Museum Studies Commons^™

Special Collections Roadshow – Episode 9: Medical Kit, Meg A. Sutter, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

For our ninth episode we welcome our guest Dr. Ian Isherwood ’00 to talk about a Civil War medical kit and how to do research relating to Civil War medicine, as seen in the PBS series, Mercy Street. [excerpt]

Special Collections Roadshow — Episode Eight: Emory Upton’S Tactical Blocks, Meg A. Sutter, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

Special Collections Roadshow was created by the Civil War Institute at Gettysburg College in the Spring of 2014. Although the series usually showcases various artifacts from Special Collections at Gettysburg College, for our eighth episode we went on the road to the US Army Heritage and Education Center in Carlisle, PA.

Special Collections Roadshow — Episode Seven: Housewife, Meg A. Sutter, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

Special Collections Roadshow was created by the Civil War Institute at Gettysburg College in the Spring of 2014. It showcases various artifacts from Special Collections at Gettysburg College. The seventh episode features Megan McNish ’16 comparing the housewife from Lewis Tway’s collection to another housewife we just received from Rev. Theodore Schlach’s new collection in Special Collections.

3d Scan Data For Caddo Ceramic Vessels From The George C. Davis Site (41ce19), Robert Z. Selden Jr.

CRHR: Archaeology

On June 8, 2015, the intact and reconstructed vessels from the George C. Davis site (41CE19) were scanned (3D) in advance of an analysis of 3D geometric morphometrics. These data were collected using a Creaform GoSCAN50 running VXElements via the scanner direct control function in Geomagic Design X. All data associated with this project are available in Zenodo under a Creative Commons Attribution license, where they can be downloaded for use in additional projects. These data have the capacity to augment numerous research designs in the digital humanities and ceramic studies, as well as a wide range of comparative research …

Review Of Designing Identity: The Power Of Textiles In Late Antiquity. Edited By Thelma K. Thomas, Carol Bier

Textile Research Works

Designing Identity: The Power of Textiles in Late Antiquity. Edited by Thelma K. Thomas, with contributions by Jennifer L. Ball, Edward Bleiberg, Kathrin Colburn, Helen C. Evans, Christine Kondoleon, Brandie Ratliff, Thelma K. Thomas, Elizabeth D. Williams. Princeton and Oxford: Princeton University Press and Institute for the Study of the Ancient World at New York University, 2016. 152 p. ISBN: 978-0691169422

This beautifully illustrated book, edited by textile historian Thelma K. Thomas, Associate Professor at NYU’s Institute of Fine Arts, advances scholarship on textiles of Late Antiquity with interpretive essays by curators, conservators, and historians. As a scholarly contribution offering …

Reconstructing Meucci’S Legacy: A Museum-School Internship Collaboration, Nicholas Macula

Graduate Student Independent Studies

Excellence & Equity calls for partnerships between museums and schools that will better utilize the strengths of both institutions to encourage learning and fulfill the social calling of museums (American Association of Museums [AAM], 1992). Meanwhile educators are called to meet 21st century learners head-on using “constructivist, project enhanced, collaborative, and authentic curricula” (King, 1998, p.1). With these principles in mind, the museum-school partnership becomes a viable remedy to meeting this social obligation of museums while affording schools opportunities to better engage new learners. Through the lens of a particular growing museum-school partnership between the Garibaldi-Meucci Museum and Staten Island …

Indigenous Curation At The Denver Museum Of Nature And Science, Julia Marie Strunk

Electronic Theses and Dissertations

This thesis explores the questions of how and why indigenous curation is incorporated into collections care and management for American Indian sacred, ceremonial, and religious items at the Denver Museum of Nature and Science (DMNS) through the examination of staff discourse. This thesis also discusses the importance of incorporating non-Western ontologies and epistemologies into classically Western science and natural history museums, and how this helps reconcile differing collections care and management practices. Through the presentation and examination of data and literature, I argue that it is important to include indigenous curation in museums because it aids in cultural revitalization and …

Interpreting The Intangible: Challenges To The Display Of Dance Objects In Museums, Kathryn Louise Brundige Grossman

