A Fish Out Of (Open) Water: A Close Textual-Intertextual Analysis Of The Monterey Bay Aquarium,
2016
California Polytechnic State University, San Luis Obispo
A Fish Out Of (Open) Water: A Close Textual-Intertextual Analysis Of The Monterey Bay Aquarium, Danielle Berton
Communication Studies
No abstract provided.
The One Exhibition The Roots Of The Lgbt Equality Movement One Magazine & The First Gay Supreme Court Case In U.S. History 1943-1958,
2016
California State University - San Bernardino
The One Exhibition The Roots Of The Lgbt Equality Movement One Magazine & The First Gay Supreme Court Case In U.S. History 1943-1958, Joshua R. Edmundson
Electronic Theses, Projects, and Dissertations
The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement. The study begins during World War II, continues through the McCarthy era and the founding of the nation’s first gay magazine, and ends in 1958 with the first gay Supreme Court case in U.S. history.
Central to the story is ONE The Homosexual Magazine, and its founders, as they embarked on a quest for LGBT equality by establishing the first ongoing nationwide forum for gay people in the U.S., and challenged the government’s right to engage …
Curating Adjacent Shores: A Contemporary Art Exhibition At Usf's Thacher Gallery,
2016
University of San Francisco
Curating Adjacent Shores: A Contemporary Art Exhibition At Usf's Thacher Gallery, Nell C. Herbert
Master's Projects and Capstones
This capstone is a project management plan for the curation of a real-world contemporary art exhibition at the University of San Francisco’s Mary and Carter Thacher Gallery. Adjacent Shores: Hughen Starkweather was on view from March 7 through April 24 of 2016, and featured an eighteenth century Japanese map and the work of the collaborative team of San Francisco based artists Amanda Hughen and Jennifer Starkweather. The exhibition was part of a larger program of events that occurred concurrently on the USF campus and at the Asian Art Museum, all centered on the theme of cartography. During and immediately following …
Teening The Museum : An Adaptable Teen Program For Art And History Museums,
2016
Bank Street College of Education
Teening The Museum : An Adaptable Teen Program For Art And History Museums, Julia Doak Fields
Graduate Student Independent Studies
The teen program delineated in this document was inspired by artist Fred Wilson's exhibit at the Maryland Historical Society. This program is designed to be used by art or history museums with object collections, with a static group of teenagers. It also includes information about why and how to execute this program, plus some specific lesson plans as well as reading materials and suggestions for evaluation.
Special Collections Roadshow — Episode Ten: Union Uniform,
2016
Gettysburg College
Special Collections Roadshow — Episode Ten: Union Uniform, Meg A. Sutter, Megan E. Mcnish
The Gettysburg Compiler: On the Front Lines of History
Special Collections Roadshow was created by the Civil War Institute at Gettysburg College in the Spring of 2014. It normally showcases various artifacts from Special Collections at Gettysburg College. For our tenth episode, we went on the road to the Gettysburg National Military Park. Thank you so much to the park staff, specifically Andrew Newman for letting us film an episode on an enlisted man’s uniform in their facility! [excerpt]
Special Collections Roadshow – Episode 9: Medical Kit,
2016
Gettysburg College
Special Collections Roadshow – Episode 9: Medical Kit, Meg A. Sutter, Megan E. Mcnish
The Gettysburg Compiler: On the Front Lines of History
For our ninth episode we welcome our guest Dr. Ian Isherwood ’00 to talk about a Civil War medical kit and how to do research relating to Civil War medicine, as seen in the PBS series, Mercy Street. [excerpt]
Special Collections Roadshow — Episode Eight: Emory Upton’S Tactical Blocks,
2016
Gettysburg College
Special Collections Roadshow — Episode Eight: Emory Upton’S Tactical Blocks, Meg A. Sutter, Megan E. Mcnish
The Gettysburg Compiler: On the Front Lines of History
Special Collections Roadshow was created by the Civil War Institute at Gettysburg College in the Spring of 2014. Although the series usually showcases various artifacts from Special Collections at Gettysburg College, for our eighth episode we went on the road to the US Army Heritage and Education Center in Carlisle, PA.
Special Collections Roadshow — Episode Seven: Housewife,
2016
Gettysburg College
Special Collections Roadshow — Episode Seven: Housewife, Meg A. Sutter, Megan E. Mcnish
The Gettysburg Compiler: On the Front Lines of History
Special Collections Roadshow was created by the Civil War Institute at Gettysburg College in the Spring of 2014. It showcases various artifacts from Special Collections at Gettysburg College. The seventh episode features Megan McNish ’16 comparing the housewife from Lewis Tway’s collection to another housewife we just received from Rev. Theodore Schlach’s new collection in Special Collections.
