Photography Commons^™

The Way Up, Ava Shutze

The Echo

No abstract provided.

There's A Method To His Madness, Sophie Ngo

The Echo

No abstract provided.

The Listener Ii, Grayson Jarrell

The Echo

No abstract provided.

The Listener I, Grayson Jarrell

The Echo

No abstract provided.

Bless Your Heart, Alex Lewis

The Echo

No abstract provided.

Anthropocene, Anna Timbes

The Echo

No abstract provided.

10" Sun Pot, Jake O'Connor

The Echo

No abstract provided.

Moving Parts, Ava Shutze

The Echo

No abstract provided.

Baby Giraffe, Kayla Burrell

The Echo

No abstract provided.

Bee And Fern, Noel Duclos

The Echo

No abstract provided.

A Day At The High, William Nix

The Echo

No abstract provided.

Cover

The Echo

No abstract provided.

Preface & Table Of Contents, Gabriella Williams

The Echo

No abstract provided.

Echo 2024 - Complete Issue

The Echo

No abstract provided.

Intangible Shells, Elena Bulet

Masters Theses

The following essay mimics the constant disruption of a fragmented memory. It reflects on intergenerational gendered family dynamics since the civil war and dictatorship-era Spain and how memory articulates narratives of belonging within the matrilineal lineage. A process of excavation departs from personal memories, familial archives, contemporary interviews, theoretical readings, photographic reenactments, and observations of traces in the landscape of Almayate’s town. The author attempts to retrace her roots, as well as her family history, acknowledging the impossibility of making personal histories tangible.

Winter Solstice, Jingwen Cao

Masters Theses

For a long time, I have been thinking about what contemporary photography is, what its position is, and what the relationship is between artists and audiences. At the same time, I was developing my concepts and photographic directions and trying to make my work and my perspective on photography relevant. Winter Solstice includes a series of essays that locate my thinking and my work. Its title references the longest night of the year.

The position of photography has changed significantly over the past few decades. The way people read photos is also changing. Perhaps because of reverence for art and …

I Am Becoming., Dai Asano

Masters Theses

This is a collection of essays documenting my grappling with the idea that time is always in motion. When you say now, it is not now anymore, but we are still in now, a new now. How can I stay in the now without being swept away by the current of time? Describing a film by Ozu Yasujiro, Deleuze writes, “The vase in Late Spring is interposed between the daughter’s half smile and the beginning of her tears. There is becoming, change, passage. But the form of what changes does not itself change does not pass on. This is time, …

Embodied Abstractions: Identity And Representation In The Digital Era, Srikar Hari

Masters Theses

The digital image is a copy in motion. As it accelerates, it deteriorates.

It is a ghost of an image, a preview, a thumbnail, squeezed through

digital connections, resized, uploaded, downloaded, reformatted

and re-edited.

- Adapted from “In defense of the Poor Image” by Hito Steryel

With today’s digital technology, the image is no longer a stable

representation of the world, but a programmable database that

is updated in real time. It is not only part of a program, but it

contains its own operating code: the image is a program in itself.

Consequently, the image’s rhetoric has taken on …

Closing, Sarai Devi Dasi, Vivian Jameson

.RAW Journal of Art and Design

No abstract provided.

Contributors, Brandon Schwartz

.RAW Journal of Art and Design

No abstract provided.