Photography And The Paradigm Of The Trace,
2013
Edith Cowan University
Photography And The Paradigm Of The Trace, Daniel Nevin
Theses: Doctorates and Masters
The idea that photographs can be explained as traces made by the things they depict has been a recurring paradigm in theories about the nature of the photographic medium. Walter Benjamin, Charles Sanders Peirce, Susan Sontag, Andre Bazin and Roland Barthes are a few of the many theorists who have used the paradigm of the trace to explain the nature of photographs. The paradigm can also be argued to have been a significant influence in the work of prominent artists such as Gerhard Richter, Adam Fuss and Cornelia Parker whose work has explored the photographic medium. Through an exegesis and …
Passwords, Vol. 13, Issue 1,
2012
Claremont Colleges
Dying In Wyoming,
2012
Claremont Colleges
In The Garden,
2012
Claremont Colleges
The Bones,
2012
Scripps College
The Second Wailing Wall,
2012
Claremont Colleges
Y Comenzamos,
2012
Claremont Colleges
Entwined,
2012
Pomona College
Modern Phaethon,
2012
Pomona College
Two Poems,
2012
Claremont Colleges
Always Puking Always Crying Always Dancing,
2012
Claremont Colleges
Outtakes,
2012
Claremont Colleges
Log Cabin,
2012
Claremont Colleges
Corinne,
2012
Claremont Colleges
Homesick,
2012
Claremont Colleges
Swollen River,
2012
Claremont Colleges
Inside Cover,
2012
Claremont Colleges
Front Cover,
2012
Claremont Colleges
Front Matter And Editors' Note,
2012
Claremont Colleges
Storie Of The Past: Learning The Legacy Of Emmet Gowin,
2012
Wright State University
Storie Of The Past: Learning The Legacy Of Emmet Gowin, Megan Hague, Tracy Longley-Cook
Explorations – The Journal of Undergraduate Research, Scholarship and Creativity at Wright State
The process of producing a documentary film about the legacy of Emmet Gowin is much like the process, I imagine, of researching and discovering the biographical history of a prominent figure in art. Unlike most documentary films I have made, which largely focus on what is happening presently in the lives of the individuals I am documenting, the Emmet Gowin project has been one fueled by memories of the past. This nostalgic process of reminiscing has created a very unique and unfamiliar opportunity in documentary filmmaking for me, the approach being greatly dependent on stories of the past which in …
