Intellectual Property Law Commons^™

4a Trademark Law Session. Eu Trademark Law Update, Sven Schonhofen, James Nurton, Paolo Catallozzi, Joel Smith, Gordon Humphreys, Peter Reuss

29th Annual Intellectual Property Law & Policy Conference (2022)

No abstract provided.

1b Plenary Session. Key Current Ip Issues: Reflections & Analysis, Hugh C. Hansen, Paul R. Michel, Denny Chin, He Jing, Richard D. Arnold, Renata B. Hesse

29th Annual Intellectual Property Law & Policy Conference (2022)

No abstract provided.

1a Plenary Session. Government Leaders’ Perspectives On Ip, Hugh C. Hansen, António Campinos, Shira Perlmutter, Marco Giorello, Antony S. Taubman, Kathi Vidal

29th Annual Intellectual Property Law & Policy Conference (2022)

No abstract provided.

Joyriding With Peloton: How Virtual Fitness Classes Can Violate Federal Copyright Law, Mary Katherine Raczka

Jeffrey S. Moorad Sports Law Journal (1994 - )

No abstract provided.

Ayla Llc V. Alya Skin Pty. Ltd., 2021 Wl 38233624 (9th Cir. Aug. 27, 2021), Liya Levin

DePaul Journal of Art, Technology & Intellectual Property Law

No abstract provided.

Andy Warhol Foundation V. Goldsmith, Alyssa Weitkamp

DePaul Journal of Art, Technology & Intellectual Property Law

No abstract provided.

Google V. Oracle: The Recent Supreme Court Decision, How It Highlights The Inadequacies Of Shoehorning New Technology Into Intellectual Property Law, And Possible Solutions, Claire Price

DePaul Journal of Art, Technology & Intellectual Property Law

No abstract provided.

Updating The Section 230 Safe Harbor Provision In A New Age Of Social Media Platforms, Arnold Owusu

DePaul Journal of Art, Technology & Intellectual Property Law

No abstract provided.

Strategies To Deter Child Pornography In The Absence Of A Mandatory Encryption Back Door: Tipster Programs, A Licensed Researcher System, Compelled Password Production, & Private Surveillance, Anthony Volini, Farzana Ahmed

DePaul Journal of Art, Technology & Intellectual Property Law

No abstract provided.

A Statutory Anti-Anti-Suit Injunction For U.S. Patent Cases?, Jorge L. Contreras

Utah Law Faculty Scholarship

Litigation relating to fair, reasonable and non-discriminatory (FRAND) licensing of patents essential to industry standards has recently seen a sharp increase in cross-jurisdictional competition fueled by the trend of courts in some jurisdictions (particularly China) to seek to establish FRAND royalty rates applicable around the world, and the increased use of anti-suit injunctions (ASIs) to prevent parties from pursuing parallel litigation in other jurisdictions. The proposed “Defending American Courts Act” (DACA), introduced to the U.S. Senate Judiciary Committee in March 2022, seeks to deter the use of foreign-issued ASIs in U.S. patent litigation. The DACA would effectively create a statutory …

University Of Washington Faculty Senate Resolution Regarding Support For The Uw Libraries’ Principles In Licensing Scholarly Resources

Copyright, Fair Use, Scholarly Communication, etc.

WHEREAS, a healthy and sustainable scholarly ecosystem is one where knowledge is openly discoverable and openly shared, where there is a diversity of options for researchers to publish and disseminate their work, and where investments made by the University prioritize advancing broader impacts of research and teaching for the public good; therefore BE IT RESOLVED, that the UW Faculty Senate endorses the UW Libraries principles in licensing scholarly resources as follows:

SUSTAINABILITY:

ACCESS AND EQUITY:

SUPPORT OF SCHOLARSHIP AND TEACHING:

(Includes FAQ)

The (Unnoticed) Revitalization Of The Doctrine Of Equivalents, Daryl Lim

St. John's Law Review

(Excerpt)

Over the past century, few patent issues have been considered so often by the Supreme Court of the United States as the doctrine of equivalents (“DOE”). This judge-made rule deals with a question that lies at the heart of patent policy—what is the best way to define property rights in an invention? The doctrine gives patentees an opportunity to ensnare an accused device that does not literally infringe a patent claim if the accused device is substantially similar to each claim limitation. Patentees enjoy this advantage, but it comes at a cost to the public, who must face the …

