An Introduction To Plastic Sheet Working,
2022
West Virginia University
An Introduction To Plastic Sheet Working, Griffin Nordstrom
Clio: WVU Art History Research Journal
No abstract provided.
Forman Analysis Of Caged In The Circus Of Civilization,
2022
West Virginia University
Forman Analysis Of Caged In The Circus Of Civilization, Riley Red Klug
Clio: WVU Art History Research Journal
No abstract provided.
Catholicism And Commercialism: The Many Aspects Of Andy Warhol's Life,
2022
West Virginia University
Catholicism And Commercialism: The Many Aspects Of Andy Warhol's Life, Payton Brown
Clio: WVU Art History Research Journal
No abstract provided.
Iridescent Skies,
2022
West Virginia University
Iridescent Skies, Joanna Rose Jacinto
Clio: WVU Art History Research Journal
No abstract provided.
The Fountain Of Venus By Francois Boucher,
2022
West Virginia University
The Fountain Of Venus By Francois Boucher, Rebekah Gooding
Clio: WVU Art History Research Journal
No abstract provided.
Artist Statement,
2022
West Virginia University
Artist Statement, Payton Brown
Clio: WVU Art History Research Journal
No abstract provided.
Foreword,
2022
West Virginia University
Foreword, Rebekah Gooding
Clio: WVU Art History Research Journal
No abstract provided.
Table Of Contents,
2022
West Virginia University
Publication Information,
2022
West Virginia University
Title Page,
2022
West Virginia University
Clio Art History Research Journal 1st Edition,
2022
West Virginia University
Clio Art History Research Journal 1st Edition
Clio: WVU Art History Research Journal
No abstract provided.
“The People Are Tired, And Just Want To Have Fun”: Mahraganat Music And The Struggle For Sonic Presence In Post-2013 Egypt,
2022
CUNY Graduate Center
“The People Are Tired, And Just Want To Have Fun”: Mahraganat Music And The Struggle For Sonic Presence In Post-2013 Egypt, Mohammed Elfeky
Dissertations, Theses, and Capstone Projects
Building upon Asef Bayat’s notion of the “unintelligibility” of Egypt’s subaltern politics, this thesis investigates how mahraganat music is rendered “unintelligible/nonsense” by influential Egyptian cultural figures and is targeted for censorship. Mahraganat is a musical artform that arose from the lower-working classes neighborhoods in Egypt to become a dominant genre in the country. In 2020, the Egyptian Musicians Syndicate, headed by Hany Shakir, banned mahraganat artists from performing officially in Egypt. Before and after the ban, state media debated the genre's status; its detractors framed the music as nonsensical, “absurd”, “meaningless”, “vulgar”, and a “low-brow” dilution of Egyptian cultural production …
Research Performance Of Ifla Journals Based On Scopus Database,
2022
Dr. Rammanohar Lohiya Avadh University
Research Performance Of Ifla Journals Based On Scopus Database, Akhilesh Kumar Varma Dr., Shudhanshu Soni Mr., Japesh Singh Mr., Neha Verma Dr.
Library Philosophy and Practice (e-journal)
This study examined the performance of selected IFLA journals for 22 years between 2001 to 2021. The methodology used in this study includes Annual Growth Rate (AGR), Relative Growth Rate (RGR), and Doubling Time (Dt), as well as countries and institutions. With the highest productivity and distribution of publications per year, used to evaluate research productivity. To obtain the information required for this study, the Scopus database was consulted. During the research period, 813 publications were retrieved. Based on the study, the most articles were published in 2021, 84 (10.33%), and the lowest number was 25 (3.07%) in 2018. Due …
Pallavi Rastogi, Postcolonial Disasters: Narrating Catastrophe In The Twenty-First Century (2020): Review Essay,
2022
University of Edinburgh
Pallavi Rastogi, Postcolonial Disasters: Narrating Catastrophe In The Twenty-First Century (2020): Review Essay, Sourit Bhattacharya
CLCWeb: Comparative Literature and Culture
This review essay reads literary-critical works of what is broadly understood as ‘postcolonial disasters’. It outlines how literary critics in the last decades have drawn upon cultural-geographical and anthropological readings of disasters to develop critical frameworks around how literary writers have used style, form, and aesthetics to represent postcolonial catastrophes. It then offers a detailed review of Pallavi Rastogi’s 2020 monograph, Postcolonial Disasters: Narrating Catastrophe in the Twenty-First Century. Through an engaged and critical reading, the essay attends to Rastogi’s insightful theorizing of the topic of ‘Disaster Unconscious’ and her wide-ranging interrogation of fiction from South Asia and Southern …
Incendiary Devices: Imagining E-Waste Frontiers And Africa’S Digital Futures,
2022
University College Dublin
Incendiary Devices: Imagining E-Waste Frontiers And Africa’S Digital Futures, Treasa De Loughry
CLCWeb: Comparative Literature and Culture
In her article, “Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures,” Treasa De Loughry focuses on different visual responses to e-waste in West Africa, from eco-documentary film and photography responses to the infamous Agbogbloshie e-waste yard in Ghana; to techno-utopian visions of e-waste bricoleurs, and e-waste as a signifier and artefact of the neocolonial nature of the capitalist world-ecology. The first half of this article focuses on Florian Weigensamer and Christian Krönes’ documentary film, Welcome to Sodom (2018), grounding it in critiques of the transmedial influence of the documentary form, while attending to the film’s pyrotechnical “optical regime” (Schoonover). …
