchised High School Students,
2024
Lesley University
Speak My Language: Art Therapy Restorative Justice Hybrid For Disenfranchised High School Students, Catherine Day
Expressive Therapies Capstone Theses
Abstract
This literature review examines the use of zero tolerance policies and exclusionary practices in schools throughout the United States. The adolescent population is more vulnerable now than ever, particularly after the COVID-19 pandemic. An increasing number of students are struggling with behavioral misconduct, mental health issues, and suspension/expulsion from school. The research contained in this review explores how zero tolerance policies have contributed to the current state of our education system, behavioral misconduct in schools, student involvement in the juvenile justice system, alternative methods of discipline such as restorative practices and therapeutic interventions like Art Therapy. The current exclusionary …
Past And Future Winds,
2024
CUNY Hunter College
Past And Future Winds, Alicia Ehni
Theses and Dissertations
Ehni’s thesis reflects on the role of wind to connect and transform. Looking at science and invisible forces like Earth’s magnetic field, her "Oculus" sculptures evoke old tools for orientation & migration. Birds, insects, plants, roads and sand, appear in a video and an experimental 16mm pinhole film of her bike journey along the Hudson River, NY. “Coordinates”, a magnetic drawing installation, addresses impermanence, attraction to land and fragility. Tracing memories of the Paracas desert in Peru, this thesis follows her interest in alchemy, ecology and the cosmos.
The Fuller The Bucket Is, The Harder It Is To Fly,
2024
CUNY Hunter College
The Fuller The Bucket Is, The Harder It Is To Fly, Jacob Littlejohn
Theses and Dissertations
My abstract paintings are informed by the momentary sublime rooted in the vastness of the natural world. Based on imagined and real landscapes, the work evokes minutia and phenomena that affect our perceptions of reality, and signifies a longing to reconnect with the natural world.
Aguaaaa!!!,
2024
CUNY Hunter College
Aguaaaa!!!, Cory Villegas
Theses and Dissertations
“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.
Feeble Transmitters,
2024
CUNY Hunter College
Feeble Transmitters, Indranil Choudhury
Theses and Dissertations
Feeble Transmitters is a series of electroacoustic sculptures made using ceramics, plexiglass, and home audio components like speakers, transducers, and amplifiers. The sculptures occupy a space between manufactured objects and organic forms. Drawing on the material culture of industrial design in audio, the series explores people’s relationships and rituals with consumer technology. When installed together in temporary installations, the sculptures activate their environment with a spatial soundscape.
Time's Radiant Keepers,
2024
CUNY Hunter College
Time's Radiant Keepers, Tara Aliya Kesavan
Theses and Dissertations
Time’s Radiant Keepers is a body of work comprising paintings, ceramic sculptures and video. Through these materials, my work emphasizes a tactile, embodied relationship between people and the virtual worlds they inhabit. I build on the idea of contending with the screen as a sculptural surface - one whose texture, form and objecthood we may look at, rather than simply look through. My formal inquiries are anchored in a rich narrative world. Drawing from state sponsored documentary films, feature films, and familial anecdotes from the 1950’s-1970’s in India, my paintings chronicle the emergence of the image of the urban, working …
Container Film,
2024
CUNY Hunter College
Container Film, Dena Kopolovich
Theses and Dissertations
Container Film is an experimental nonfiction short film that explores the theme of carrying. Drawing inspiration from a blend of anthropological, religious, and artistic sources, the film is guided by an unknown narrator who contemplates the origins of humanity. Unlike conventional storytelling, the narrator’s uncertainty and inner dialogue punctuate the narrative, challenging a traditional linear structure. Jumping between diverse thoughts, she resists depicting human history with a singular hero or linear trajectory. Visually, the film unfolds through vivid tableaux vivants, dance sequences, and curious object arrangements, illustrating the subtle relationship between human cognition and materiality. Through its nuanced, tactile approach, …
Rgb Root Matriz Color Dance,
2024
CUNY Hunter College
Rgb Root Matriz Color Dance, Danielle E. Gauthier
Theses and Dissertations
RGB Root Matriz Color Dance (Color Dance) is an immersive, interactive experience that combines poetic phrases and color filters to create a womb-like environment. Designed by Danielle Gauthier, this artistic piece uses a webcam to respond to users’ movements in real time, allowing them to confront and express their emotions through metaphor and dance. Color Dance creates a unique platform for self-discovery and empowerment by fostering a connection between the body and discomforting emotions.
Dear Dad,,
2024
CUNY Hunter College
Dear Dad,, Kimin Kim
Theses and Dissertations
A father-to-son relationship is often described as cold, distant, and detached. Mine was no different. A son looking for his father's approval for his entire life, realizing the approval has to be given by himself, not from his father.
間,
2024
CUNY Hunter College
間, Lele Dai
Theses and Dissertations
LeLe Dai makes contingent participatory public interventions using sensory materials such as sound, flickering light, and water. This paper examines their works through the lens of Chinese character Jian (間), meaning “gap/slit/incision,” to investigate the concept of “in-betweenness.”
