Television Commons^™

Satire And Dissent: A Theoretical Overview, Amber Day

English and Cultural Studies Journal Articles

In an age when Jon Stewart tops lists of most-trusted newscasters and Michael Moore becomes a focus of political campaign analysis, the satiric register has attained renewed and urgent prominence in political discourse. Day focuses on three central contemporary forms: the parodic news show, the satiric documentary, and ironic activism. She highlights their shared objective of circumventing the standard conduits of political information and the highly stage-managed nature of current political discourse. In so doing, she argues, they provide fans with a sense of community and purpose notably lacking from organized politics in the twenty-first century.

Bears, Baby Carrots, And The Colbert Bump: An Analysis On Stephen Colbert's Use Of Humor To Set The Public's Political Agenda, Dominique Mckay

Masters Theses

In recent years, political satire has risen in popularity and recognition as an effective means of transmitting political news to a younger generation of voters. This recent development brings forth new questions about the role of political satire in setting the public's political agenda. Using Agenda-Setting Theory as a framework, this study takes The Colbert Report, one of the most popular satire television shows of this generation, and analyzes it for a possible political agenda. In the end, what this study finds is that in the six weeks leading up to the 2008 U.S. presidential election The Colbert Report chose …

Busting A Gut: Portrayals Of Obesity In Popular Culture, Carly Babel

Annual Undergraduate Conference on Health and Society

Obesity is America’s number one leading health epidemic, affecting more than 93 million Americans today (OAC). From 1985 to 2010, obesity has gone from affecting an average of 10% of individuals in just about every state to today affecting 33.8% of people within each state. Children and adults alike all over the U.S. are being diagnosed with obesity and encouraged to change their lifestyles. Doctors are prescribing patients to lose weight, exercise, eat healthy, and in extreme cases, go under the knife, but none of these recommendations are making a dent in lowering the rate of obesity. Rather, the number …

Stereotypes Of Contemporary Native American Indian Characters In Recent Popular Media, Virginia A. Mclaurin

Masters Theses 1911 - February 2014

This thesis examines the ongoing trends in depictions of Native American Indians in popular mainstream media from the last two decades. Stereotypes in general and in relation to Native American Indians are discussed, and a pattern of stereotype reactions to colonists’ perceived strains is identified. An analysis of popular television shows, movies, and books with contemporary Native characters will demonstrate new trends which we might consider transformed or emerging stereotypes of Native people in non-Native media. These trends will not only be shown to have emerged from more general national and regional stereotypes of Native identity, but will also demonstrate …

Bullying On Teen Television: Patterns Across Portrayals And Fan Forum Posts, Kimberly R. Walsh

Masters Theses 1911 - February 2014

The primary goal of this thesis was to provide a snapshot of the portrayal of bullying on teen television. Drawing from contextual factors studied in the National Television Violence Study (Smith et al., 1998), a content analysis of 82 episodes (representing 10 series) and 355 acts of bullying was conducted to examine portrayals of physical, verbal, indirect, and cyber bullying in terms of bully and victim social status, motivations, humor, punishments/rewards, character support for bullies, harm shown to victims, interventions by third parties, and anti-bullying episode themes.

The analysis revealed significant differences across bullying types for all variables except third …

A Kitchen Of One's Own: The Paradox Of Dione Lucas, Kathleen Collins

Publications and Research

First appearing on the air in 1947, Dione Lucas was one of the earliest television cooking-show hosts. As a business owner, single mother, influential salesperson, and highly respected professional in her field (Julia Child referred to Lucas as “the mother of French cooking in America”), Lucas was a pioneer and potentially powerful role model. Given this profile, however, she was an anachronism and out of sync with the majority of contemporary women and home cooks. She was likewise out of sync with her television peers, as most homemaking programs were hosted by home economists and were contexts wherein thrift and …

Murrow And Friendly’S Small World: Television Conversation At The Crossroads, Kathleen Collins

Publications and Research

Small World

(1958–60), an Edward R. Murrow and Fred W. Friendly television production, brought together political and entertainment figures from around the world, boasting technological innovation and a high level of public affairs discourse. The author discusses critical reception, producers’ ideals, cultural and historical context, and relation-ships to evolving notions of public service broadcasting.

Relationally Aggressive Media Exposure And Children’S Normative Beliefs: Does Parental Mediation Matter?, Jennifer Ruh Linder, Nicole E. Werner

Faculty Publications

Research indicates that relationally aggressive media exposure is positively associated with relational aggression in children. Theories of media effects suggest that these associations may be mediated by aggressive cognitions. Although parental mediation can attenuate the effects of violent media, it is unknown whether there are similar benefits of parental mediation of relationally aggressive media. The current study examined concurrent and longitudinal associations between relationally aggressive television and movie exposure and normative beliefs about relational aggression, and whether parental mediation moderates these associations. Participants were 103 children (50% female) in grades 3-6 and their parents. The following year, 48 children (52% …

Michelle Birch's Eportfolio, Michelle Birch

ePortfolio Showcase

My ePortfolio best displays my academic and professional achievements as an aspiring producer in the television industry.