Signs Of The Inhuman: Hauntings And Lost Futures In Verónica Gerber Bicecci’S La Compañía,
2022
Vassar College
Signs Of The Inhuman: Hauntings And Lost Futures In Verónica Gerber Bicecci’S La Compañía, Marcela Romero Rivera
CLCWeb: Comparative Literature and Culture
Current criticism of works of eco fiction maintains that one of the central contributions of this literary genre is a consciousness-raising effect that these works have on their readers by virtue of alluding, with varying degrees of specificity, to real-world environmental problems, implying that this is a central step towards remedying our current planetary climate crisis. This article suggests, conversely, that literary criticism of eco fiction necessitates a more rigorous material analysis—specifically one attentive to class and class antagonism—of these works and their conditions of production to understand their relation to power, as well as their affordances and limitations as …
Returning To The Past To Rethink Socio-Political Antagonisms: Mapping Today’S Situation In Regards To Popular Insurrections,
2022
Universidad de Los Lagos
Returning To The Past To Rethink Socio-Political Antagonisms: Mapping Today’S Situation In Regards To Popular Insurrections, Nicol A. Barria-Asenjo, Slavoj Žižek, Hernán Scholten, David Pavón-Cuellar, Gonzalo Salas, Oscar Ariel Cabeza, Jesús William Huanca Arohuanca, Sergio J. Aguilar Alcalá
CLCWeb: Comparative Literature and Culture
This article seeks to elaborate a map or cartogram based on a number of protests and social mobilizations that took place in different parts of the world -mainly in Latin America, but also in Europe and Asia. Beyond the data and figures available from various sources, which never speak for themselves, an interpretation is proposed here to reveal the meaning of these events. In other words, by displaying a map of these social movements, the authors propose not only the visualization of a collection of data, but also an illumination of these events in the light of history. From there, …
Necropolitics And Visuality: Remembering ‘Speculative Fictions’ In Hong Kong After Rancière And Mbembe,
2022
Wenzao Ursuline University of Languages, Kaohsiung, Taiwan, R.O.C
Necropolitics And Visuality: Remembering ‘Speculative Fictions’ In Hong Kong After Rancière And Mbembe, Anthony Siu
CLCWeb: Comparative Literature and Culture
In his article, “Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe,” Anthony Siu examines images from Defiance.Voices, a two-volume collection that gathers photography and art illustrations about the Hong Kong Protests. He studies how paintings from the second volume register politics and events, arguing that visual art can be viewed as a new form of “speculative fictions,” a material ontology that historicizes modes of sovereign violence in postcolony. The introduction situates the debate of aesthetics in Hong Kong, conjoining Rancière’s thinking on “the people” and Achille Mbembe’s philosophy on “necropolitics.” The first cluster of …
Fredric Jameson And Gayatri Chakravorty Spivak’S Periodizing The Black Internal Colony,
2022
Hunter College, CUNY
Fredric Jameson And Gayatri Chakravorty Spivak’S Periodizing The Black Internal Colony, Jeremy Matthew Glick
CLCWeb: Comparative Literature and Culture
In “Fredric Jameson and Gayatri Chakravorty Spivak’s Periodizing the Black Internal Colony,” Jeremy Matthew Glick reads these authors’ coupling of Black radical struggle with wars of decolonization as engaging against a twenty-first century war on revolutionary memory. This essay examines Jameson’s brief “Maoist Digression” in “Periodizing the Sixties” and discussion of Cuban Revolutionary Foco-theory as “neither in […] nor of it” and Spivak’s planetary turn’s link to Black internal colonialism analysis as a way to talk about the intersections of revolutionary politics and literary form. It concludes with a brief meditation on Amiri Baraka on the centrality of space for …
Beyond ‘Rising Tides’ And ‘Lying Flat’: Emergent Cultural Practices Among Youth In Urban China,
2022
East China Normal University
Beyond ‘Rising Tides’ And ‘Lying Flat’: Emergent Cultural Practices Among Youth In Urban China, Diego Gullotta, Lili Lin
CLCWeb: Comparative Literature and Culture
In their article, “Beyond ‘Rising Tides’ and ‘Lying Flat’: Emergent Cultural Practices Among Youth in Urban China”, Diego Gullotta and Lili Lin examine how Chinese youth are positioned within the dominant culture, how young people appropriate space in their emergent cultural practices, and how they negotiate meaning-making. The article first analyses the rising tides (houlang) video, sponsored jointly by the state and the private sector, and argues that it reduces youth to a homogenous subject inscribed into the discourse of “China’s rise” (zhongguo jueqi) via emotional mobilization. The “lying flat” phenomenon represents young people’s negative response to …
