Entertainment, Arts, and Sports Law Commons^™

If You're Hurt, Where Is Home? Recently Drafted Minor League Baseball Players Are Compelled To Bring Workers' Compensation Action In Team's Home State Or In Jurisdiction More Favorable To Employers, James T. Masteralexis, Lisa P. Masteralexis

Marquette Sports Law Review

None.

Hear Me Roar: Should Universities Use Live Animals As Mascots?, Jessica Baranko

Marquette Sports Law Review

None.

Biting The Hand That Feeds: How Trademark Protection Might Threaten School Spirit, Michael C. Shull

Marquette Sports Law Review

None.

Benching Jim Crow: The Rise And Fall Of The Color Line In Southern College Sports, 1890 - 1980, Robb Kuczynski

Marquette Sports Law Review

None.

2010 Annual Survey: Recent Developments In Sports Law

Marquette Sports Law Review

None.

The New Plantation: Black Athletes, College Sports, And Predominantly White Ncaa Institutions, Jonathan Bateman

Marquette Sports Law Review

None.

Steinbrenner: The Last Lion Of Baseball, Dennis P. Hughes, Jr.

Marquette Sports Law Review

None.

Table Of Contents

Marquette Sports Law Review

None.

Index: Sports Law In Law Reviews And Journals, Jeremy Daniel Heacox

Marquette Sports Law Review

None

Sports.Comm: It Takes A Village To Build A Sports Facility, Martin J. Greenberg, Dennis Hughes, Jr.

Marquette Sports Law Review

None

Of Hitler And Camille Pissarro: Jurisdiction In Nazi Art Expropriation Cases Under The Foreign Sovereign Immunity Act, Elnaz Zarrini

Fordham Journal of Corporate & Financial Law

In November 1938, Walter Westfield, a renowned Jewish art dealer in Germany, was arrested, beaten, and imprisoned by the Nazis for an alleged violation of currency exchange laws.1 The true purpose of the arrest was to seize Westfield’s art collection for private resale, “a typical practice of the Nazi government.”2 On December 12 and 13 of the following year, a portion of Westfield’s art collection was seized and auctioned off through an order of the District Attorney’s Office Dusseldorf.3 In 1943, three years after Westfield was fined for the alleged violation and later sent to the Auschwitz death camp and …

No Bitin’ Allowed: A Hip-Hop Copying Paradigm For All Of Us, Horace E. Anderson Jr.

Elisabeth Haub School of Law Faculty Publications

It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected. The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs. These …

Ante Up Or Fold: What Should Be Done About Gambling In College Sports?, Erica N. Reib

Marquette Sports Law Review

None.

Introduction To The 2010 Amateur Sports Symposium, Dionne L. Koller

University of Baltimore Law Review

No abstract provided.

Symposium: Uneven Bars: Age Rules, Antitrust, And Amateurism In Women's Gymnastics, Ryan M. Rodenberg, Andrea N. Eagleman

University of Baltimore Law Review

No abstract provided.

Fictionalized Criminal Law And Youth Legal Consciousness, Avi Brisman

NYLS Law Review

No abstract provided.

Drawing A Line In The Sand: Copyright Law And New Museums, Megan M. Carpenter

Vanderbilt Journal of Entertainment & Technology Law

Over the last twenty years, audience attendance at museums, galleries, and performing arts institutions in the United States has decreased dramatically. Major museums and galleries are considering ways to add engaging and meaningful value to the user experience with technology, from incorporating user-generated content to creating multimedia installations billed as "collaborative" works.

In 2010, the Dallas Museum of Art's Coastlines: Images of Land and Sea exhibition featured landscapes from 1850 to the present, as well as a sound installation composed by students and faculty at a local university, which played on speakers throughout the show and responded directly to the …

Cut In Tiny Pieces: Ensuring That Fragmented Ownership Does Not Chill Creativity, Henry H. Perritt Jr.

Vanderbilt Journal of Entertainment & Technology Law

The market for video entertainment is growing and becoming more diverse as technology reduces barriers to entry for small, independent moviemakers and distributors and increases consumers' ability to access the media of their choice. The growing complexity of the market, however, increases transaction costs for new entrants who must obtain licenses to copyrighted music, characters, storylines, or scenes that they incorporate into their movies. The entertainment bonanza offered by new technologies may not be realized in practice because of market failure. The purposes of the Copyright and Patents Clause are frustrated because creators of new works wishing to use new …

Standardizing Warhol: Antitrust Liability For Denying The Authenticity Of Artwork, Gareth S. Lacy

Washington Journal of Law, Technology & Arts

Art authentication boards are powerful; their determinations of authenticity can render artwork worthless or add millions of dollars to market value. In the past, boards that denied authenticity of artwork typically risked tort liability for disparagement, defamation, or fraud. In Simon-Whelan v. Andy Warhol Foundation for the Visual Arts, Inc., however, an art collector alleged monopolization and market restraint after an authentication board denied the authenticity of his Andy Warhol painting by stamping “DENIED” on the back of it. The case is the first antitrust lawsuit against an authentication board to survive the defendant’s motion to dismiss. The decision …

Collective Rights Licensing For Internet Downloads And Streams: Would It Properly Compensate Rights Holders, Steven Masur

Jeffrey S. Moorad Sports Law Journal (1994 - )

No abstract provided.