Photography Commons^™

Forum Magazine, November 2013

Forum Magazine

No abstract provided.

Andy Warhol: Polaroids & Portraits, Emily A. Francisco

Schmucker Art Catalogs

Enigmatic Andy Warhol claimed he had “no real point to make” in producing art. Yet, his silkscreens, sculptures, paintings, and photographs reveal the artist’s profound interest in the way art intersected with fields like advertising, fashion, film, mass culture, and underground music. In his experimentations with photography and portraiture, Warhol was fascinated with representations of both the individual and the masses and used the Polaroid portrait to illustrate the fine lines between art and popular culture, celebrity and anonymity. [excerpt]

Grant Application: Photovoice, Lilia Bottino, Collyn Baeder

Photovoice: A Visual Narrative Into The Lives Of Maine Refugee Women

IPEC Mini-grant application for funding of UNE student project Photovoice: A Visual Narrative into the Lives of Maine Refugee Women. Photovoice was proposed as a participatory action strategy which would provide Maine refugee women the opportunity to teach their community and policy makers about health and social issues they face. A UNE MSW student and MPH student sought to understand the barriers to health that Maine refugee women face. They proposed a project where participants would be given a camera to take photos of perceived health and social problems refugees face living in Maine. The photos would seek to …

Goldfield Studies, Dawn Roe

Faculty Publications

The dialogue within this essay serves as a response to the series, Goldfield Studies, a work itself prompted by the history and landscape of this eponymous region of Victoria, Australia. The imagery produced takes the form of paired and multiple still photographs and a digital video sequence, displayed in triple-projection. The discussion is framed by the artist’s introduction, which defines the project as a critical consideration of cultural memory in relation to the opposing perspectives of indigenous and colonial settler narratives, pastoral landscape representations, folklore and myth. A collaborative dialogue between an artist and art historian who share common research …

Pulitzer Prize Winning Photographs And The Rhetoric Of “Poignant Presence”: What Brings The War Home?, Kelly Ann Wakeland

Communication Studies

This paper will briefly discuss the origins of photography, photojournalism, Joseph Pulitzer and his involvement with the arts. Then we will explore why it is important to study visuals, visual rhetoric, and what “poignant presence” is as related to three recent Pulitzer Prize winning photographs, all from the Breaking News Category and featuring combat in war.

Measuring Empowerment: A Program Evaluation Of The Youth Organization Sal Y Luz In Medellin, Colombia, Ashley D. Fitzsimons

Mahurin Honors College Capstone Experience/Thesis Projects

The concept of empowerment is critical to the development of youths' ability to recognize themselves as stakeholders in their community and as participants in civic engagement (Kohlfeldt, 2011; Langhout, 2010). However, programs or groups with goals to foster ideals of empowerment face myriad challenges, such as the social and environmental context of the youth, and the status that the youth maintain in their communities (Kohlfeldt, 2011; Langhout, 2010; Zimmerman, 2004). To measure empowerment, the current study draws observations from a focus-group affiliated with a youth-centered community group known as Sal y Luz located in a disadvantaged comuna of Medellin, Colombia. …

Pao Hoau Her Interview, Bentley "Libby" Christenson

Asian American Art Oral History Project

Artist Bio: Pao Houa Her is a visual artist base in Minnesota. She studied at Minneapolis College of Art and Design and at Yale University School of Art. She can be reached at [email protected]. Bio from- http://phphoto.nfshost.com/?page_id=33

Pao Houa Her was born in Laos. In 1986 after the Vietnam War ended, Pao and her family moved to Thailand and a year later moved to Minnesota. Pao is the oldest of seven and currently resides in Minneapolis, MN. She has received a B.F.A. in photography at the Minneapolis College of Art and Design, and was the first Hmong individual …

Kelly Price Photo Essay, Kelly Price

The Catalyst

No abstract provided.

Untitled, Shelby Dixon

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Selina Santos

Hieroglyphics: the NSU University School Literary Magazine

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Untitled, Katelyn Barclay

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Shelby Dixon

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Alyssa Bonchick

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Shelby Dixon

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Quinn O'Connell

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Alyssa Bonchick

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Jordyn Rosenblum

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Alyssa Bonchick

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Jack Davidson

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Alyssa Bonchick

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.