The Role Of Acculturation In The Professional Identity Of Art Therapy And Counseling International Students,
2024
Southern Illinois University Edwardsville
The Role Of Acculturation In The Professional Identity Of Art Therapy And Counseling International Students, Ana Marcela Tobar Chavez
Art Therapy Counseling Final Research Projects
In a country of immigrants, the concept of acculturation needs to be familiar to almost any professional in the mental health field and it is a reality for immigrants and international students. As international and immigrant students continue to join the Art Therapy Counseling profession, it is important to understand how acculturation plays a role in the development of their counseling professional identity. Unlike most master’s students in the art therapy counseling profession, international and immigrant students go through unique experiences such as being born and raised in a different country with difference in cultures, languages, and immigration statuses that …
“Everybody Loves A Conjurer:” The Fake Artworks Of Elmyr De Hory (1906-1976) And Their Consequences On The Art World,
2024
Chapman University
“Everybody Loves A Conjurer:” The Fake Artworks Of Elmyr De Hory (1906-1976) And Their Consequences On The Art World, Caroline Grinstead
Student Scholar Symposium Abstracts and Posters
Art institutions such as museums, galleries, and auction houses have for many years been characterized as reliable and trustworthy. The act of art forgery threatens this integrity and causes these institutions to rethink how they acquire artworks. My research focuses on a specific art forger, Elmyr de Hory, who became notorious for being able to reproduce works in the style of notable artists such as Picasso, Matisse, and Modigliani. By successfully selling his forgeries to multiple museums and galleries, only to be discovered later, de Hory forced institutions to reconstruct their approaches in authenticating and acquiring works of art. As …
To Excavate An Absence,
2024
Winthrop University
To Excavate An Absence, Margaret Compton
Graduate Theses
This thesis is an exploration of memory’s fluctuating aspects, utilizing natural materials and casting processes to create a sculptural body of work deeply rooted in materialized metaphor. Examining the relationship between mold and cast, part and whole, and interior and exterior, I utilize casting as a framework to understand the duality of remembering and forgetting. Memories, much like the natural landscape, are ephemeral, fading, and fracturing over time. Both external environments and internal mental landscapes share the common language of erosion, existing as present or absent, remembered or forgotten. Conestee Nature Preserve in Mauldin, South Carolina, serves as my “site” …
Retrieving Images From Tarnished Daguerreotypes Using X-Ray Fluorescence Imaging With An X-Ray Micro Beam With Tunable Energy,
2024
Western University
Retrieving Images From Tarnished Daguerreotypes Using X-Ray Fluorescence Imaging With An X-Ray Micro Beam With Tunable Energy, Tsun-Kong Sham, Y. Zou Finfrock, Qunfeng Xiao, Renfei Feng, Sarah Bassnett
Visual Arts Publications
We report recent observations using a synchrotron X-ray micro-beam to retrieve images from tarnished 19th century daguerreotypes. We confirm that high quality image can always be retrieved from tarnished plates using Hg Lα XRF as long as the bulk of the image particles and their distribution remains intact. We also report results from using tunable tender X-rays (2 - 7 keV) to conduct imaging in high vacuum at energy above the Ag L-edge and the Hg M-edge, extracting images using Ag Lα and Hg Mα, respectively among others (e.g., S to track corrosion). Images obtained with the surface sensitive total …
Sincerely,
2024
University of Arkansas, Fayetteville
Sincerely, Regan Leigh Chrisman-Boman
Graduate Theses and Dissertations
Sincerely is a compilation of diaristic narratives depicted through the lens of a distorted reality. This distortion is manifested through the influence of social norms placed on me and my gendered experience of this world. The stories I tell through my work deal with the mind, body and daily life. My images within this body of work are sourced from my written journal, and creating a visual diary. I provide a space of relatability for the viewer to feel seen and not alone through the discussion of personal experiences that are both unique and not unique to myself. The work …
In The Performance Of A Lifetime: Pepper Plinkett,
2024
University of Arkansas, Fayetteville
In The Performance Of A Lifetime: Pepper Plinkett, Lily Camille Hollinden
Graduate Theses and Dissertations
This narrative depicts a caricature of the human experience through the eyes of my alter- ego character, Pepper Plinkett. Pepper is a symbol of my personal philosophies of what it means to be human, and serves as a protagonist and guide through an infinite, ambiguous natural world. This exhibition is a celebration of the vibrancy, curiosity, and ridiculousness of a lifetime. The uniqueness of humor as a specifically human trait and its use as a tool of communication, particularly in expressing authenticity, is the driving force behind my use of clowns in my work. I take an absurdist approach to …
The Frimpong Case,
2024
University of Arkansas, Fayetteville
The Frimpong Case, Vincent Frimpong
Graduate Theses and Dissertations
The Frimpong Case is the gathering of skills and voices of Africans and African artists. My collaborators from my Ghanaian family and neighbors to my colleagues in the United States have influenced my practice, allowing me to expand the history I have learned from the African musicians who have deeply influenced me to my heritage and the research I am able to expand upon to promote my vision of my culture and legacy. This paper describes the body of work and speaks to the themes of collaboration, migration, assemblage, and installation. The Frimpong Case is the root of my visions …
Overpowered,
2024
University of Arkansas, Fayetteville
Overpowered, Benjamin Pearey
Graduate Theses and Dissertations
Overpowered is a temporary installation of a tiled living room, modeled after my own living room in a rental apartment in Fayetteville, Arkansas. It takes its name from a kind of sci-fi electro-disco love song released in 2007 by Roísín Murphy, who breaks down romantic attraction into preprogrammed meanings, chemical needs and matching data - and her sense of losing control, succumbing to the overwhelming forces at play. My installation is borne from a similar feeling. It is a continuation of a navigation of daily life under the pressures of external forces exerted by the various systems that underpin society …