3d Scan Data For Caddo Ceramic Vessels From The George C. Davis Site (41ce19),
2016
Center for Regional Heritage Research, Stephen F. Austin State University
3d Scan Data For Caddo Ceramic Vessels From The George C. Davis Site (41ce19), Robert Z. Selden Jr.
CRHR: Archaeology
On June 8, 2015, the intact and reconstructed vessels from the George C. Davis site (41CE19) were scanned (3D) in advance of an analysis of 3D geometric morphometrics. These data were collected using a Creaform GoSCAN50 running VXElements via the scanner direct control function in Geomagic Design X. All data associated with this project are available in Zenodo under a Creative Commons Attribution license, where they can be downloaded for use in additional projects. These data have the capacity to augment numerous research designs in the digital humanities and ceramic studies, as well as a wide range of comparative research …
Review Of Designing Identity: The Power Of Textiles
In Late Antiquity. Edited By Thelma K. Thomas,
2016
Graduate Theological Union
Review Of Designing Identity: The Power Of Textiles In Late Antiquity. Edited By Thelma K. Thomas, Carol Bier
Textile Research Works
Designing Identity: The Power of Textiles in Late Antiquity. Edited by Thelma K. Thomas, with contributions by Jennifer L. Ball, Edward Bleiberg, Kathrin Colburn, Helen C. Evans, Christine Kondoleon, Brandie Ratliff, Thelma K. Thomas, Elizabeth D. Williams. Princeton and Oxford: Princeton University Press and Institute for the Study of the Ancient World at New York University, 2016. 152 p. ISBN: 978-0691169422
This beautifully illustrated book, edited by textile historian Thelma K. Thomas, Associate Professor at NYU’s Institute of Fine Arts, advances scholarship on textiles of Late Antiquity with interpretive essays by curators, conservators, and historians. As a scholarly contribution offering …
Reconstructing Meucci’S Legacy: A Museum-School Internship Collaboration,
2016
Bank Street College of Education
Reconstructing Meucci’S Legacy: A Museum-School Internship Collaboration, Nicholas Macula
Graduate Student Independent Studies
Excellence & Equity calls for partnerships between museums and schools that will better utilize the strengths of both institutions to encourage learning and fulfill the social calling of museums (American Association of Museums [AAM], 1992). Meanwhile educators are called to meet 21st century learners head-on using “constructivist, project enhanced, collaborative, and authentic curricula” (King, 1998, p.1). With these principles in mind, the museum-school partnership becomes a viable remedy to meeting this social obligation of museums while affording schools opportunities to better engage new learners. Through the lens of a particular growing museum-school partnership between the Garibaldi-Meucci Museum and Staten Island …
Indigenous Curation At The Denver Museum Of Nature And Science,
2016
University of Denver
Indigenous Curation At The Denver Museum Of Nature And Science, Julia Marie Strunk
Electronic Theses and Dissertations
This thesis explores the questions of how and why indigenous curation is incorporated into collections care and management for American Indian sacred, ceremonial, and religious items at the Denver Museum of Nature and Science (DMNS) through the examination of staff discourse. This thesis also discusses the importance of incorporating non-Western ontologies and epistemologies into classically Western science and natural history museums, and how this helps reconcile differing collections care and management practices. Through the presentation and examination of data and literature, I argue that it is important to include indigenous curation in museums because it aids in cultural revitalization and …
Interpreting The Intangible: Challenges To The Display Of Dance Objects In Museums,
2016
University of Denver
Interpreting The Intangible: Challenges To The Display Of Dance Objects In Museums, Kathryn Louise Brundige Grossman
Electronic Theses and Dissertations
This thesis analyzes Indigenous and non-Western dance objects in museums, examining the role of theory from material culture studies, critical museology and museum education on approaches to their interpretation and display. To explore this topic, I conducted a comparative analysis of Indigenous and non-Western dance object displays at four museums - Denver Art Museum, Denver Museum of Nature and Science, the Thomas Gilcrease Institute of American History and Art in Tulsa, Oklahoma and the Sam Noble Museum of Natural History in Norman, Oklahoma - investigating the use of Native voice, reflexive analysis and multisensory elements in the exhibits' organization, narrative …
Museums, Disasters, And Resilience: The Presbytère's Living With Hurricanes—Katrina And Beyond Exhibit,
2016
University of Denver
Museums, Disasters, And Resilience: The Presbytère's Living With Hurricanes—Katrina And Beyond Exhibit, Molly Hagan
Electronic Theses and Dissertations
