Photography Commons^™

'A Portrait Of Blossoming' & 'The Album To The Ballad Of My Life', Chloe Krome, Amanda Keith

.RAW Journal of Art and Design

No abstract provided.

'Midsummer's Dream' & 'And To Many More' & 'To Be Like You', Brooke De La Torre, Haley Armstrong

.RAW Journal of Art and Design

No abstract provided.

'Glow Up' & 'Geoglyph Animated', Bobby Groth, Frank Cooke

.RAW Journal of Art and Design

No abstract provided.

'Condor Refrain' & 'Cryptic Coloration', Cristhian Sanchez, Asher Dolinger

.RAW Journal of Art and Design

No abstract provided.

'Hands Through A Wall' & 'Alvin Ailey', Anushe Irani, Aviv Kesar

.RAW Journal of Art and Design

No abstract provided.

Table Of Contents, Sarai Devi Dasi

.RAW Journal of Art and Design

No abstract provided.

Openning, Sedona Elliot

.RAW Journal of Art and Design

No abstract provided.

Cover, Andrea Aruino

.RAW Journal of Art and Design

No abstract provided.

Full Issue, Sarai Devi Dasi, Vivian Jameson

.RAW Journal of Art and Design

No abstract provided.

The Quatrain - Volume 7

The Quatrain

The Quatrain is managed by students at Louisiana Tech University and advised by faculty from the College of Liberal Arts. The journal is housed in George T. Madison Hall, where undergraduates collect, assess, and edit submissions from student writers and artists.

The Quatrain is a print and electronic project for people who value quality undergraduate writing and art. Full-dress researched, academic essays and scholarly explorations; photography; life-writing; sculpture; cultural criticism; work that has a reflective, autobiographical style; and creative writing in all its forms: We simply seek to display samples of the interesting, original, and quality work being produced by …

The Birthplace Of Spring, Ilyse Horlings

CLAMANTIS: The MALS Journal

No abstract provided.

The Divine Intersection, Abigail Dollries

CLAMANTIS: The MALS Journal

No abstract provided.

Kintsugi, Karina Madzari

CLAMANTIS: The MALS Journal

No abstract provided.

Nuclear Nature, Abigail Dollries

CLAMANTIS: The MALS Journal

No abstract provided.

Participatory Photography As A Creative And Collaborative Tool In Teaching Peace Education, Rodgen M. Jabor

Peace and Conflict Studies

Peace and education are inseparable. Grounding on the aforementioned premise, peace education has become part of the curriculum in a number of countries including the Philippines. Along with the inclusion of peace education was the challenge of how to provide responsive and meaningful learning experiences in peace education. This article discusses the attempt of the use of participatory photography as a teaching methodology. Ten pre-service teachers participated in a peace education class that trialed the use of participatory photography as a teaching approach guided by a manual that was developed by the researcher. Through conducting a focus group discussion, and …

Experimental Performative And Analog Photography, Emily H. Coghlan

Ought: The Journal of Autistic Culture

This experimental photography project, ‘Irregular Balance’, attempts to interrupt various socially constructed binaries, including both physical and neurological ones.

Materials such as pins, potatoes, thread, and tape were tested, and various modelled structures were then documented with analogue photography. Forms taken by arboreal constructions and deconstructions in local parks have also been investigated.

Twine encompassed around a sewing machine was reworked during an MA performative piece at London College of Communication in 2019. In this reflective review, the artist explores her relation to visualised concepts of perfection and imperfection, bearing in mind her spinal fusion surgery and her more recent …

[W]Hole: Journey To Fullness, Joni P. Gordon

MFA in Visual Art

My work raises critical questions about Black history, race, gender, beauty, and privilege. My practice also highlights the intersectionality of colorism and racism. I use materials such as cardboard rectangles with handwritten words, brown paper, doors defaced by scratches, fire, printed images, newspaper, and projected photographs to ask and answer those questions. I also use Work and Travel documents, broom and brush bristle, mop fiber, towels, and audio recordings of oral histories to exhibit invisible scars wrought by racist actions as physical and material manifestations.

My practice began after experiencing racial discrimination for the first time on a US work …

Going Beyond The Margins: Photographs By Ming Smith, Isis A. Serna

Art & Art History ETDs

Ming Smith is a photographer who has been creating images since the early 1970s and trained with the artist collective Kamoinge Workshop. Throughout most of her career, Smith has been marginalized by art historians, critics, and museum curators. Since the early 2000s, Smith has only been included in museum exhibitions highlighting African-American female artists from 1960 to the present. Before this surge of interest in her work, the art world ignored and silenced her. However, Smith’s creative process allowed her to see and experience going beyond the struggle by being consistent in her strategy to do what she wanted on …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Skin To Skin: A Mixed-Media Exploration Of The Inheritance Of Identity, Angeline Morgan

Honors Theses

Skin to Skin is a mixed-media project that investigates the inheritance of identity through fine art and anthropological approaches. With a focus on womanhood, maganda (beauty), and Filipino-American culture, Skin to Skin reflects my deconstruction of cultural beauty practices. Growing up, proximity to lightness and darkness was a heavily emphasized metric. I witnessed family members experiment with light, water, and skin-lightening products on their skin. Now, I use alternative process photography to mirror their aesthetic experimentation.

To visually connect darkroom and beauty rituals, I created a series of unique, experimental prints where I treat paper surfaces as skin. I produced …