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Photography Commons™

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12,233 Full-Text Articles 6,834 Authors 7,182,500 Downloads 205 Institutions

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12,233 full-text articles. Page 450 of 462.

Exhume / Consume, Nader Sadek 2012 Rollins College

Exhume / Consume, Nader Sadek

SPECS journal of art and culture

No abstract provided.


Junk Food, Lesley Silvia 2012 Rollins College

Junk Food, Lesley Silvia

SPECS journal of art and culture

No abstract provided.


No Swimming, Lesley Silvia 2012 Rollins College

No Swimming, Lesley Silvia

SPECS journal of art and culture

No abstract provided.


My Barbies, Anoushka Van Velzen 2012 Rollins College

My Barbies, Anoushka Van Velzen

SPECS journal of art and culture

No abstract provided.


Attentional Landscapes Klompching Gallery, Odette England 2012 Rollins College

Attentional Landscapes Klompching Gallery, Odette England

SPECS journal of art and culture

No abstract provided.


Re-Enactment Casualties, Philip Ewe 2012 Rollins College

Re-Enactment Casualties, Philip Ewe

SPECS journal of art and culture

No abstract provided.


Schizophrene, Bhanu Kapil, Rohini Kapil 2012 Rollins College

Schizophrene, Bhanu Kapil, Rohini Kapil

SPECS journal of art and culture

No abstract provided.


Motionless Monotony: New Nowheres In Irish Photography, Colin Graham 2012 Technological University Dublin

Motionless Monotony: New Nowheres In Irish Photography, Colin Graham

Articles

‘But my mind was too confused … so with a kind of madness growing upon me, I flung myself into futurity … What strange developments of humanity, what wonderful advances upon our rudimentary civilization, I thought, might not appear when I came to look into the dim elusive world that raced and fluctuated before my eyes. I saw great and splendid architecture rising about me, more massive than any buildings of our own time, and yet, it seemed, built of glimmer and mist … the earth seemed very fair. And so my mind came round to the business of stopping.’ …


Dotphotozine Issue 2, 2012, Students of the CSUSB Art Department, Thomas McGovern 2012 California State University, San Bernardino

Dotphotozine Issue 2, 2012, Students Of The Csusb Art Department, Thomas Mcgovern

Dotphotozine

No abstract provided.


Linvel Barker: Works From The Collection Of Rita Biesiot, Linvel Barker, Rita Biesiot, Kentucky Folk Art Center 2012 Morehead State University

Linvel Barker: Works From The Collection Of Rita Biesiot, Linvel Barker, Rita Biesiot, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2012 Kentucky Folk Art Center exhibition catalog of artist Linvel Barker.


2 X 20: Works By 20 Of Kentucky's Finest Working Folk Artists, Minnie Adkins, Barbara Burton, Jo Ann Butts, Brent Collinsworth, Joan Dance, Tad DeSanto, Marvin Francis, Tim Lewis, Jance Miller, Lonnie Money, Twyla Money, Robert Morgan, Bruce New, Janice Harding Owens, Jim Gary Phillips, Thaddeus Pinkney, Monica Pipia, Willie Rascoe, Eileen Stockham, Donny Tolson, LaVon Van Williams, Kentucky Folk Art Center 2012 Morehead State University

2 X 20: Works By 20 Of Kentucky's Finest Working Folk Artists, Minnie Adkins, Barbara Burton, Jo Ann Butts, Brent Collinsworth, Joan Dance, Tad Desanto, Marvin Francis, Tim Lewis, Jance Miller, Lonnie Money, Twyla Money, Robert Morgan, Bruce New, Janice Harding Owens, Jim Gary Phillips, Thaddeus Pinkney, Monica Pipia, Willie Rascoe, Eileen Stockham, Donny Tolson, Lavon Van Williams, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2012 Kentucky Folk Art Center exhibition catalog of the twenty finest working folk artists.


Upon Reflection: Photographs By Judy Ellis Glickman, Center for Ethics in Action, University of New England Art Gallery 2012 University of New England

Upon Reflection: Photographs By Judy Ellis Glickman, Center For Ethics In Action, University Of New England Art Gallery

Exhibition Catalogues

Upon Reflection: Judy Ellis Glickman is the catalogue from the University of New England Art Gallery’s June 26–Sept 30, 2012 exhibition of photographs made by Judy Ellis Glickman over a 35-year period. Best known among these are the powerful black and white images from “Holocaust, the Presence of the Past” and her strong portraits of “Resistance and Rescue: Denmark’s Response to the Holocaust.” Well represented with other work, among a broad range of subjects, are images of Maine, exotic ones of her extensive international travel, and her latest abstract images in color.


Southwinds - Spring 2012, 2012 Missouri University of Science and Technology

Southwinds - Spring 2012

Southwinds: The Literary and Arts Magazine of Missouri S&T

THE LITERARY MAGAZINE OF MISSOURI UNIVERSITY OF SCIENCE AND TECHNOLOGY SPRING 2012 Southwinds is sponsored by the Department of English & Technical Communication


Ua12/2/16 Spirit Masters Scrapbook, WKU Spirit Masters 2012 Western Kentucky University

Ua12/2/16 Spirit Masters Scrapbook, Wku Spirit Masters

Student Organizations

Scrapbook of WKU Spirit Masters activities in 2011-2012.


Bee, Madeline A. Price 2012 Gettysburg College

Bee, Madeline A. Price

The Mercury

No abstract provided.


Heart Rock, Madeline A. Price 2012 Gettysburg College

Heart Rock, Madeline A. Price

The Mercury

No abstract provided.


The Mercury 2012, 2012 Gettysburg College

The Mercury 2012

The Mercury

No abstract provided.


Horizons, Volume 27, 2012, Sacred Heart University 2012 Sacred Heart University

Horizons, Volume 27, 2012, Sacred Heart University

Vistas (Horizons)

No abstract provided.


Parnassus 2012, 2012 Taylor University

Parnassus 2012

Parnassus

The 2012 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Correction: The second and third place winners in poetry were switched on printing.


A Painful Labor: Photography And Responsibility, Sharon Sliwinski 2012 Western University

A Painful Labor: Photography And Responsibility, Sharon Sliwinski

Data and Test Instruments

This paper considers the tension between photography and responsibility despite the avalanche of objections regarding documentary’s false promise to awaken social conscience. By examining the encounter with images of suffering through a psychoanalytic register, the paper tries to articulate what Barthes describes as the ‘painful labour’ of responding to the photographic other – an encounter that illuminates the limit of the spectator’s ability to respond. Photographs provide an occasion to register this limit, which, I argue, opens up the spectator’s traditional notions of responsibility from a set of moral duties towards a questioning of the ethical relation.


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