Renaissance Studies Commons^™

Delno C. West Award (2013)

Quidditas

Ginger L. Smoak

The Delno C. West Award recognizes the most distinguished paper presented by a senior scholar at the annual Rocky Mountain Medieval and Renaissance Association conference.

“Nothing But Sit, And Sit, And Eat, And Eat”: The Cantankerous Teacher In The Taming Of The Shrew, Eric L. De Barros

Quidditas

By definition, all comedies must end by praising and/or celebrating the elimination of a serious threat to the patriarchy order, and Shakespeare sets up the final scene of The Taming of the Shrew, one of his earliest comedies, to do just that. In short, by the time we reach Lucentio and Bianca’s wedding banquet, Petruccio has effectively tamed Katherine of her shrewishness. However, despite this scene of and cause for celebration, Petruccio remains oddly dissatisfied, as he responds to Lucentio’s encouragement of the sitting, chatting, and eating appropriate to such a festive occasion with these mood-killing words: “Nothing but …

Aethelflaed: History And Legend, Kim Klimek

Quidditas

This paper examines the place of Aethelflaed, Queen of the Mercians, in the written historical record. Looking at works like the Anglo-Saxon Chronicle and the Irish Annals, we find a woman whose rule acted as both a complement to and a corruption against the consolidations of Alfred the Great and Edward’s rule in Anglo-Saxon England. The alternative histories written by the Mercians and the Celtic areas of Ireland and Wales show us an alternative view to the colonization and solidification of West-Saxon rule.

Shylock And Joachim Gaunse: And A Real Jew, Michael T. Walton

Quidditas

Joachim Gaunse, a Bohemian metallurgist, was brought to England to help evaluate the resources of the New World. During a visit to Bristol in 1589, he defended his Jewish rejection of Jesus. The reaction of those who heard this real Jew gives some indication of how theater audiences may have responded to Shakespeare’s Shylock.

The Several Faces Of Late-Gothic Eve: Gender And Marriage In The Mystery Creation And Fall Plays, Thomas Flanigan

Quidditas

The critical drive to make fundamental, substantive distinctions between Catholic and Protestant dogma and culture has always been central to early modern English studies, but over the past fifty years a prominent contingent of literary and historical scholars has endeavored more specifically to identify and articulate significant differences between Catholic and Protestant perceptions of women and marriage. According to one familiar, now widely accepted theory advanced primarily by Miltonists, a relatively feminist and pro-marriage Protestant ethic emerged in response to the extreme, aggressively misogynistic attitudes attributed to late-medieval Catholic thought. This paper will seek to demonstrate, through a close comparative …

Imagining Pregnancy: The Fünfbilderserie And Images Of “Pregnant Disease Woman” In Medieval Medical Manuscripts, Ginger L. Smoak

Quidditas

The Fünfbilderserie consists of anatomic schematics utilized in medical school dissections beginning in the thirteenth and fourteenth centuries. Anatomists would create these mnemonics to help students envision the internal systems of the body. Besides the standard five male pictures, an additional image, the “Pregnant Disease Woman” acted as a means to understand the reproductive system and organs of the pregnant woman. This paper argues, however, that despite the empirical observation of the anatomy of the gravid woman, they continued to visualize and “imagine” it, largely due to the existing classical ideas these anatomist retained about women, their natures, and their …

Holy Places & Imagined Hellscapes: Qualifying Comments On Loca Sancta Sermon Studies—Christian Conversion In Northern Europe & Scandinavia, C. 500-1300, Todd P. Upton

Quidditas

The paper uses methods from medieval sermon studies to argue that an insularity in “monastic consciousness” can be traced to earlier centuries than the more generally discussed (and better documented) scholastic environments of 13th century monastic and cathedral schools. It assesses how a monastic discourse reliant on Biblical typologies informed the Christian conversion of northern Germanic and Scandinavian peoples (c. 500-1300, including the British Isles and Iceland). Moments of encounter between Christian missionaries and pagan cultures helped delineate this discourse, most apparent in extant records that reveal Christian and Norse perceptions of geography, holy places, deity worship, and eschatological expectations. …

Classifying Early Modern Sexuality: Christopher Marlowe, Edward Ii, And The Politics Of Sexuality, Michael John Lee

Quidditas

This paper argues that Christopher Marlowe’s Edward II (1594) questions gender expectations and sexuality. The analysis finds that the same-sex attraction and affective relationship that develops between King Edward and Gaveston can be seen as neither simply sodomy nor exclusively as male friendship. Instead, the emotional bonds and marriage-like relationship between the king and his minion suggest that their identities are, in part, formed by their same-sex attraction.

Titian, Colonna And The Renaissance Science Of Procreation: Equicola's Seasons Of Desire [Book Review], Fern Luskin

Publications and Research

No abstract provided.

Who Killed Lycidas?: Lycidas And The Spanish Tragedy, Clay Daniel

Quidditas

In Lycidas, the protagonist searches for an explanation for why his virtuous friend has mysteriously died in a cultural-political landscape of unpunished, thriving, official corruption. Though Renaissance pastoral sometimes inveighed against corrupt authorities, pastoral elegy did not. What models, then, other than the Bible, would Milton have had for the swain’s search? Milton’s headnote calls his poem a monody, which within a literary context primarily is a speech in Greek tragedy. Milton then invites us to read the poem within a dramatic context. But which dramatic context? The Book of Revelation of course is one these contexts. But contemporary …

Front Matter

Quidditas

No abstract provided.

