The 'Nevergiveups' Of Grandmothers Against Poverty And Aids: Scholar-Journalism-Activism As Social Documentary,
2012
Old Dominion University
The 'Nevergiveups' Of Grandmothers Against Poverty And Aids: Scholar-Journalism-Activism As Social Documentary, Eric Miller, Jo-Anne Smetherham, Jennifer Fish
Women's & Gender Studies Faculty Publications
This article traces our collective experiences as a photographer, a journalist and an academic engaged in the process of documenting the lives of South Africa’s grand-mothers – who are confronting the HIV/AIDS pandemic while carrying an immense history of social struggle in the apartheid era. We set out with individual aspirations to record, in visual and narrative forms, the life stories and lived experiences of members of the Grandmothers Against Poverty and AIDS (GAPA) organization based in Khayelitsha, Cape Town. Over the course of three years of building relationships and working with leaders of this organisation, we developed a social …
The Bed As Object And Metaphor,
2012
University of Central Florida
The Bed As Object And Metaphor, Heather Comparetto
Electronic Theses and Dissertations
This series of work explores the nature of the bed as object and metaphor. The bed is an object where an action, such as thinking and laying awake takes place. In a metaphorical sense, the bed in my work represents moods and emotions that are psychologically tied to the bed. In this body of work I explore the relationship between the person and the bed. The bed represents not only an intimate space, but also a hiding place of retreat and self-imposed alienation. This series pulls from personal experience, influences such as Alison Brady and Sophie Callie, and select films …
Listen,
2012
University of South Carolina - Columbia
Spotlight On Usc: Mechanical Engineering,
2012
University of South Carolina - Columbia
Spotlight On Usc: Mechanical Engineering, Allison Marsh
Section 3: Imaging the Fast Moving
No abstract provided.
Photographic Evidence,
2012
University of South Carolina - Columbia
Photographic Evidence, Allison Marsh
Section 3: Imaging the Fast Moving
No abstract provided.
Influencing Art,
2012
University of South Carolina - Columbia
Influencing Art, Allison Marsh
Section 3: Imaging the Fast Moving
No abstract provided.
Fact Or Fiction?,
2012
University of South Carolina - Columbia
Fact Or Fiction?, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Spotlight On Usc: Department Of Art,
2012
University of South Carolina - Columbia
Spotlight On Usc: Department Of Art, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Usc's Nanocenter,
2012
University of South Carolina - Columbia
Usc's Nanocenter, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Art Versus Image,
2012
University of South Carolina - Columbia
Art Versus Image, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Nano Imaging,
2012
University of South Carolina - Columbia
Nano Imaging, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
What Is Nanotechnology?,
2012
University of South Carolina - Columbia
What Is Nanotechnology?, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Nanotechnology In Everyday Life,
2012
University of South Carolina - Columbia
Nanotechnology In Everyday Life, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Choosing An Instrument,
2012
University of South Carolina - Columbia
Choosing An Instrument, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Conclusion Panel,
2012
University of South Carolina - Columbia
Commonthought (2012),
2012
Lesley University
Commonthought (2012), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Capturing Motion,
2012
University of South Carolina - Columbia
Capturing Motion, Allison Marsh
Section 3: Imaging the Fast Moving
No abstract provided.
Faulkner's Literary Historiography: Color, Photography, And The Accessible Past,
2012
University of Richmond
Faulkner's Literary Historiography: Color, Photography, And The Accessible Past, Peter Lurie
English Faculty Publications
This paper looks at changes in visual representation in the 1930s as a means of understanding Faulkner's newly historiographic methods in this decade. The advent of Kodachrome® in 1935 as the first widely used color film stock presaged the turn toward the black-and-white documentary mode so important to the nation's efforts to "countenance," or see, the economic crises of the period. Faulkner's descriptive and representational practices in the period 1929-36 also shifted from a more pervasive use of coloration to a style like the silver halide photos prevalent in the middle nineteenth century--the period of the past-tense events in Absalom, …
What You Could Know,
2012
University of the Pacific
My Time,
2012
University of the Pacific
