Entertainment, Arts, and Sports Law Commons^™

The End Of Amateurism: Title Ix Challenges In The New Ere Of College Athletics, Georgia G. Kemmett

Honors Theses

This thesis examines whether emerging revenue-sharing models in intercollegiate athletics following the House v. NCAA settlement can be reconciled with Title IX’s mandate of sex-based equity. While antitrust law has accelerated the collapse of NCAA amateurism by dismantling restrictions on athlete compensation, the resulting revenue-sharing framework risks concentrating financial benefits in male-dominated sports, particularly football and men’s basketball, thereby raising significant legal and policy concerns under federal civil rights law.

Through analysis of Title IX doctrine, antitrust jurisprudence, OCR guidance, NIL regulation, congressional reform proposals, and emerging litigation involving gender identity and athlete eligibility, this thesis argues that commercialization and …

It’S Getting Too “Messi”: The Pending Litigation That Should Lead Major League Soccer To Finally Abandon Its Single Entity Structure, Aaron Glas

University of Miami Law Review

Despite being the most popular sport worldwide, soccer has never attained that level of popularity in the United States, lagging significantly behind sports like football, basketball, and baseball. Major League Soccer (“MLS”) was founded in 1995 in an effort to establish a viable, long-term professional soccer league in the United States. It was structured as a single entity to keep costs low, promote an even playing field, and avoid costly antitrust suits brought by its players. The United States Soccer Federation (“USSF”) helped insulate the league from competition in its infancy, but MLS is now a completely different league from …

The Unfairness Of Fairness: Legal Architecture For Polarized Media, Alim Ulbashev

Loyola of Los Angeles Entertainment Law Review

No abstract provided.

Artificial Intelligence And Facial Recognition Technology Are Rewriting The Olympic Playbook's Security Infrastructure: An Examination Of The Paris Games And The Prospective Los Angeles Games, Ani Tarakchyan

Loyola of Los Angeles Entertainment Law Review

No abstract provided.

Intellectual Property Is A Drag [Queen], Brianna Pruitt

Barry Law Review

No abstract provided.

Copyright On Stage: Protecting The Directions Behind The Performance, Eliana Sakin

The Journal of Business, Entrepreneurship & the Law

In this comment, the author argues that theatrical stage directions should be recognized as copyrightable material under the U.S. Copyright Act, primarily by categorizing them as "choreographic works". Sakin highlights that while the 1976 Copyright Act explicitly protects choreography and pantomimes, stage directions—which serve as the "blueprints" for a production's blocking, technical cues, and artistic mood—currently exist in a legal gray area. Through an analysis of historical context and industry disputes, such as the Urinetown and The Most Happy Fella settlements, the author illustrates a growing industry recognition of a director’s staging as a protectable, original contribution, despite the lack …

A Corporation For Artists, Or An Artist’S Corporation?: An Analysis Of Colorado Bill 26-133, Andrea Yang

Cardozo Arts & Entertainment Law Journal (AELJ) Blog

Trade and art have been interlinked since the beginnings of artistic creation. Throughout history, one of the core tensions in the world of creativity has been between the creation of artistic work and economics of survival. With the advent of the internet and social media, democratization in access to the arts has demolished many of the classic gatekeepers that have historically prevented artists from creating and sharing their work. However, artists, musicians, and writers still face significant barriers in obtaining and retaining capital to support their livelihoods, frequently turning to alternate professions to sustain their work.

Hype Or Fraud? Ai-Washing And The Limits Of The Term “Misleading” Under Sec’S Section 10(B) And Rule 10b-5, Elizabeth De La Chapelle

DePaul Journal of Art, Technology & Intellectual Property Law

No abstract provided.

Systemic Failure And Synthetic Abuse: Regulating Nonconsensual Deepfakes Under The Take It Down Act, Chisomeme Nwuda

DePaul Journal of Art, Technology & Intellectual Property Law

No abstract provided.