Electronic Theses and Dissertations

This thesis analyzes Indigenous and non-Western dance objects in museums, examining the role of theory from material culture studies, critical museology and museum education on approaches to their interpretation and display. To explore this topic, I conducted a comparative analysis of Indigenous and non-Western dance object displays at four museums - Denver Art Museum, Denver Museum of Nature and Science, the Thomas Gilcrease Institute of American History and Art in Tulsa, Oklahoma and the Sam Noble Museum of Natural History in Norman, Oklahoma - investigating the use of Native voice, reflexive analysis and multisensory elements in the exhibits' organization, narrative …

Museums, Disasters, And Resilience: The Presbytère's Living With Hurricanes—Katrina And Beyond Exhibit, Molly Hagan

Electronic Theses and Dissertations

This research project focuses on the entanglement of cultural heritage, museums, disasters, and resilience. Using The Presbytère museum's exhibit, Living with Hurricanes: Katrina and Beyond as a case study, I critically examined who is represented in the exhibit and how, what roles museum professionals and New Orleans community members held in the exhibit construction, and visitors' insight on the exhibit content. I argue that the promotion of New Orleans' culture and recovery post-Katrina throughout the exhibit has promoted the overall image of New Orleans and her residents as resilient. Framed by a variety of academic fields, this research contributes to …

Relics Of Battle: War, Memory, And New Museum Theory In Military Museums, Megan Mccoy

Electronic Theses and Dissertations

The anthropology of museums, or museum ethnography, is a useful tool for critically analyzing the representational strategies of museums and their collections. This thesis focuses on the anthropological discussion of military museums and analysis of the material culture of conflict, and specifically on military museums in the United States and in Europe. Using a comparative approach, I look at how "new museology" and "new museum theory" is or is not being implanted in respective military history museum exhibitions, and discuss how personal and collective memory play a role in the construction of the military museum. I also consider how visiting, …

Author Guidelines: Biennial Symposium 2016 Proceedings

Textile Society of America: Symposium Proceedings

Instructions for submission to the biennial symposium proceedings

Lasting Impressions: Indian Block-Prints And Global Trade, Eiluned Edwards

Textile Society of America: Symposium Proceedings

"Above the proficiency in making cotton textiles, India’s crowning textile accomplishment was the patterning of this cloth with brilliant fast dyes."

Textiles are among India’s most successful exports and the enduring popularity of block printed cloth has sustained a centuries-old craft that survives and even thrives in the digital age. Block prints have been integral to the dress codes of the subcontinent as well as serving domestic and ritual functions. (figs. 1-2) They were also embedded in the material culture of diverse nations through centuries of international trade. So what has enabled their longevity and global reach? This paper explores …

Exploring Color Interactions Illuminated In Goldwork Embroidery, Katherine Diuguid

Textile Society of America: Symposium Proceedings

Unexpected things happen when you mix colored threads with metal threads in embroidery--the metals cast their reflections onto the threads, changing the perception of the colors to the viewer. The expectation is for the metal to reflect the light. The excitement lies in the unpredictable nature of how the reflections affect the perception of the surrounding colors and how these perceived colors change as the metals age. Color theory principles are seen in their extremes when mixed with the metal threads. The natural reaction when approaching gold is to assume it is a yellow, making purple its complement according to …

Sacred Currency: The Value Of Textile In Colonial Andean Painting, Gaby Greenlee

Textile Society of America: Symposium Proceedings

In this 18th century colonial Andean image painted in the former Inka capital of Cuzco, Peru, a wreath of flowers encircles a small female figure sitting upon a richly textured seat (Figure 1). She wears clothing that connotes distinction; her features and gestures are as delicate as her garments yet her eyes are fixed and discerning. Our eyes are drawn to her eyes. What does she see? What is her role? We also turn these questions on ourselves: what do we know about this figure that gives the painting meaning? We tend to interpret the work through her identity.

