Photography Commons^™

"Doing It For The 'Gram?" The Representational Politics Of Popular Humanitarianism, Orlando Woods, Siew Ying Shee

Research Collection School of Social Sciences

This paper explores how digital photography – the practice of taking pictures and sharing them via social media – can give rise to representational politics. These politics are pronounced when disadvantaged people and places are the objects of digital representation, as they become (dis)empowered by being implicated in the affective economy of difference. Empirically, we examine the representational practices that Singaporean voluntourists, and companies that organise overseas humanitarian projects, engage in. We highlight how their motivations for engaging with these projects can be obfuscated by the opportunity to generate influence on Instagram, which can then shape the practice of popular …

Movement In Stillness, Shalini Chaliki

HCA Healthcare Journal of Medicine

These images feature the Lower Antelope Canyon which was originally called Hasdestwazi, a Navajo word that means “spiral rock arches.” After hundreds of years, monsoons, winds, and flash floods eroded the slot canyon into the geological wonder that it is today. It enchants tourists and engulfs visitors as it flows around them in every direction. Just east of Page, Arizona, the massive sandstone formation is sacred to the Navajo Nation for its representation of Mother Nature’s many gifts and the passage to time; it is also a reminder that things are larger and greater than ones’ self. While these photos …

Moonlight: A Photo Essay, David A. Westbrook

Journal Articles

No abstract provided.

Pod + College Crusade Photo Journaling 2021, Project Open Door

Project Open Door + Onward We Learn

Participating artists: Ashley, Claudia, Daniel, Izenia, Jennifer, Keyleth, Musta'an, and Perla.

Photography is a tool that can help us to “SEE.” What does this mean? If we are not visually impaired, we can, of course, physically see. But how much do we miss seeing? How much do we take for granted unless we take the time to look? With assignments that hope to inspire careful observation, we can use the camera to observe things in our familiar surroundings in quite extraordinary ways. Photography can help us become more observant and help us have a fulfilling visual life. During this time …

Pod + Onward We Learn (College Crusade) Photo Journaling 2021, Project Open Door

Publications + Documents + Videos

Participating artists: Ashley, Claudia, Daniel, Izenia, Jennifer, Keyleth, Musta'an, and Perla.

POD partnered with Onward We Learn (formerly known as College Crusade) to provide unique and engaging virtual summer workshop experiences during the COVID-19 pandemic. In this online workshop, students were given daily photo challenges to create portraits and still life photographs. They found textures, shapes, colors, numbers, and letters through photographic explorations of their familiar surroundings. In doing so, students created an individual photo journal over the week.

Photography is a tool that can help us to “SEE.” What does this mean? If we are not visually impaired, we …

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …

Eggs, Hair, Seeds, Milk, Patrick West

Landscapes: the Journal of the International Centre for Landscape and Language

Short story

Looking For Marianne North, John Charles Ryan

Landscapes: the Journal of the International Centre for Landscape and Language

This poem reflects on the life of peripatetic botanical illustrator Marianne North (1830-1890) who travelled to Southwest Australia in 1880.

Critically Imagining A Decolonised Vision In Australian Poetry, Cassandra Julie O'Loughlin

Landscapes: the Journal of the International Centre for Landscape and Language

Postmodern ecocriticism, given its broad range of perspectives, offers an agreeable platform for articulating a new, advanced and inclusive framework for a decolonising theorisation of literature and the environment. This article seeks to identify Australian Western decolonising poetry that sits in harmony with Indigenous aural and literary versions of communicative engagement with Country. The concept of human embeddedness in ecological relationships and biological processes as part of a complex matrix of interdependent things is embraced. In particular this article focuses on inclusivity and interconnectedness of all life forms to illustrate aesthetic and conceptual interfaces between Aboriginal Australia and Western poetics. …

Issue Introduction Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Issue Introduction and Editorial for Volume 10, Issue 1.

Complete Issue 1, Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Complete Issue 1, Volume 10

The Gridded Time Of Waiting; Or Is Not Aristotle’S Metaphysics; Or A Kind Of Idealist Trap; Or In My Secret Life, Olivia Divecchia

Theses and Dissertations

Theoretical musings, descriptions, articulations of process, quotations and anecdotes form a constellation of thoughts about the trappings of the grid, ontology, the subject, the window, translation and other things.

Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi

Theses and Dissertations

In this text, I consider my identity as a Japanese immigrant in the United States during a global pandemic and its impact on my understanding of home as a liminal space. In particular, I discuss notions of home in relation to my work as an artist including two works that utilize the home-sharing platform Airbnb and three works that deal with the dichotomy of inside and outside.

The Losses, The Heartbreaks, The Hungers..., Nestor Perez-Moliere

Theses and Dissertations

The Losses, The Heartbreaks, The Hungers… is a photographic body of work in which I engage in a conversation with myself on mental health and self-compassion. I am able to exist with myself within the same frame through the use of compositing techniques that depict a multiplicity of selves. In the work, I dwell in an isolated, psychological space that is constructed through a claustrophobic framing of the camera and black and white film imagery that accentuates the shadows and the light. The interactions with myself are of mixed nature: at times I am abusive to myself, but other times …

Southwinds - Fall 2021

Southwinds: The Literary and Arts Magazine of Missouri S&T

Southwinds is a literary and arts magazine published annually in the spring semester to showcase the creative work of Missouri University of Science and Technology students, faculty, staff, and alumni.

The Bus Murals Of Anniston: Teaching The Freedom Riders History, Joanne E. Gates

Presentations, Proceedings & Performances

PBS's American Experience makes available in streaming format its documentary of the Freedom Riders from the PBS website. With that and with a more detailed photographic slide show of the information panels on Anniston's Burning Bus murals, I seek to bring my students to an awareness of ways that history, especially the history of the violence that met the Freedom Riders outside Anniston, is worthy of a revisiting in today's times. I want to bring into my classroom an appreciation for the bus murals that depict the full history of the incident so that students attending Jacksonville State University can …

Shurooq, Shurooq, Brandi Kilmer, Sherianne Schow, Nicole Taylor, Sasha Sloan

TSOS Interview Gallery

Shurooq fled Iraq and came to the United States when she was 12. Iraq was a beautiful place full of family and celebration. Her brother passed away from leukemia 1 1/2 years prior to coming to the States. Prior to his death, their father took him to Syria to for treatment. He passed in Syria. Although the family had applied for a medical visa to the United States, upon Shurooq’s brother’s passing, they received threats and knew they could not stay. The call came for the visa and all but her mother were able to come. Thankfully her mother arrived …

Ua1c11/106 Jerry Passafiume Photo Collection, Wku Archives

WKU Archives Collection Inventories

Digital images of Jerry Passafiume and 1950s football games and players.

Ua1c11/116 Shirley Risher Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs donated by Shirley Risher.

Ua1c11/110 Frank Pittman Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs of guitar building workshop.