The Shockwave Heard Around The World: Uspto No Longer Allows Petitioners To Use General Knowledge To Fill Gaps In Prior Art During Inter Partes Review, Hannah Lesser

DePaul Journal of Art, Technology & Intellectual Property Law

No abstract provided.

Front Matter

DePaul Journal of Art, Technology & Intellectual Property Law

No abstract provided.

The Perils Of Trademark Co-Ownership And The Need For Co-Ownership Agreements, Cameron Quilling

DePaul Journal of Art, Technology & Intellectual Property Law

No abstract provided.

Public Means Public: A Call For Amendment Of The Copyright Act Of 1976'S Public Display Right To Immunize Private Businesses From Unintentional Infringement, Lucy Greaney

Et Cetera

Private businesses increasingly face copyright liability and burdensome licensing fees under the Public Display Provision of the Copyright Act of 1976, despite engaging in activities that cannot be truly considered public. This Note examines the historical development of the Public Display Provision, analyzes case law involving public accommodations and semi-private entities, and explores the intersection between copyright enforcement and U.S. antitrust principles. It argues that Congress did not intend for private, employee-only business settings to fall within the scope of the Public Display Provision and that the current enforcement regime enables anticompetitive licensing practices by performing rights organizations. To resolve …

When Is Style Substance?, Jordi Fernadez Servitje

Cardozo Arts & Entertainment Law Journal (AELJ) Blog

While we are all aware of our ability to judge a book by its cover, our critical eye extends beyond the face of the book and to the font it is printed in as well. Strictly speaking, font refers to the size, weight, and style of a particular letter, while typeface refers to the overall style and design of the script. The term font comes from the days of physical printing; the font was the metal stamp used for each particular letter. Physical fonts have become antiquated by the advent of digital printing, but in common vernacular, font has remained …

Brushstrokes & Bequests: Estate Planning For Artist And Collectors, Cardozo Art Law Society, Cardozo Fame Center

2025–2026 Flyers

No abstract provided.

Brushstrokes & Bequests: Estate Planning For Artists And Collectors, Cardozo Fame Center, Cardozo Art Law Society, Samatha Anderson, Christopher Apgar, Pam Grutman, William Pearlstein, Parker Taylor

2026 Event Invitations

Estate Planning for Artists and Collectors

Who Wins? The Challenges And Potential Impacts Of State Courts’ Holdings In Fsu V. Acc, In Florida, And Acc V. Fsu, In North Carolina, Ethan Nickolaus Anagnos

University of Miami Business Law Review

Over the years, grant of rights (GOR) agreements have continually been the foundation for the transfer of exclusive rights between parties. In the ultra-competitive arena of the college football industry, these agreements have played an instrumental role in preserving and financing conferences and universities. Despite the prevalence of these GOR agreements, no university nor conference had ever attempted to challenge their validity before a court. That was until December 2023, when Florida State University (FSU) and the Atlantic Coast Conference (ACC) entered into a grueling and highly debated legal dispute regarding their GOR agreement, which is supposed to continue until …

Final Cut Vs. Final Print, Who Shapes Consent On Set ?, Cardozo Entertainment Law Society

2025–2026 Flyers

Join entertainment attorneys and intimacy coordinators for candid discussion on how consent is negotiated, documented and enforced in film and television.

Masthead

Washington Journal of Law, Technology & Arts

No abstract provided.

To Compete Or Noncompete: Lessons On The Impact Of Unenforceable Noncompete Agreements In The Entertainment Industry, Guy Mannick

Washington and Lee Journal of Civil Rights and Social Justice

Economic and legal literature has increasingly focused on how the American legal system fails workers. One way it does so is through employee noncompetition agreements (“NCA” or “noncompete”) that limit a worker’s ability to join another company, often for better compensation and/or more responsibility. Some states enforce NCAs if they are reasonable in scope, geography, and duration; others either prohibit their application to certain types of workers or (as in California) outright prohibit them in most circumstances. More narrowly, new empirical literature about the behavioral effects of unenforceable noncompete agreements raises new questions about the behavioral impact on workers.

This …