The Chinese Copyright Dream, Sean A. Pager, Eric Priest

Pepperdine Law Review

Chinese President Xi Jinping’s vision of the “Chinese Dream” has captured the popular imagination. As a slogan, the Chinese Dream is intentionally broad. Intended to inspire rather than prescribe, it captures diverse aspirations including dreams of material prosperity, environmental sustainability, national rejuvenation, and global leadership. The Dream’s ramifications continue to ricochet through state policy echelons and lend themselves to competing interpretations. In that spirit, we advance a modest suggestion: that the Chinese Dream should be, at least in part, a dream about copyright law. A more effective copyright system would bolster China’s creative industries, generating a diverse supply of high-quality …

De-Gentrified Black Genius: Blockchain, Copyright, And The Disintermediation Of Creativity, Tonya M. Evans

Pepperdine Law Review

In a 2016 acceptance speech during the Black Entertainment Television (BET) Awards, actor and activist Jesse Williams used the phrase “gentrifying our genius” to refer to the insidious process of misappropriating the cultural and artistic productions of Black creators, inventors, and innovators. In that speech, he poignantly and unapologetically condemned racial discrimination and cultural misappropriation. This Article chronicles the nefarious history of the creative disempowerment of creators of color and then imagines an empowering future for those who successfully exploit their creations by fully leveraging copyright ownership and transfer termination. To that end, I reference the considerable scholarship of Professor …

The Long And Winding Road To Effective Copyright Protection In China, Peter K. Yu

Pepperdine Law Review

In November 2020, China adopted the Third Amendment to the Copyright Law, providing a major overhaul of its copyright regime. This Amendment entered into effect on June 1, 2021. The last time the regime was completely revamped was in October 2001, when the Copyright Law was amended two months before China joined the World Trade Organization. While U.S. policymakers and industry groups have had mixed reactions to the recent Amendment, the new law presents an opportunity to take stock of the progress China has made in the copyright reform process. This Article begins by mapping the long and winding road …

Reflections On Music Copyright Justice, Peter S. Menell

Pepperdine Law Review

The digital revolution has upended many aspects of the copyright system, particularly as it relates to music. Drawing on creative, jurisprudential, technological, and social science insights, this article explores the broad range of music copyright justice concerns, ranging from file sharing to royalty distribution, copyright infringement standards, and the creation of music mashups.

Thieves In The Temple: The Scandal Of Copyright Registration And African- American Artists, Kevin J. Greene

Pepperdine Law Review

Copyright registration is the currency of copyright transactions in music, film, and television and is essential for pursuing infringement claims and ownership disputes. Despite copyright registration’s outsized reach across the copyright spectrum and importance to the copyright industries, the U.S. Copyright Office does not verify claims of copyright authorship or ownership. No express mechanism exists to challenge false copyright registrations in the Copyright Office, and the penalties for falsely claiming copyright authorship are paltry in comparison to the potential gains. This Article contends that lax copyright registration standards call into question the legitimacy of the registration system and that the …

Rules Of Engagement: Copyright And Automated Gatekeepers' Influence On Creative Expression, Michael W. Carroll

Scholarly Articles in Law Reviews & Journals

This Essay turns questions about artificial intelligence and copyright law around. Rather than focus on algorithms as potential authors, this Essay argues for more attention to the role of algorithms as gatekeepers on social media and how creators adapt their creative choices to meet the demands of these automated tastemakers. Using TikTok’s “For You” algorithm and its role in breaking Lil Nas X’s hit song “Old Town Road” as a case study, this Essay poses the question whether algorithmic gatekeeping is simply a difference in degree or a difference in kind from an artist’s perspective. While tentative, this Essay concludes …

Crises And Compulsory Licenses: Crafting A More Equitable Work-For-Hire Regime For Comic Book Creators, Ron Eniclerico

Journal of Civil Rights and Economic Development

(Excerpt)

The history of comic books is plagued by notable instances of creators being excluded from the market value of their work. This tradition dates back to the creation of Superman, a character who was so successful that his exploits essentially led to the development of the modern comic book industry. Superman’s creators, Jerry Siegel and Joe Shuster, sold the rights to the character to D.C. Comics in 1938 for a mere $130 before Superman ever appeared in print. Nobody at the time could have known how popular Superman would become or that a media empire would be built around …

When Your Data Is My Grandparents Singing: Digitisation And Access For Cultural Records, The Pacific And Regional Archive For Digital Sources In Endangered Cultures (Paradisec), Nick Thieberger, Amanda Harris

Copyright, Fair Use, Scholarly Communication, etc.

In this paper we discuss the Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC), a research repository that explicitly aims to act as a conduit for research outputs to a range of audiences, both within and outside of academia. PARADISEC has been operating for 19 years, and has grown to hold over 390,000 files currently totaling 150 terabytes and representing 1,312 languages, many of them from Papua New Guinea and the Pacific. Our focus is on recordings and transcripts in the many small languages of the world, the songs and stories that are unique cultural expressions. While …