The Civil Rights Movement: The Power Of Television, Amanda Philley

3690: A Journal of First-Year Student Research Writing

Overview: “I am not a nigger” (Thomas). These five words seared through American television screens in May of 1963. James Baldwin, a preacher and novelist, declared his freedom from the chains of discrimination in an interview with Kenneth Clark and forever changed the conscience of black and white television owners. When asked if he was optimistic or pessimistic about the future of the nation, Baldwin made one thing clear: the fate of America lies within the ability to answer the question, why was the ‘nigger’ created? Born in Harlem in 1924, Baldwin grew up following in his father’s footsteps as …

Live From New York, It's The Fake News! Saturday Night Live And The (Non)Politics Of Parody, Amber Day, Ethan Thompson

English and Cultural Studies Journal Articles

Though Saturday Night Live's “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. Instead, the segment has been shaped by a series of hosts who made a name for themselves by developing distinctive comic personalities. In contrast to more politically invested contemporary programs, the genre of fake news on Saturday Night Live has been largely emptied to serve the needs of the larger show, maintaining its status as just topical, hip, and unthreatening enough to attract celebrities and politicians, as well …

Hegemonic Peter?: A Critical Analysis Of Hegemonic Masculinity In Family Guy, Justin Danowski

Masters Theses

Hegemonic masculinity is a constantly evolving and highly nuanced theory. The original definition was designed to study the oppression males exert over females. Later definitions expanded on the original to include young, effeminate or gay men. In the realm of television, hegemonic masculine forces are perpetuated by not only male characters but marginalized groups as well. This creates gender stereotypes to be accepted and embraced as the norm in a culture. This project takes a critical look at the animated television comedy Family Guy and explains how hegemonic masculinity is portrayed throughout the episode "Family Gay". To accomplish this, the …

Bibliography Of Central European Women's Holocaust Life Writing In English, Louise O. Vasvári

CLCWeb Library

No abstract provided.

Bibliography For The Study Of Text And Image In Modern European Culture, Natasha Grigorian

CLCWeb Library

No abstract provided.

Contribution Of The Film & Television Industry To The Economies Of Oregon And The Portland Metropolitan Area: An Economic Impact Analysis For The Oregon Governor’S Office Of Film And Television, Jeff Renfro, Jenny H. Liu

Northwest Economic Research Center Publications and Reports

Research report on the economic footprint of the TV and Film Industry in Oregon and the Portland Metro Area.

Los Fantasmas Queer De La Dictadura Franquista: ¡Toda Una Re-Velación!, Danae Gallo González

Theses and Dissertations--Modern and Classical Languages, Literature and Cultures

This paper is part of the academic effort to recover historical memory in post-Civil War Spain and metaphorically applies the so-called Giobert Tincture to Carmen Martín Gaite’s El cuarto de atrás (1978), Dulce Chacón’s La voz dormida (2002) and Pedro Almodóvar’s La mala educación (2004) in order show how these works reveal the ghosts of the repression exerted against the epitome of the abject/obscene by Franco’s dictatorship: the queer collective. This collective continues to suffer from marginalization as well as from the effects of repression. I argue that El cuarto de atrás reveals C.’s repressed hybrid/queer identity and sexual orientation, …

Television, Kathleen Collins

Publications and Research

No abstract provided.

Citizen Bunker: Archie Bunker As Working-Class Icon., Kathleen Collins

Publications and Research

Archie Bunker, the central character and patriarch of Norman Lear’s “All in the Family,” (1971-1979) has been referred to as an “everyman” and an “angry-man prototype” with “hard had prejudice.” The name Archie Bunker itself has become synonymous with a blue-collar, racially chauvinistic mentality. The title of the show’s pilot and theme song, “Those Were the Days,” emphasized Archie’s dream of a simpler (though idealized) time, a world that he could understand and upon which he could exert some control. In 1970s America, Archie seemed to feel that the world was against him – economically, socially, politically and culturally – …

Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd

Faculty Publications

In this article, I analyse the function of Art Deco designs in the 1930s gangster genre and, in particular, Warner Brothers' Marked Woman (Bacon, 1937). Like many gangster films of the period, it associates high-style Art Deco with excess and the criminal underworld. My findings, however, reveal a tension between the film's moralist stance and its visual excess. Compelling visual signifiers of leisure, style and social mobility, the modern designs are free to circumvent the film's critical message and reinforce American capitalist ideologies. My analyses underscore Art Deco as an emblematic style of commercial modernity. Marked Woman and other gangster …

Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd

Drew Todd

In this article, I analyse the function of Art Deco designs in the 1930s gangster genre and, in particular, Warner Brothers' Marked Woman (Bacon, 1937). Like many gangster films of the period, it associates high-style Art Deco with excess and the criminal underworld. My findings, however, reveal a tension between the film's moralist stance and its visual excess. Compelling visual signifiers of leisure, style and social mobility, the modern designs are free to circumvent the film's critical message and reinforce American capitalist ideologies. My analyses underscore Art Deco as an emblematic style of commercial modernity. Marked Woman and other gangster …