This research project focuses on the entanglement of cultural heritage, museums, disasters, and resilience. Using The Presbytère museum's exhibit, Living with Hurricanes: Katrina and Beyond as a case study, I critically examined who is represented in the exhibit and how, what roles museum professionals and New Orleans community members held in the exhibit construction, and visitors' insight on the exhibit content. I argue that the promotion of New Orleans' culture and recovery post-Katrina throughout the exhibit has promoted the overall image of New Orleans and her residents as resilient. Framed by a variety of academic fields, this research contributes to …
Relics Of Battle: War, Memory, And New Museum Theory In Military Museums,
2016
University of Denver
Relics Of Battle: War, Memory, And New Museum Theory In Military Museums, Megan Mccoy
Electronic Theses and Dissertations
The anthropology of museums, or museum ethnography, is a useful tool for critically analyzing the representational strategies of museums and their collections. This thesis focuses on the anthropological discussion of military museums and analysis of the material culture of conflict, and specifically on military museums in the United States and in Europe. Using a comparative approach, I look at how "new museology" and "new museum theory" is or is not being implanted in respective military history museum exhibitions, and discuss how personal and collective memory play a role in the construction of the military museum. I also consider how visiting, …
Author Guidelines: Biennial Symposium 2016 Proceedings,
2016
University of Nebraska - Lincoln
Author Guidelines: Biennial Symposium 2016 Proceedings
Textile Society of America: Symposium Proceedings
Instructions for submission to the biennial symposium proceedings
Lasting Impressions: Indian Block-Prints And Global Trade,
2016
University of Nebraska - Lincoln
Lasting Impressions: Indian Block-Prints And Global Trade, Eiluned Edwards
Textile Society of America: Symposium Proceedings
"Above the proficiency in making cotton textiles, India’s crowning textile accomplishment was the patterning of this cloth with brilliant fast dyes."
Textiles are among India’s most successful exports and the enduring popularity of block printed cloth has sustained a centuries-old craft that survives and even thrives in the digital age. Block prints have been integral to the dress codes of the subcontinent as well as serving domestic and ritual functions. (figs. 1-2) They were also embedded in the material culture of diverse nations through centuries of international trade. So what has enabled their longevity and global reach? This paper explores …
Exploring Color Interactions Illuminated In Goldwork Embroidery,
2016
North Carolina State University
Exploring Color Interactions Illuminated In Goldwork Embroidery, Katherine Diuguid
Textile Society of America: Symposium Proceedings
Unexpected things happen when you mix colored threads with metal threads in embroidery--the metals cast their reflections onto the threads, changing the perception of the colors to the viewer. The expectation is for the metal to reflect the light. The excitement lies in the unpredictable nature of how the reflections affect the perception of the surrounding colors and how these perceived colors change as the metals age. Color theory principles are seen in their extremes when mixed with the metal threads. The natural reaction when approaching gold is to assume it is a yellow, making purple its complement according to …
Sacred Currency: The Value Of Textile In Colonial Andean Painting,
2016
University of Nebraska - Lincoln
Sacred Currency: The Value Of Textile In Colonial Andean Painting, Gaby Greenlee
Textile Society of America: Symposium Proceedings
In this 18th century colonial Andean image painted in the former Inka capital of Cuzco, Peru, a wreath of flowers encircles a small female figure sitting upon a richly textured seat (Figure 1). She wears clothing that connotes distinction; her features and gestures are as delicate as her garments yet her eyes are fixed and discerning. Our eyes are drawn to her eyes. What does she see? What is her role? We also turn these questions on ourselves: what do we know about this figure that gives the painting meaning? We tend to interpret the work through her identity.
However, …
On Textile Fragments Found At Karadong, A 3rd To Early 4th Century Oasis In The Taklamakan Desert (Xinjiang, China),
2016
Ecole des Hautes Etudes en Sciences Sociales (EHESS), Paris
On Textile Fragments Found At Karadong, A 3rd To Early 4th Century Oasis In The Taklamakan Desert (Xinjiang, China), Sophie Desrosiers, Corinne Debaine-Francfort
Textile Society of America: Symposium Proceedings
In 1993 and 1994, the Sino-French archeological mission in Xinjiang led by Abdurassul Idriss and Corinne Debaine-Francfort,1 excavated the site at Karadong in the heart of the Takalamakan desert, on a former delta of the Keriya River, whose headwaters are in the Kunlun Mountains at the Tibetan border, and which vanishes in the desert sands. At one time, it continued north all the way to the Tarim River, thus forming a communication link with the Kucha region. Older deltas visible on satellite images have been explored and two related archeological sites have been consecutively excavated to the northwest of Karadong: …
