Art Practice Commons^™

El Muralismo: El Papel De Los Murales En La Lucha De Los Organismos Sociales En La Ciudad De Buenos Aires = Muralism: The Role Of Murals In Social Organizations, Loren Crosier

Independent Study Project (ISP) Collection

There are an ever-growing number of social movements in the city of Buenos Aires, and a number of these groups are using art in the streets in an attempt to “recuperate” urban neighborhoods. Muralism is an art form and a concept that has a long legacy of militancy and vanguardism. This paper will address the breach between art as a product and a social reality by analyzing the meaning of muralism. What is the role of the muralist and what is the social function of the mural? Or more importantly, what is the social function a social organization or movement …

I'Ve Fallen In Love With Every One Of You..., Kayleigh L. Speck

School of Art, Art History, and Design: Theses and Student Creative Work

Photographs best show and describe the world, capturing a split second in time without necessarily providing the viewer with any sort of explanation or answer as to why something looks the way it does. Although the camera captures images of the “real,” it has the ability to tell lies. It changes our perception of space, the color of light, and the way things look overall. This is the reason I have chosen this medium; I want to see what my world looks like in a photograph.

Through these photographs of the every day lives of my subjects and myself, I …

Which Is Not One, Alex C. Moore

CGU MFA Theses

Specific yet anonymous, my paintings allow the viewer to sit within what would normally be a fleeting moment of intimacy.

Igolf: Contemporary Sculptures Exhibition 2009, King Lun Kisslan Chan

Theses and Dissertations

Why "igolf"? I love golfing, especially enjoying the gigantic space of the golf course. More importantly, this is the place where I dream and get inspiration for my art. I imagine filling my own global golf course with monumental golf sculptures in the future. This motivation and enthusiasm has modified my direction in creating sculpture. I named my final MFA exhibition "igolf". The idea of the name comes from modern terms we find in popular devices, such as the iPhone, iPod, and the iMac that reflect our technological world. In addition, the sound for "i" shares the same sound of …

Leland F. Prince's Earth Divers, Leland Fred Prince

Theses and Dissertations

My stoneware sculptures in my MFA final project were named Earth Divers because clay as a material is earth and clay is also symbolic of the Earth. The way that I physically dive into clay up to my elbows is a poetic performance. The sculptures were built in sections horizontally and then stacked vertically. I began the process by first making life size plaster molds of the human figure taken from live people. Earth Divers take their architectural structure specifically from the organic curves of the negative voids that are characteristic of the plaster figure molds. I built into these …

The Nature Of Making Sense, Allison Alford

CGU MFA Theses

My interest is to breed the mystical with the mundane, producing informational systems that coalesce knowledge, ambiguity, logic and fantasy. The species that populate my imagery are totems that could function as heroines, monsters or shapes that elude and inform us. The work functions as a stage upon which, pixels, paint and mystical figures coexist. Each panel acts as a composite of multiple frames of a video: figures combine with paintings, drawings, symbols, and landscape. Though ultimately singular in image, the pictures imply multiplicity. The lineage of the work can be traced to influences such as François Dufrêne, Max Ernst’s …

The Observer Effect, Azadeh Tajpour

CGU MFA Theses

My work explores the gray area and the shifting border between "us" and "other." It investigates the helplessness and the submissiveness on both sides of this spectrum and one's passivity that makes the "pain of others" inevitable. Moreover, it examines the individual and collective experiences of guilt and complicity in relation to world events. I am interested in the selective and repressed memories of individuals and nations, the reluctance to look and the ability to forget.

Gamespace, Kevin M. Scianni

CGU MFA Theses

My work uses gameplay, the experience of interacting with a gaming system, as a strategy to generate paintings. I interact with a set of rules, challenges and goals loosely derived from the structure of early videogames as a method to compose a painting. I am interested in how game strategies can address formal aspects of painting. I am also interested in how gameplay as an indicator of game quality or the desire to continually be challenged will continually advance the paintings.

Juvenescence: Photographs By Jordan Lutes, Jordan Lutes

Art and Design

Shot entirely on expired 35mm film, Juvenescence explores the life of youths on the central coast of California. Research was done on how to alter film and gain color-shifts to better depict moods and lifestyles in the images.

Nor Sanavongsay Interview, Sittha Abhay

Asian American Art Oral History Project

Nor's Biography:

My name is Nor, pronounce Naw, I was born in Thailand. My family moved to the US when I was four years old. We landed in Kingport, TN and stayed with our sponsors for about six months before heading up to Illinois.

I grew up watching Transformers, Bruce Lee movies, Thundercats, and all the great 80's cartoons. I also have a facination with comic books and graphic novels. I began drawing at the age of six with my uncle as a mentor. I honed my artistic skills as the years pass by.

Nor's Websites:

http://www.nawdsign.com/

http://xiengmieng.com/

Lani Montreal Interview, Thi Navi Thach

Asian American Art Oral History Project

2010 interview with Filipina teacher, writer, performer Lani T. Montreal by Thi Navi Thach

Tatsu Aoki Interview, Brian Callahan

Asian American Art Oral History Project

2010 interview with musician Tatsu Aoki

Ann Poochareon Interview, Christina Yang

Asian American Art Oral History Project

2010 interview with new media artist Ann Poochareon by Christina Yang

Li Lin Lee Interview, Barry Au

Asian American Art Oral History Project

@font-face { font-family: "Calibri"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 10pt; line-height: 115%; font-size: 11pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }

Artist Biography
Li Lin Lee is a self-taught painter who over the years has attended many exhibitions. Many of his earlier exhibitions had his group panel paintings while later ones displayed solo works. Born in Jakarta, Indonesia, he studied biochemistry at the University of Pittsburgh in Pennsylvania. He has traveled many places in Southeast Asia. Among his solo exhibitions: Symbiology and Urban Archaeology was displayed at Walsh Gallery in Chicago in 2001 and 2008 respectively.

Tina Ramirez Interview, Karina Lopez

Asian American Art Oral History Project

2010 interview with poet Tina Ramirez

Indira Freitas Johnson Interview, Michelle Burke

Asian American Art Oral History Project

Bio: Indira Freitas Johnson was born in Mumbai, India. She has received undergraduate degrees from Sir J.J. Institute of Applied Art and the University of Bombay. She also received a masters degree in fine arts from The School of the Art Institute of Chicago in 1967. Her father was an artist and her mother was a social activist, both of whom she was influenced by. She strongly believes that art and activism are a powerful combination for social change. Indira founded the Shanti Foundation for Peace in 1993 in response to the rise of ethnic violence. This foundation helps people …

Dahuang Zhou Interview, Julia Lin

Asian American Art Oral History Project

2010 interview with multimedia artist and entrepreneur DaHuang Zhou

Chi Jang Yin Interview, Anna Huang

Asian American Art Oral History Project

2010 interview with experimental documentary filmmaker Chi Jang Yin by Anna Huang

Sam Del Rosario Interview, Nancy Shaba

Asian American Art Oral History Project

2010 interview with writer and the former ED of the Asian American Artists Collective- Chicago Sam del Rosario by Nancy Shaba.

Von Kommanivanh Interview, John Pluciennik

Asian American Art Oral History Project

2010 interview with Loatian born/Chicago based painter Von Kommanivahn by John Pluciennik