Delno C. West Award (2012)

Quidditas

Jessica Winston

The West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

Hyperreal Blessings: Simulated Relics In The Pardoner’S Tale, Chelsea Henson

Quidditas

This article argues that reading the relics Chaucer’s Pardoner carries through the lens of Jean Baudrillard’s definition of simulacra illustrates the potential existence – and subsequent dangers – of a simulated hyperreality to the spirituality of the fourteenth century. Juxtaposing “The Pardoner’s Prologue” from The Canterbury Tales and Baudrillard’s Simulacra and Simulation lends meaning to both the machinations of Chaucer’s (arguably) most corrupt pilgrim, and to the postmodern idea of simulated realities. Rather than doubles or imitations of an original image or conception of reality, Baudrillard’s simulacra are indistinguishable replacements for the real, as the Pardoner would have us believe …

“A Neighbour, Hedges Haue Eyes, And High-Wayes Haue Eares” Traveling Players, Traveling Spies In 1 Henry Iv And The True Tragedie Of Richard The Third, Robert D. Stefanek

Quidditas

The Elizabethan government used companies of travelling players to serve a number of intelligence functions, which extended to the surveillance of audiences during performances. This surveillance was facilitated by the discursive instabilities of their plays and the architecture of the spaces in which they were performed. Surveillance by travelling players was part of an essentially colonial project in which the crown sought to extend its power and increase its visibility while attempting to fashion a nationalist, pro-Protestant, pro-Tudor identity in the provinces. To consider these dynamics, this article considers two conjectured performances. First, Shakespeare’s 1 Henry IV performed by the …

A Fascinating But Frustrating Study Of Marlowe’S Drama And Its Historical Context, Jefferey H. Taylor

Quidditas

Clayton MacKenzie’s Deathly Experiments; A Study of Icons and Emblems of Mortality in Christopher Marlowe’s Plays is a fascinating, but equally frustrating, study of Marlowe’s drama and its historical context. The basic premise, to enrich our reading of Marlowe’s plays through resonance with widely available printed emblems and similar iconic art, is a worthy endeavor, one that follows the impulse to illuminate drama by examining contemporary visual art, and foregrounding the presence of theater as visual communications and enriching sensitivity to the communicative power of image and icon.

Full Issue

Quidditas

No abstract provided.

Modernizing Matthew Paris: The Standards And Practices Of The First Printed Editions, Kristen Geaman

Quidditas

This article discusses the first printed editions of Mathew Paris’s thirteenth-century chronicle, Chronica Maiora, arguing that these editions show a much higher level of editorial sophistication than has yet been recognized. Written between 1235 and 1259, the Chronica Maiora is one of the most extensive and detailed chronicles of medieval England; yet the work was not printed until 1571, as part of a series of historical publications overseen by Matthew Parker, Archbishop of Canterbury. Although the text of Parker’s edition has been almost universally criticized by scholars, this work suggests that he actually set a high editorial standard, especially by …

‘Robes And Furr’D Gowns Hide All’: Edgar’S Role(S) In King Lear, Annette Lucksinger

Quidditas

Despite his centrality in the play, Edgar’s role in King Lear has rarely attracted sustained analysis. To be sure, scholarly neglect doubtless results from Edgar’s own elusiveness, from the disguises that grant him access to the major characters in the play, disguises that encourage others to read in him what they wish to see. Analyzing what other characters see or fail to see in Edgar’s disguises offers important light on his character and his role in the play. A Lacanian analysis of Lear’s reading of Edgar’s role as Poor Tom shows that Lear’s effort to establish (or to re-establish) his …

“Rise Up, Lord, Scatter Your Enemies (Please)”: Faith And Doubt In The Anglo-Saxon Staffordshire Hoard1, Thomas Klein

Quidditas

As is now well known, in July of 2009, an unemployed metal “detectorist” named Terry Herbert was plying his device in the recently plowed field of a friend in the farmland outside of Lichfield, in Staffordshire, in the English West Midlands, and came upon a remarkable find.2 Over the course of several days, he uncovered hundreds of items of what turned out to be early Anglo-Saxon gold and silver metalwork. The find was subsequently reported to the British Portable Antiquities Scheme, which took over the site, and eventually some 1300 distinct objects (and many more pieces) were recovered. The news …

Marking The Woman A Sinner: Testimony And Legal Fiction In Renaissance England, Lesley Skousen

Quidditas

Throughout Medieval England, ordained clergy could avoid secular punishment for felony by claiming a privilege known as benefit of clergy. During the Reformation, this privilege was repurposed by the ministers of Henry VIII and offered as a lay benefit. The plea of clergy left women ineligible, as they could not be priests and were rarely convicted in the same numbers as men. Even when accused of crimes, women could rely on legal fictions and evasive testimonies to escape conviction. Then in 1624 and 1691, Parliament redesigned benefit of clergy to include women, first for slight theft and then on equal …