However, …

On Textile Fragments Found At Karadong, A 3rd To Early 4th Century Oasis In The Taklamakan Desert (Xinjiang, China), Sophie Desrosiers, Corinne Debaine-Francfort

Textile Society of America: Symposium Proceedings

In 1993 and 1994, the Sino-French archeological mission in Xinjiang led by Abdurassul Idriss and Corinne Debaine-Francfort,1 excavated the site at Karadong in the heart of the Takalamakan desert, on a former delta of the Keriya River, whose headwaters are in the Kunlun Mountains at the Tibetan border, and which vanishes in the desert sands. At one time, it continued north all the way to the Tarim River, thus forming a communication link with the Kucha region. Older deltas visible on satellite images have been explored and two related archeological sites have been consecutively excavated to the northwest of Karadong: …

Mexican Ikat And Transatlantic Trade, Alejandro B. De Avila

Textile Society of America: Symposium Proceedings

The earliest text known so far in the Americas was engraved on a potsherd found in Chiapa de Corzo in southern Mexico that has been dated to around 300 years before our era. The script appears to represent a language in the Mixe-Zoquean family (which developed historically along the Isthmus of Tehuantepec), and it has been proposed that the inscription on the clay reads as follows: “The pleated cloth got dyed. The thing that is made of pleated cloth has been cut.”1 If this interpretation holds true, the text must refer to a textile that was patterned by means of …

America’S Indigo Obsession: From Colonial Plantations To Contemporary Diy Ethos, Sonja Dahl

Textile Society of America: Symposium Proceedings

This research project is, as the title implies, quite broad. It has grown from stories shared generously with me by many of indigo’s proponents today, as well as the stories compiled in the historical and ethnographic research of scholars such as Andrea Feeser1 and Jenny Balfour Paul.2 This paper was originally written for oration, and what I offer here is a transcript of this talk as performed at the Textile Society of America’s 2016 symposium, Land, Labor and the Port in Savannah, GA, October 2016. It is an open reflection on some of the stories and broader themes I’ve encountered …

New Tools In The Box: Traditional Methods, Contemporary Materials And New Techniques On The Atlantic Coast A Round Table Discussion, Memory Holloway, Laurie Carlson Steger

Textile Society of America: Symposium Proceedings

Recently, the Wall Street Journal reported on the new interest in fiber arts, with the claim that this interest has seen a revival in the hands of contemporary artists exploring bold new forms. “The emergence of fiber art,” states Glenn Adamson, director of New York’s Museum of Art and Design, “is not just the reappraisal of an historic textile movement, rather a much more broad-based interest.”1 The fiber artists on this roundtable addressed two topics related to this broad-based interest, one on formal experimentation, the other on their geographic placement as artists on the Atlantic coast, particularly in and around …

Field To Bag, Bag To Field: Feedbag Production And Distribution In Rural America, Heather R. Buechler

Textile Society of America: Symposium Proceedings

sack- noun a large bag made of a strong material such as burlap, thick paper, or plastic, used for storing and carrying goods.[English Oxford Living Dictionaries.com,]

A popular object among collectors of agricultural ephemera, the printed agricultural sack—both textile and paper—used for the distribution of agricultural goods, is an object with a rich history. Previous research published on these ephemeral objects has typically examined their use and reuse in American households as clothing, quilts, and other domestic goods, or their significance in the World War I Belgian War Relief under the Herbert Hoover administration. This paper poses approaches to the …

Bombay To Bauhaus: Design Influences In Churchill Weavers Textiles From 1922-1949, Sarah Stopenhagen Broomfield

Textile Society of America: Symposium Proceedings

Churchill Weavers, a nationally known handweaving center founded in 1922 in the Cumberland foothills in Berea, Kentucky, created a marketing niche by promoting the Modernist look in its textile products. Modernist textiles focused on woven structure, texture, yarn and fabric properties as the major design elements. Bauhaus artists codified and disseminated a theory of modern textiles as Europe rebuilt in the interwar period, while in America Modernist textiles were commodified as a marketing trend in early 20th century consumerism. Eleanor Churchill, co-owner and the company’s first designer was influenced by textile designs from India, from Modernist textiles, and from Swedish …